Popular Post Will 2,215 Posted September 1, 2019 Popular Post Share Posted September 1, 2019 I was waiting until I'd listened to the whole album a few times to offer my thoughts - here they are... This is an incredible album. I'll admit that on first (even second) listen I was a bit disappointed - Williams' quasi-concert piece style cadenzas, etc. in the arrangements were a bit less "accessible" (to me) than his full-orchestra film cues. Yet as I listened a few more times, I started to appreciate the album more and more, until I can now say I thoroughly enjoy it from start to finish. The frantic interplay between Mutter and the orchestra in "Donnybrook Fair" and "The Duel" is tremendous fun. "Sayuri's Theme," meanwhile, contains this lovely passage (until 2:50) which I'm fairly certain is new: Reminds me of Yoko Kanno's Onna Joshu Naotora, which was itself a score clearly influenced by JW. I also adore the extensions of "Hedwig's Theme" as compared to the cut single version, particularly this bit concluding on the triumphant, expectant chord: "Sabrina" is of course gorgeous, although seemingly the same arrangement as Perlman. I will say I vastly prefer the Mutter recording of the climactic lead-in to Perlman's, though! .... With respect to "Rey's Theme," I have probably already mentioned this, but the new arrangement really revitalized the piece for me (it had become a bit stale), particularly this passage (until 1:35): Superb contrapuntal writing - I like this version even better than the original TFA soundtrack one. "Night Journeys" and "Luke and Leia" really soar in their latter halves, but I also really like this quiet moment from the second of those two pieces: Additionally, "Nice to Be Around" was a piece I hadn't heard before, but it's just sublime, particularly this passage (until 2:10): SteveMc, Ricard, The Illustrious Jerry and 4 others 7 Link to comment Share on other sites More sharing options...
Jacck 23 Posted September 2, 2019 Share Posted September 2, 2019 I just came to express my absolute adoration for this album! Such wonderful new arrangements and performance. Sublime! ❤ The use of articulations in Hedwig's Theme are brilliant; the voicings in Luke and Leia. The cadenzas. 😍 Timo Martikainen and Will 2 Link to comment Share on other sites More sharing options...
toothless 963 Posted September 2, 2019 Share Posted September 2, 2019 On 8/31/2019 at 11:09 AM, Thor said: First of all, I've never really been a big fan of solo violin stuff. Don't know why; something about the pitch and sound, maybe. Solo viola goes on my nerves immediately, solo violin is tolerable, but if I'm going to have solo strings, it's really all about cello for me (or tutti strings). [...] I have problems whenever more 'clean-shaven' themes are rearranged with lots of ornamentation. It throws me off a bit. I can totally relate to what you said! Even more so the second part. On one hand it makes me sad not to be able to appreciate this album like many JWFANERS do. But at the end of the day being on this site does not require to like every album of williams’ music 😝 Link to comment Share on other sites More sharing options...
filmmusic 1,823 Posted September 2, 2019 Share Posted September 2, 2019 On 8/31/2019 at 12:09 PM, Thor said: But I have problems whenever more 'clean-shaven' themes are rearranged with lots of ornamentation. It throws me off a bit. I will agree here. I generally don't like arrangements of existing music, and to "show-off" a particular instrument on top of that. Link to comment Share on other sites More sharing options...
crumbs 14,301 Posted September 2, 2019 Share Posted September 2, 2019 Some great discussion going on here. One of the best things about music is interpretation; everyone has different tastes! rough cut and Will 2 Link to comment Share on other sites More sharing options...
Jurassic Shark 12,030 Posted September 2, 2019 Share Posted September 2, 2019 And some people don't have taste at all! Amer and bollemanneke 1 1 Link to comment Share on other sites More sharing options...
Popular Post Incanus 5,713 Posted September 2, 2019 Popular Post Share Posted September 2, 2019 I really appreciate all these new arrangements and how much Williams put thought, energy and creativity into them to bring out the violin's voice in each of these works.. These new variations allow you to hear these well-known pieces in something of a different light and perspective and in fresh ways you have never heard them before which can be an ear-opener as well as a showpiece for a first rate violinist. To me it sounds like Williams was also having such fun with the music, there is a lot of musical playfulness at display, especially in the pieces like the Duel from Tintin or The Donnybrook Fair from Far and Away or even Hedwig's Theme. Will, SteveMc, Amer and 4 others 6 1 Link to comment Share on other sites More sharing options...
Popular Post Amer 2,080 Posted September 2, 2019 Popular Post Share Posted September 2, 2019 In an interview from NPR Anna mentioned that she would love to do second volume with new pieces including Superman. I hope she meant the Love Theme and not the main title March. Also I'd love to see Leaving Home cue from SUPERMAN in a similar set up. _deleted_, bollemanneke, Will and 1 other 4 Link to comment Share on other sites More sharing options...
Jurassic Shark 12,030 Posted September 2, 2019 Share Posted September 2, 2019 10 minutes ago, Amer said: I'd love to see Leaving Home cue from SUPERMAN in a similar set up. Ditto! Amer 1 Link to comment Share on other sites More sharing options...
rough cut 1,714 Posted September 2, 2019 Share Posted September 2, 2019 The Trip To Earth? Link to comment Share on other sites More sharing options...
Popular Post igger6 894 Posted September 3, 2019 Popular Post Share Posted September 3, 2019 How about Fawkes the Phoenix? Or virtually anything from War Horse? I’d be curious to hear some instrumental arrangements that switch out one solo instrument for another. How would The Book Thief sound on violin? Or The Tale of Viktor Navorski? _deleted_, Will, bollemanneke and 1 other 4 Link to comment Share on other sites More sharing options...
pete 905 Posted September 3, 2019 Share Posted September 3, 2019 Anything with a strong melody would work. I'd like to hear The Reivers. From Superman... March of Villains? All those comedic sprightly pieces could work as virtuosic pieces for violin: Isabelle’s Horse & Buggy from Stepmom, Follow Me from Always, Adventures of Mutt, Jim's New Life, Making The Plane, Presenting The Hook, The Basket Game, Tourists on the Menu, etc. Amer 1 Link to comment Share on other sites More sharing options...
SteveMc 2,674 Posted September 3, 2019 Share Posted September 3, 2019 Listening to the album right now. Some very nice writing here. The Duel from Tintin has actually been the big highlight for me, but, of course, the Star Wars arrangements are beyond gorgeous. 8 hours ago, Amer said: I hope she meant the Love Theme and not the main title March Actually, I'm intrigued with how Williams would approach the Main Title for violin and orchestra. The Illustrious Jerry and Amer 1 1 Link to comment Share on other sites More sharing options...
Popular Post ocelot 508 Posted September 3, 2019 Popular Post Share Posted September 3, 2019 I have to say there is some shaky playing here on some tracks which I am surprised over. Either the arrangements were too odd or hard and in a funny key to be played better. Dunno. Surprised though because she is a stellar Violinist. For me the stand out track is Cinderella Liberty. Beautiful and well played. But, Oh My Days, Hedwig's Theme does not work for me AT ALL. It's just not right. Playing is bad, not everything has to be for solo violin and orchestra. Some things are better left for full orchestra. As for Sabrina, Love that main title but I think that is better with Piano and Orchestra. One key ingredient is sorely missing in this CD that was gorgeously present on Cinema Serenade. RIP Angela Morley! Her arrangements were second to none! Bespin, bollemanneke and Miguel Andrade 3 Link to comment Share on other sites More sharing options...
Disco Stu 15,495 Posted September 3, 2019 Share Posted September 3, 2019 2 minutes ago, ocelot said: Hedwig's Theme does not work for me AT ALL Wow, this is the track we all lost our shit over earlier this year. I think it's jaw-dropping (in a good way, heh). Will 1 Link to comment Share on other sites More sharing options...
Holko 9,499 Posted September 3, 2019 Share Posted September 3, 2019 It's the only one I listened to in full so far and I love it! Link to comment Share on other sites More sharing options...
ocelot 508 Posted September 3, 2019 Share Posted September 3, 2019 Just now, Disco Stu said: Wow, this is the track we all lost our shit over earlier this year. I think it's jaw-dropping (in a good way, heh). Really? I think the violin playing is way too harsh and it's just written OTT. It's lost it's magic for me totally in this way. I have to turn it off and I love Violin Concertos. Walton, Korngold, Mendelssohn, Tchaikovsky, etc... It's just way too harsh here, an't tell if it's the arrangement or the playing or both. 3 minutes ago, Holko said: It's the only one I listened to in full so far and I love it! I love Hedwig's Theme, just can't listen to this version without wanting to stick knives into my ears, lol. Link to comment Share on other sites More sharing options...
SteveMc 2,674 Posted September 3, 2019 Share Posted September 3, 2019 38 minutes ago, ocelot said: Really? I think the violin playing is way too harsh and it's just written OTT. It's lost it's magic for me totally in this way. I have to turn it off and I love Violin Concertos. Walton, Korngold, Mendelssohn, Tchaikovsky, etc... It's just way too harsh here, an't tell if it's the arrangement or the playing or both. I think it is fine. If it sounds harsher, less "magical" than the original, well, I think that was John's intention. He wanted to craft "serious" concert pieces from his film melodies, not just turn out some Pops arrangements. David Story and Will 2 Link to comment Share on other sites More sharing options...
ocelot 508 Posted September 3, 2019 Share Posted September 3, 2019 1 minute ago, SteveMc said: I think it is fine. If it sounds harsher, less "magical" than the original, well, I think that was John's intention. He wanted to craft "serious" concert pieces from his film melodies, not just turn out some Pops arrangements. That's not what I mean about harsh. The Concerto's I mentioned are all concert pieces, and if you want harsh in that sense, listen to Bartok's, the middle movement. I mean Harsh in a way that is not pleasant to hear. It's not well played or crafted, especially the first half of it, to me, others can love it, that's the beauty of any art. Link to comment Share on other sites More sharing options...
SteveMc 2,674 Posted September 3, 2019 Share Posted September 3, 2019 I just think what you hear as harshness (and I did not mean "dissonant") is merely Williams and Mutter taking off the cinematic sheen from the music. Link to comment Share on other sites More sharing options...
Holko 9,499 Posted September 3, 2019 Share Posted September 3, 2019 Another listen to Hedwig: it's somewhere halfway between the Children's Suite and Azkaban! Link to comment Share on other sites More sharing options...
David Story 57 Posted September 4, 2019 Share Posted September 4, 2019 On 8/31/2019 at 12:52 AM, hornist said: Well, the magic is also in his 2010's scores, it just isn't so obvious and underlined. Wonderful stuff. Sure thing. Maybe I should have said the old magic. When I said he changed with times I really meant it. Today's brilliance or 1990's is different from the 70s, as they should be On 9/1/2019 at 10:21 AM, theMaestraX said: Impressive....most impressive! Anne Sophie Mutter plays her violin like a true dedicated John Williams/Star Wars fan! Yes, this makes all the difference! On 9/1/2019 at 5:54 AM, Amer said: ... Since the start of the millennium he has invoked special concert versions of the main themes of most scores. The main themes in the OST albums are written and structured that way and it's pure Williams genius as well as his embodiment of the craft that he has developed over the decades to optimise the life of his musical creations. So it's no surprise that since past few years he has been revisiting many of his themes including forgotten ones and reclaimed them back in New concert arrangements. This collaboration with the violin is a love letter to the concert hall and the remarkable induction of Anna Sophie Mutter in Williams own reportire will surely bring a long health perspective for a long time. I can see the Grammy on this already. Agreed. Few projects get this kind of attention. The concert versions are a chance to follow the musical lines a bit longer than the edit may allow Link to comment Share on other sites More sharing options...
Popular Post TownerFan 4,983 Posted September 4, 2019 Popular Post Share Posted September 4, 2019 16 hours ago, ocelot said: I have to say there is some shaky playing here on some tracks which I am surprised over. Either the arrangements were too odd or hard and in a funny key to be played better. Dunno. Surprised though because she is a stellar Violinist. I detected some small intonation issues here and there, it seems ASM sometimes struggles with that. From what I've been told, recording sessions ran longer than originally planned so that she could master all the pieces the way she wanted and also asked for many many takes. Perhaps she expected easier pieces, who knows. I'll write a brief article for The Legacy of John Williams soon about this recording (I'm waiting for the deluxe version to come out), but for the time being I can say this is exactly what I expected and I'm enjoying it immensely. Yes, these kind of film score/classical crossover ventures can quickly turn into snobbery acts toward the film repertoire (as if JW music needs an international classical soloists to be considered as good as classical music), but imho this is not the case. It just seems a project born from the desire of a classical superstar to have pieces written especially for her, with the composer initially agreeing with some reluctance, but then progressively having more and more fun with it. Some pieces work better than others, but overall it's a truly lovely listening. _deleted_, Amer, SteveMc and 5 others 8 Link to comment Share on other sites More sharing options...
Incanus 5,713 Posted September 4, 2019 Share Posted September 4, 2019 4 hours ago, TownerFan said: I detected some small intonation issues here and there, it seems ASM sometimes struggles with that. From what I've been told, recording sessions ran longer than originally planned so that she could master all the pieces the way she wanted and also asked for many many takes. Perhaps she expected easier pieces, who knows. I'll write a brief article for The Legacy of John Williams soon about this recording (I'm waiting for the deluxe version to come out), but for the time being I can say this is exactly what I expected and I'm enjoying it immensely. Yes, these kind of film score/classical crossover ventures can quickly turn into snobbery acts toward the film repertoire (as if JW music needs an international classical soloists to be considered as good as classical music), but imho this is not the case. It just seems a project born from the desire of a classical superstar to have pieces written especially for her, with the composer initially agreeing with some reluctance, but then progressively having more and more fun with it. Some pieces work better than others, but overall it's a truly lovely listening. Agreed Maurizio, wholeheartedly! Link to comment Share on other sites More sharing options...
Popular Post Marcus 390 Posted September 4, 2019 Popular Post Share Posted September 4, 2019 This is a miraculous album. Imagine being able to craft such imaginative, vital and energetic new takes on this music at 87! There's incredible flair and elegance on display here, but also deep thought -and a simply stunning (and daring) command of how to pit a violinist against an orchestra. What a marvelous, generous gift. Incanus, crumbs, Falstaft and 5 others 8 Link to comment Share on other sites More sharing options...
The Psycho Pianist 216 Posted September 4, 2019 Share Posted September 4, 2019 6 hours ago, Marcus said: This is a miraculous album. Imagine being able to craft such imaginative, vital and energetic new takes on this music at 87! There's incredible flair and elegance on display here, but also deep thought -and a simply stunning (and daring) command of how to pit a violinist against an orchestra. What a marvelous, generous gift. Have to echo this. The fact that this is critiqued so intensely at all really puts into perspective just how far beyond Williams is from his fellow film scoring peers. Each and every one of the arrangements on this album reflects a lifetime and wealth of musical knowledge and expertise, finely honed and crafted and now put to task in "classicalising" (if you will) already world class pieces of orchestral music. The violin writing in this is simply masterful. Can one imagine Junkie XL knocking out a 6 minute cello concerto based off of Batman v Superman: Dawn of Justice? I think we can all answer that one and the reality is that this kind of thing should simply be absorbed and appreciated whilst it lasts as the world of film music is almost alien to this level of work nowadays! SteveMc and Marcus 1 1 Link to comment Share on other sites More sharing options...
Thor 7,465 Posted September 4, 2019 Share Posted September 4, 2019 11 minutes ago, The Psycho Pianist said: Can one imagine Junkie XL knocking out a 6 minute cello concerto based off of Batman v Superman: Dawn of Justice? Sure he could. His string writing is actually quite impressive. Remco and justaguy 1 1 Link to comment Share on other sites More sharing options...
Gruesome Son of a Bitch 6,488 Posted September 4, 2019 Share Posted September 4, 2019 Yeah, that stuff was good. New Rules or whatever evokes the Bruce/Alfred motif from Batman & Robin. Then it turns to irritating noise. Link to comment Share on other sites More sharing options...
ocelot 508 Posted September 4, 2019 Share Posted September 4, 2019 13 hours ago, TownerFan said: I detected some small intonation issues here and there, it seems ASM sometimes struggles with that. From what I've been told, recording sessions ran longer than originally planned so that she could master all the pieces the way she wanted and also asked for many many takes. Perhaps she expected easier pieces, who knows. I'll write a brief article for The Legacy of John Williams soon about this recording (I'm waiting for the deluxe version to come out), but for the time being I can say this is exactly what I expected and I'm enjoying it immensely. Yes, these kind of film score/classical crossover ventures can quickly turn into snobbery acts toward the film repertoire (as if JW music needs an international classical soloists to be considered as good as classical music), but imho this is not the case. It just seems a project born from the desire of a classical superstar to have pieces written especially for her, with the composer initially agreeing with some reluctance, but then progressively having more and more fun with it. Some pieces work better than others, but overall it's a truly lovely listening. I agree in that Williams music does not need anything extra to stand on it's own next to some classical pieces and they work beautifully together in a concert. SteveMc 1 Link to comment Share on other sites More sharing options...
Remco 685 Posted September 4, 2019 Share Posted September 4, 2019 1 hour ago, Thor said: Sure he could. His string writing is actually quite impressive. What string writing? Surely there are film composers with knowledge on how to specifically write for instruments, but Junkie XL surely isn’t one of them. And even if they do, it isn’t on the level that JW has displayed throughout his career and on this album. The comparison between JW and Junkie XL is a bit irrelevant anyway, but I’m surprised at how the sheer craftmanship of Williams’ music seems to be... underestimated sometimes. ocelot and Marcus 2 Link to comment Share on other sites More sharing options...
ocelot 508 Posted September 5, 2019 Share Posted September 5, 2019 6 hours ago, Thor said: Sure he could. His string writing is actually quite impressive. Say What?! Happy so many of you are enjoying the album. There are a few nice pieces. Although, for me I wish I had someone dynamic who goes into her music with so much passion and loses herself like Janine Jansen, here with the incomparable Berlin Phil playing part of the second movement of Britten's Violin Concerto. Or my favorite, James Ehnes, who's interpretation of the 3 movement Korngold Violin Concerto, in fact this whole CD is astounding. He keeps the original fast tempos with total precision in tune which many did not since Heifetz originated them with the Korngold and Walton. I believe Heifetz debuted both. All three concertos are so haunting in parts (opening and the theme around 2.40 and later in this movement) and vigorous in others, the last movement of the Korngold being spectacular, and the gentleness of the middle movement is almost a lullaby. But I am happy to see any musician want to work with Williams and be energized to record so much. Sorry to derail the conversation a bit and thanks for letting me natter on..... _deleted_ and SteveMc 1 1 Link to comment Share on other sites More sharing options...
TownerFan 4,983 Posted September 5, 2019 Share Posted September 5, 2019 7 hours ago, ocelot said: Or my favorite, James Ehnes, who's interpretation of the 3 movement Korngold Violin Concerto, in fact this whole CD is astounding. He keeps the original fast tempos with total precision in tune which many did not since Heifetz originated them with the Korngold and Walton. I believe Heifetz debuted both. All three concertos are so haunting in parts (opening an Sorry to derail the conversation a bit and thanks for letting me natter on..... Oh, it's lovely to talk about great music for the violin! Curiously enough, James Ehnes made Williams' Violin Concerto part of his own repertoire since a few years--he performed it with Denève several times. For Korngold's, I'm actually very partial to the Previn/LSO recording with Gil Shaham on DG. Previn then recorded it again with Mutter and the Berliner, but imho it's not as good. I also love the John Mauceri recording with Chantal Juilliet made in the mid-1990s. The second movement is particularly brilliant: Boy, isn't it gorgeous music? It's reassuring to see this concerto becoming part of the standard repertoire as much as the Brahms Violin Concerto. Back to Mutter, her style of playing surely isn't everyone's cup of tea. She's very German and shines with the Romantic repertoire, so ideally she should be perfect for JW music. However, you have to keep a certain lightness of touch when performing JW music, imho. I think the piece from Cinderella Liberty is a great example of that and probably one of the better cuts on the album. ocelot 1 Link to comment Share on other sites More sharing options...
ocelot 508 Posted September 6, 2019 Share Posted September 6, 2019 23 hours ago, TownerFan said: Oh, it's lovely to talk about great music for the violin! Curiously enough, James Ehnes made Williams' Violin Concerto part of his own repertoire since a few years--he performed it with Denève several times. For Korngold's, I'm actually very partial to the Previn/LSO recording with Gil Shaham on DG. Previn then recorded it again with Mutter and the Berliner, but imho it's not as good. I also love the John Mauceri recording with Chantal Juilliet made in the mid-1990s. The second movement is particularly brilliant: Boy, isn't it gorgeous music? It's reassuring to see this concerto becoming part of the standard repertoire as much as the Brahms Violin Concerto. Back to Mutter, her style of playing surely isn't everyone's cup of tea. She's very German and shines with the Romantic repertoire, so ideally she should be perfect for JW music. However, you have to keep a certain lightness of touch when performing JW music, imho. I think the piece from Cinderella Liberty is a great example of that and probably one of the better cuts on the album. I'm so happy after all the years of snubbing Korngold's concerto it's now firmly one of the favorites. Seriously I do not understand the snubbery. I will check out Gil's recording for sure! And yes, one of my favorites is Cinderella Liberty on the album. I think she sounds way too harsh on others. You do need that lightness, like you said. I would love to here Ehnes interpretation of Williams concerto! TownerFan 1 Link to comment Share on other sites More sharing options...
Dixon Hill 4,233 Posted September 6, 2019 Share Posted September 6, 2019 Always love when some pretentious twats rightly whine about snobbery against film music and then cannibalize their own in the same sentence. Perspective is a thing. Link to comment Share on other sites More sharing options...
ocelot 508 Posted September 6, 2019 Share Posted September 6, 2019 3 minutes ago, Dixon Hill said: Always love when some pretentious twats rightly whine about snobbery against film music and then cannibalize their own in the same sentence. Perspective is a thing. Canibalize their own? What do you mean? Link to comment Share on other sites More sharing options...
Popular Post Madmartigan JC 85 Posted September 6, 2019 Popular Post Share Posted September 6, 2019 What an extraordinary album this is! I was eagerly anticipating it and I haven't been dissapointed in the least. I understand and adhere to the criticism regarding some of the playing. Mutter is an extraodinary violinist, but many of her stylistic choices usually make for performances that are far from being my favorite. That being said, the greatest thing for me about this whole project is that these arrangements actually exist at all. It's an unexpected gift to have JW himself revisit some of his compositions at this point in his career. His work is marvelous and in the future they might be played and recorded by any number of musicians. So for me, this performance may not be ideal in every respect. It sounds amazing and you can tell Mutter did put a lot of dedication to the project (we should actually thank her tenacity that Williams took the time and effort to produce it). And while I may not like some chocies to me that doesn't take away from the fact that these arrangements exist and we get to enjoy them. I can't wait for the Deluxe edition, particularly to hear what he did with Princess Leia’s Theme. I am bummed, however by the exclusion of Witches of Eastwick, sincce that is one of my favorite JW pieces (especially the piano/violin arr.). Here's hoping for a second album! Amer, crumbs, Remco and 2 others 5 Link to comment Share on other sites More sharing options...
TownerFan 4,983 Posted September 6, 2019 Share Posted September 6, 2019 31 minutes ago, Madmartigan JC said: What an extraordinary album this is! I was eagerly anticipating it and I haven't been dissapointed in the least. I understand and adhere to the criticism regarding some of the playing. Mutter is an extraodinary violinist, but many of her stylistic choices usually make for performances that are far from being my favorite. That being said, the greatest thing for me about this whole project is that these arrangements actually exist at all. It's an unexpected gift to have JW himself revisit some of his compositions at this point in his career. His work is marvelous and in the future they might be played and recorded by any number of musicians. So for me, this performance may not be ideal in every respect. It sounds amazing and you can tell Mutter did put a lot of dedication to the project (we should actually thank her tenacity that Williams took the time and effort to produce it). And while I may not like some chocies to me that doesn't take away from the fact that these arrangements exist and we get to enjoy them. I can't wait for the Deluxe edition, particularly to hear what he did with Princess Leia’s Theme. I am bummed, however by the exclusion of Witches of Eastwick, sincce that is one of my favorite JW pieces (especially the piano/violin arr.). Here's hoping for a second album! Well said! One thing I wonder is if these arrangements will be published for anyone to perform or if they will be kept exclusive for Anne-Sophie to perform, at least for the time being. Link to comment Share on other sites More sharing options...
mrbellamy 6,272 Posted September 6, 2019 Share Posted September 6, 2019 8 hours ago, Dixon Hill said: Always love when some pretentious twats rightly whine about snobbery against film music and then cannibalize their own in the same sentence. Perspective is a thing. When the chips are down, these uhhh these “civilized” people, they’ll eat each other. Link to comment Share on other sites More sharing options...
Gruesome Son of a Bitch 6,488 Posted September 7, 2019 Share Posted September 7, 2019 And now comes the part where I relieve you, the little people, of the burden of your failed and useless lives. But, as my plastic surgeon always says, if you gotta go, go with a smile! Link to comment Share on other sites More sharing options...
Joni Wiljami 1,206 Posted September 7, 2019 Share Posted September 7, 2019 Get a life Link to comment Share on other sites More sharing options...
Dixon Hill 4,233 Posted September 7, 2019 Share Posted September 7, 2019 Always a pleasure when hornist shows up. Link to comment Share on other sites More sharing options...
Madmartigan JC 85 Posted September 10, 2019 Share Posted September 10, 2019 I'm very eager to listen to these pieces being performed live, unfortunately I won't make it to this saturday's live broadcast. Does anybody know weher it'll be available afterwards? Will anybody be recording it? Link to comment Share on other sites More sharing options...
Josh500 1,615 Posted September 11, 2019 Share Posted September 11, 2019 Can't wait to get the Deluxe Edition! Thank God I didn't buy the regular version yet... Link to comment Share on other sites More sharing options...
Madmartigan JC 85 Posted September 11, 2019 Share Posted September 11, 2019 14 hours ago, jc_Madmartigan said: I'm very eager to listen to these pieces being performed live, unfortunately I won't make it to this saturday's live broadcast. Does anybody know weher it'll be available afterwards? Will anybody be recording it? Sorry, that was me. My clumsy account management skills apparently ended up with me unawarely creating two similar users. Link to comment Share on other sites More sharing options...
Jay 37,287 Posted September 11, 2019 Share Posted September 11, 2019 I merged you together Madmartigan JC 1 Link to comment Share on other sites More sharing options...
Madmartigan JC 85 Posted September 11, 2019 Share Posted September 11, 2019 Thank you! Link to comment Share on other sites More sharing options...
rough cut 1,714 Posted September 11, 2019 Share Posted September 11, 2019 If vol. 2 doesn’t have Jaws on it I don’t even Link to comment Share on other sites More sharing options...
rough cut 1,714 Posted September 14, 2019 Share Posted September 14, 2019 Look where I suddenly find myself. Miguel Andrade and David Story 2 Link to comment Share on other sites More sharing options...
Jurassic Shark 12,030 Posted September 14, 2019 Share Posted September 14, 2019 Um, the building in the photo doesn't look like the building in the poster. I'd say you've been ripped off! Link to comment Share on other sites More sharing options...
rough cut 1,714 Posted September 14, 2019 Share Posted September 14, 2019 That’s because it’s a different building, mate... 😂 Link to comment Share on other sites More sharing options...
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