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What’s next for JW?


Alex

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7 minutes ago, Bayesian said:

And then writing a piano concerto. It’s like the only instrument left he hasn’t written a concerto for. 

 

He could start by releasing a proper recording of his Scherzo for piano and orchestra! Unless there was one I missed? 

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1 hour ago, p0llux said:

Dear Basketball II

The Adventures of Obi-Wan

Ah, wouldn't it be great if they let him write the main theme for the Obi-Wan show? Sadly that won't happen.

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3 minutes ago, Evanus said:

Ah, wouldn't it be great if they let him write the main theme for the Obi-Wan show? Sadly that won't happen.

 

It'll happen if JW asks to do it, which won't happen. It's not really about "letting him." 

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Yeah, true. Wonder if it would have been any different had they not decided to make it a series instead of a film. John doesn't really seem to care about the TV shows. He's probably done with Star Wars anyway.

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Just keep an eye to Spielberg related news, folks. The Post was released on December 2017, but he only got announced as director by March 2017. "Yeah, but what about West Side Story?" Well, three years ago he also had Ready Player One set to release in March 2018, and it still didn't stop him to doing The Post. So, if he finds some smaller historical drama that actually inspires him to do something, post production on WSS won't stop him.

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Quote

What's next for JW?

 

JW should record

  • the Original Star Wars trilogy with the sound mixing/engineering used for the Prequel trilogy
  • the Prequel trilogy with the sound mixing/engineering used for the Original trilogy (Ep IV more specifically)
  • the Sequel trilogy with the sound mixing/engineering used for the Prequel and Original trilogy (but not the other way round).
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3 hours ago, Loert said:

 

JW should record

  • the Original Star Wars trilogy with the sound mixing/engineering used for the Prequel trilogy
  • the Prequel trilogy with the sound mixing/engineering used for the Original trilogy (Ep IV more specifically)
  • the Sequel trilogy with the sound mixing/engineering used for the Prequel and Original trilogy (but not the other way round).

 

Why? 

The re-recordings never have the feeling of the original recordings. And the micing of the first one is just terrible. 

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