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11 minutes ago, crumbs said:

So 9M85A Rey Looks is his revised version of this cue, as heard in the film and OST.

 

Cool! I just compared the two versions, Rey Looks has this extension between the build up and the climax of the Force theme that covers exactly Rey's reaction shot:

 

 

In my opinion, Johnson did the right thing, not only in musical terms (the violin passage for Rey helps diferentiating this particularly important Binary Sunset from all the other Binary Sunsets on the other movies), but also because it ties Rey's and Luke's arc on the movie. Instead of being only about Luke, it becomes about him and Rey.

 

Also, Luke Looks has this interesting French Horn fanfare (4:47 on the 360 video) after the Binary Sunset that on Rey Looks went replaced by this bridge for the Kylo scene:

 

 

This fanfare is interesting. Was it also a bridge for Kylo walking into the base? But it seems a little to regal, stately and optimistic for that... On JW's screen, there's seems to be a scene on where the Resistance is walking into the Millenium Falcon, so maybe it was that.

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15 minutes ago, Edmilson said:

This fanfare is interesting. Was it also a bridge for Kylo walking into the base? But it seems a little to regal, stately and optimistic for that... On JW's screen, there's seems to be a scene on where the Resistance is walking into the Millenium Falcon, so maybe it was that.

 

If you look closely, it appears to be the overhead shot of Kylo and the troops marching into the Resistance base. And the exact moment you mentioned seemed to get revised twice:

9m85B    Between Luke and the March
9m85C    Island to March

 

Maybe 9m85C Island to March is the final film version of Kylo's march, while 9m85B Between Luke and the March is an early alternate of the march which was a better fit for the regal fanfare that closes Luke Looks?

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Probably was that. I guess Rian thought the bridge was too regal and stately for that moment, and he wanted the scenes to keep in the melancholic mood following Luke's death, so he asked JW to bridge the two scenes with something more intimate, sad, so JW used the cellos instead of French Horns.

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Here's my attempt at figuring out the "Escape" tracks

 

OST Man Title and Escape
00:00-01:36 Main Title
01:36-02:06 1M2A [No Title]
02:06-03:02 1M4 He's Insane
03:02-03:14 ???
03:14-04:35 1M5 Resistance Force
04:35-04:49 1M6 We Can Do This
04:49-05:43 1M7 Fighter Down
05:43-End 1M8 We Lose Girl Ace

 

FYC Escape
00:00-00:47 1M4 He's Insane
00:47-00:52 Tracked from 1M3 Welcome Poe and Hux
00:52-01:32 Tracked from 1M5 Resistance Force
01:32-02:22 Tracked 8M76 To The Target (w/ Insert)
02:22-02:31 Tracked from 1M5 Resistance Force
02:31-03:01 [1M6 Insert Theme In?]
03:01-03:51 1M5 Resistance Force
03:51-04:26 1M6 We Can Do This
04:26-05:31 1M7 Fighter Down
05:31-07:10 1M8 We Lose Girl Ace
07:10-07:29 Tracked from 9M81 Rescuing Luke
07:29-End Tracked from 1M9 Revisiting Snoke

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