Popular Post karelm 2,913 Posted July 3, 2020 Popular Post Share Posted July 3, 2020 These are examples of what I think are very gorgeous though unusual cues in JW's scores which I struggle to define as anything other than being "ethereal". They are usually transitional moments in the films like when Tom Cruise realizes he's in love with Nicole Kidman in Far and Away or when Clark realizes he's Kalel. I felt I heard these moments frequently in JW scores but never something like this from another composer. Yes, yes, he'll through in a motif to remind us of a character or something but these are generally quite abstract and unique thematic experiences within the film generally being esoteric. Esoteric is generally defined as being somewhat spiritual or someone gaining wisdom through a spiritual or undefined personal transformative experience. Is JW the most esoteric composer or is anyone else better at these moments in film? What do you think of this type of scoring? It isn't thematic but is quite interesting and distinctive. No one else seems to do this sort of thing. Any other examples? What do you think of it? Boredom and phoned in writing or example of brilliance or something else? EDIT: Thor made an excellent suggestion that ethereal might be a more appropriate description of the mood these cues reflect and I agree. The Five Tones, Ricard, Will and 2 others 5 Link to comment Share on other sites More sharing options...
SteveMc 2,674 Posted July 3, 2020 Share Posted July 3, 2020 Yeah, I love it when John digs deep like that, going beyond the surfacing meaning of a scene and filling up sometimes broad canvases with this sort of quietly mysterious style of writing. It's more than style, I think. I think Horner did some similar things, as in this choral portion he wrote for something of a transitory passage in An American Tail And, I think much of his score to The Spitfire Grill is in this vein. He did this thematically, where the melody for the mystery surrounding the forest hermit serves also as a spiritual call from nature to draw in the protagonist, something developed in this cue, which shares a bit of John's stylistic approach as well. Will and karelm 2 Link to comment Share on other sites More sharing options...
Nick Parker 3,040 Posted July 3, 2020 Share Posted July 3, 2020 1 hour ago, karelm said: Esoteric is generally defined as being somewhat spiritual or someone gaining wisdom through a spiritual or undefined personal transformative experience. I have to admit I'm having a hard time understanding your post, Karel, partially because I've never seen the word esoteric used in this way. To be clear, you're asking for examples of "spiritual" music? Link to comment Share on other sites More sharing options...
mrbellamy 6,286 Posted July 3, 2020 Share Posted July 3, 2020 Ascetic, maybe? Googling a bit looks like there is a term in spiritual study and philosophy called esotericism referring to acquired hidden knowledge and meaning (?) I guess that definition is similar to the word as we generally use it. What an esoteric reference Will 1 Link to comment Share on other sites More sharing options...
Popular Post TheUlyssesian 2,478 Posted July 3, 2020 Popular Post Share Posted July 3, 2020 I think maybe you are asking for music that scores a character having an epiphany or self-actualization. I think for that your best bet is Philip Glass. He seems to score the thoughts forming in a character's head which is quite remarkable. Listen to this cue. Even for a character just sitting alone and brooding in a room, the music will tell you the exact moment they have a realization. Ricard, Will, Romão and 2 others 5 Link to comment Share on other sites More sharing options...
artguy360 1,843 Posted July 3, 2020 Share Posted July 3, 2020 I loved Tom Hanks in Far and Away. karelm and Naïve Old Fart 2 Link to comment Share on other sites More sharing options...
Naïve Old Fart 9,527 Posted July 3, 2020 Share Posted July 3, 2020 If you want esoteric Horner, try BRAINSTORM. (back to topic) CE3K is about as esoteric as JW gets. 24 minutes ago, artguy360 said: I loved Tom Hanks in Far and Away. Yeah, and his Clark is the definitive Superman. Ricard 1 Link to comment Share on other sites More sharing options...
Thor 7,504 Posted July 3, 2020 Share Posted July 3, 2020 I also have a hard time understanding 'esoteric' in this context. I've always taken it to mean more like 'obscure' or 'peculiar'. But I've always loved what I call Williams' "religious sound", which is more like pastoral in nature. He has plenty of those tracks, and they are - in fact - my favourite sound of his, and one of the reasons he's my favourite composer. But that's probably not what you're asking for. Link to comment Share on other sites More sharing options...
Popular Post TownerFan 4,983 Posted July 3, 2020 Popular Post Share Posted July 3, 2020 What Karim meant, I guess, is when JW goes more heavily abstract-like to create a sort of suspended atmosphere through the usage of colours and textures produced by light instruments (like celeste, piano, harp, high-pitched strings), usually enhanced by electronic timbres of the synthesizer. I think this could be totally defined as one of JW's own trope. Several examples come to mind: Listening to these, I realize that despite they're heavily textural in character, they're also very pianistic at their core. It's sort of JW's own take on impressionist-like writing. It would be interesting to investigate his process when writing these kind of cues. Falstaft, SteveMc, Fabulin and 7 others 10 Link to comment Share on other sites More sharing options...
Richard Penna 3,687 Posted July 3, 2020 Share Posted July 3, 2020 The definition of esoteric i just googled is "understood by only a small number of people with a specialized knowledge or interest" Don't really understand how that relates to the clips posted thus far I gather from discussion so far that it seems to be related to scoring emotions/realisations, over and above the basic scene setting. I'd love to hear the argument that says JW is the only composer in the world who does that.... Link to comment Share on other sites More sharing options...
Thor 7,504 Posted July 3, 2020 Share Posted July 3, 2020 Yes, the use of the word is confusing, but I think Townerfan might be on to something in his interpretation. I used to really dislike these impressionistic things back in the day (HATED tracks like "Pete in Heaven", for example), but as I've grown older and (hopefully) wiser, I've come to really appreciate them. Link to comment Share on other sites More sharing options...
karelm 2,913 Posted July 3, 2020 Author Share Posted July 3, 2020 11 hours ago, Nick Parker said: I have to admit I'm having a hard time understanding your post, Karel, partially because I've never seen the word esoteric used in this way. To be clear, you're asking for examples of "spiritual" music? Well, it's not easy to define music in words. I don't think spiritual quite captures the meaning because to me that would be more like that religioso ending of The Last Crusade. How would you describe that music in my original post? I don't think it's spiritual but it does have an introspective thoughtfulness to it and in some cases it bridges acts, like a passage of time where the character is deep in retrospective thoughts and on the verge of accepting or fulfilling their destiny. 9 hours ago, artguy360 said: I loved Tom Hanks in Far and Away. I know, right? He's an excellent chameleon of an actor! LOL, fixed. 2 hours ago, TownerFan said: What Karim meant, I guess, is when JW goes more heavily abstract-like to create a sort of suspended atmosphere through the usage of colours and textures produced by light instruments (like celeste, piano, harp, high-pitched strings), usually enhanced by electronic timbres of the synthesizer. I think this could be totally defined as one of JW's own trope. Several examples come to mind: Listening to these, I realize that despite they're heavily textural in character, they're also very pianistic at their core. It's sort of JW's own take on impressionist-like writing. It would be interesting to investigate his process when writing these kind of cues. Yes, awesome choices! And I must confess...never heard Stepmom before! Link to comment Share on other sites More sharing options...
Popular Post thx99 1,740 Posted July 3, 2020 Popular Post Share Posted July 3, 2020 This cue perhaps fits both definitions of "esoteric"... Falstaft, Marc, bigjimwilson and 2 others 5 Link to comment Share on other sites More sharing options...
Popular Post Falstaft 2,132 Posted July 3, 2020 Popular Post Share Posted July 3, 2020 3 hours ago, TownerFan said: What Karim meant, I guess, is when JW goes more heavily abstract-like to create a sort of suspended atmosphere through the usage of colours and textures produced by light instruments (like celeste, piano, harp, high-pitched strings), usually enhanced by electronic timbres of the synthesizer. I think this could be totally defined as one of JW's own trope. This is what I took from the two examples offered too, though I admit I was also confused by the term "esoteric." It's definitely a JW style topic, with extremely characteristic orchestration, harmony, texture, and generay psuedo-improvisational style -- crystalline may be a better term? In any case, I'm always pleased to hear it. In addition to the already mentioned examples from F&A, AI, Always, Stepmom, and JP1, etc. here's a few more. (And there's assuredly a couple I'm not remembering from his earlier scores... (This BFG one is kinda halfway between this trope and his harp pastorales, a cousin to Lanes of Limerick, Fluffy's Harp, etc.) Also a few examples from TROS of this sort of writing happening briefly when Rey uses or communes with the force... There are also more negatively-tinted variations on this style in scores like Empire of the Sun, Images, and this from Family Plot.... Will, The Five Tones, Once and 3 others 6 Link to comment Share on other sites More sharing options...
Popular Post thx99 1,740 Posted July 3, 2020 Popular Post Share Posted July 3, 2020 This, too, from the small screen... karelm, Once, Will and 2 others 5 Link to comment Share on other sites More sharing options...
Nick Parker 3,040 Posted July 3, 2020 Share Posted July 3, 2020 So like this? 1 hour ago, Falstaft said: Also a few examples from TROS of this sort of writing happening briefly when Rey uses or communes with the force... Last Saber Duel is my favorite instance of it. I love it when Williams gets whimsical. SteveMc and karelm 2 Link to comment Share on other sites More sharing options...
Naïve Old Fart 9,527 Posted July 3, 2020 Share Posted July 3, 2020 For "spiritual" JW, CADILLAC OF THE SKIES, is hard to beat. For me, the ultimate "religious", with always be GLORIA. karelm 1 Link to comment Share on other sites More sharing options...
Thor 7,504 Posted July 3, 2020 Share Posted July 3, 2020 24 minutes ago, Naïve Old Fart said: For "spiritual" JW, CADILLAC OF THE SKIES, is hard to beat. For me, the ultimate "religious", with always be GLORIA. Sure, I have LONG list of Williams tracks like that. But I feel that karelm's topic is a little bit beside that. I thought I had done an earlier thread on JW's religious/pastoral sound, but alas, I can't find it. Maybe it's time I start a new one. karelm 1 Link to comment Share on other sites More sharing options...
Edmilson 7,441 Posted July 3, 2020 Share Posted July 3, 2020 You Are the Pan would be a great candidate if by esoteric you mean religious and spiritual. It's the ultimate "He's the Chosen One" music Williams ever wrote. karelm 1 Link to comment Share on other sites More sharing options...
Thor 7,504 Posted July 3, 2020 Share Posted July 3, 2020 59 minutes ago, Edmilson said: You Are the Pan would be a great candidate if by esoteric you mean religious and spiritual. It's the ultimate "He's the Chosen One" music Williams ever wrote. Again, that would be an example of the 'other type' I was talking about. But yes, great example of that. Link to comment Share on other sites More sharing options...
bruce marshall 1,315 Posted July 3, 2020 Share Posted July 3, 2020 13 hours ago, Thor said: I also have a hard time understanding 'esoteric' in this context. I've always taken it to mean more like 'obscure' or 'peculiar'. But I've always loved what I call Williams' "religious sound", which is more like pastoral in nature. He has plenty of those tracks, and they are - in fact - my favourite sound of his, and one of the reasons he's my favourite composer. But that's probably not what you're asking for. The best example of " religiosity in his music has to be the opening sequences of E.T. where the orchestra plays in unison Amazing! Link to comment Share on other sites More sharing options...
karelm 2,913 Posted July 3, 2020 Author Share Posted July 3, 2020 10 hours ago, thx99 said: This cue perhaps fits both definitions of "esoteric"... Wow, that's a fascinating example from a score and film I know nothing about. Thanks! 13 hours ago, TownerFan said: Listening to these, I realize that despite they're heavily textural in character, they're also very pianistic at their core. It's sort of JW's own take on impressionist-like writing. It would be interesting to investigate his process when writing these kind of cues. Yes, exactly! To me, they even sound like maybe tuned percussion plus harp + celesta + piano in their instrumentation. Very ambient, textural, and sort of hit "pause" on the story for the character to work something out. It's a fascinating example of what makes JW unique. 9 hours ago, thx99 said: This, too, from the small screen... Very fine example! I am finding I REALLY love this style of JW. It's extremely impressionistic, I wish he would do something quite long in this style but your Amazing Stories example is so gorgeous! I did something in this style in one of my own works. 8 hours ago, Nick Parker said: So like this? Last Saber Duel is my favorite instance of it. I love it when Williams gets whimsical. An interesting example. I consider CEOTTK to be JW at his most transcendental (transcending from fear of the unknown to awe) and I'm sure I already made a thread about transcending cues of which the finale from this film is my #1. 6 hours ago, Thor said: Sure, I have LONG list of Williams tracks like that. But I feel that karelm's topic is a little bit beside that. I thought I had done an earlier thread on JW's religious/pastoral sound, but alas, I can't find it. Maybe it's time I start a new one. A good idea for a thread if it doesn't yet exist but correct, mine isn't so much about religioso which lets agree JW excels at. I'm sorry that esoteric is so difficult to define but people seem to get it and are offering fantastic examples of cues I've never heard of which reinforces my belief that JW is the best composer of esoteric cues but I'll leave it for someone else to define exactly what that means because I've tried repeatedly in this thread. 6 hours ago, Edmilson said: You Are the Pan would be a great candidate if by esoteric you mean religious and spiritual. It's the ultimate "He's the Chosen One" music Williams ever wrote. I know the cue, but is NOT what I'm referring to but is a gorgeous cue. Mine is subtle and might not even be thematic (though in the Superman Fortress of Solitude example, motifs are heard on top of the esoteric style stuff). From the examples of this thread, I really believe this is a style JW is so excellent with and probably unparalleled. I would like to put my finger on what is going on when he does this sort of thing but it is so difficult to even define this! I really think this is part of his brilliance is that he can hit the pause button with cues like this and link it to the grandiose moments to follow. Far and Away is a perfect example. The big fanfares and brilliance we expect are very much reserved for the final 10 minutes. Generally the same with E.T. (except for flying over the moon). JW has a large scale sense of drama which is very rare. Who else does this as well? Zimmer not close. Herrmann as brilliant as he was didn't do this. Neither did Korngold nor Goldsmith nor Steiner. thx99 and Will 2 Link to comment Share on other sites More sharing options...
Popular Post Nick Parker 3,040 Posted July 4, 2020 Popular Post Share Posted July 4, 2020 3 hours ago, karelm said: An interesting example. I consider CEOTTK to be JW at his most transcendental (transcending from fear of the unknown to awe) and I'm sure I already made a thread about transcending cues of which the finale from this film is my #1. Same, although AI fits the bill very well, too. It's no accident or coincidence that he holds those as some of his favorite work. Seeing your further comments, I think I'm understanding better and better what you mean, and I agree that Williams is a master of this. It's so intimate and private, and it feels like Williams was digging from a very deep lived experience to write these moments, for more or less mainstream entertainment no less. It's one of the major reasons why it's unfortunate that so many modern film composers look to past film scores for their major fuel, so to speak: amongst other things, they deny themselves their own innate humanity to draw from and truly create a lasting and powerful impact of their own. SteveMc, artguy360, Will and 1 other 4 Link to comment Share on other sites More sharing options...
Unlucky Bastard 7,782 Posted July 4, 2020 Share Posted July 4, 2020 Erotic cues? Link to comment Share on other sites More sharing options...
Gruesome Son of a Bitch 6,488 Posted July 4, 2020 Share Posted July 4, 2020 Are these cues Autoerotic? Link to comment Share on other sites More sharing options...
bruce marshall 1,315 Posted July 4, 2020 Share Posted July 4, 2020 Ce3k is so overrated!. All those heavenly choirs and melodramatic strings that sound like Max Steiner! It's a spaceship, not an MGM weepy. I get the feeling JW dashed this score off in the short period of time he had between his masterful SW and masterpiece SUPERMAN In your heart you know I'm right Joni Wiljami 1 Link to comment Share on other sites More sharing options...
Popular Post SteveMc 2,674 Posted July 4, 2020 Popular Post Share Posted July 4, 2020 8 hours ago, bruce marshall said: Ce3k is so overrated!. All those heavenly choirs and melodramatic strings that sound like Max Steiner! It's a spaceship, not an MGM weepy. I get the feeling JW dashed this score off in the short period of time he had between his masterful SW and masterpiece SUPERMAN In your heart you know I'm right Holko, Edmilson and Once 3 Link to comment Share on other sites More sharing options...
Thor 7,504 Posted July 4, 2020 Share Posted July 4, 2020 10 hours ago, bruce marshall said: Ce3k is so overrated!. All those heavenly choirs and melodramatic strings that sound like Max Steiner! It's a spaceship, not an MGM weepy. I get the feeling JW dashed this score off in the short period of time he had between his masterful SW and masterpiece SUPERMAN In your heart you know I'm right That's a rather bizarre description of CE3K. Not even sure we're talking about the same film. For 2/3rds of the film, it's pretty dark. There is nothing 'MGM weepy" about the spinechilling, Ligeti-like music for "Barry's Abduction", for example. Towards the end, it does indeed expand into more impressionistic territory, but it's more Debussy and Ravel than Max Steiner -- as the story warrants. Edmilson 1 Link to comment Share on other sites More sharing options...
SteveMc 2,674 Posted July 4, 2020 Share Posted July 4, 2020 I've said it before, CE3K is more than a film score, it is a philosophical symphonic statement by John, where he fully explores and fulfills the exploration of the power of myth through the synthesis of romantic and modern musical language that he outlined in the program notes of his Symphony. The Five Tones and Edmilson 2 Link to comment Share on other sites More sharing options...
bruce marshall 1,315 Posted July 4, 2020 Share Posted July 4, 2020 3 hours ago, SteveMc said: Ahhh!😄 1 hour ago, SteveMc said: I've said it before, CE3K is more than a film score, it is a philosophical symphonic statement by John, where he fully explores and fulfills the exploration of the power of myth through the synthesis of romantic and modern musical language that he outlined in the program notes of his Symphony. 1 hour ago, Thor said: That's a rather bizarre description of CE3K. Not even sure we're talking about the same film. For 2/3rds of the film, it's pretty dark. There is nothing 'MGM weepy" about the spinechilling, Ligeti-like music for "Barry's Abduction", for example. Towards the end, it does indeed expand into more impressionistic territory, but it's more Debussy and Ravel than Max Steiner -- as the story warrants. As the mothership departs the score is all wrong- it does sound like the hearts N flowers score of a Golden Age romance. If anyone but JW wrote this you wouldn't even be discussing it. IYHYKIR Link to comment Share on other sites More sharing options...
Popular Post Will 2,215 Posted July 4, 2020 Popular Post Share Posted July 4, 2020 Great thread idea @karelm -- you're absolutely right that this is so difficult to put into words, but it's really something I've noticed and loved about JW's music for the least few years. These sorts of mystical, ethereal moments never fail to move me emotionally, even more so than his grand orchestral moments. Somehow this type of music seems to me to underscore the fragility, indeed the ephemeral nature, of time, and of moments in our lives (or those of the characters on screen). Although I think Williams is best at this, Horner is also brilliant at it (actually, perhaps even equal to JW), as @SteveMc notes above. This gorgeous cue from The New World is a great example (I wish we could hear it without the bird-chirping, although I suppose that adds to the effect): SteveMc, Romão and karelm 3 Link to comment Share on other sites More sharing options...
bruce marshall 1,315 Posted July 4, 2020 Share Posted July 4, 2020 53 minutes ago, bruce marshall said: Ahhh!😄 As the mothership departs the score is all wrong- it does sound like the hearts N flowers score of a Golden Age romance. Had CE3K come out BEFORE SW and anyone but JW composed the score, I doubt it would be discussed much. It isn't even in the same universe as his awesome scores SW...SUPE...E.TM IYHYKIR Link to comment Share on other sites More sharing options...
Popular Post Nick Parker 3,040 Posted July 4, 2020 Popular Post Share Posted July 4, 2020 Gruesome Son of a Bitch, SteveMc and Holko 3 Link to comment Share on other sites More sharing options...
bruce marshall 1,315 Posted July 4, 2020 Share Posted July 4, 2020 16 hours ago, PuhgreÞiviÞm said: Erotic cues? S.O. Terrick. Last science officer of the Enterprise Link to comment Share on other sites More sharing options...
bruce marshall 1,315 Posted July 4, 2020 Share Posted July 4, 2020 1 hour ago, Nick Parker said: 1 hour ago, Nick Parker said: You call that a " defense"?! Link to comment Share on other sites More sharing options...
Nick Parker 3,040 Posted July 4, 2020 Share Posted July 4, 2020 Are you relying on 4KB floppy disks? 3 KB for a few pictures and the rest for your posts? Is that why they're almost identical and borderline incoherent? Link to comment Share on other sites More sharing options...
bruce marshall 1,315 Posted July 4, 2020 Share Posted July 4, 2020 29 minutes ago, Nick Parker said: Are you relying on 4KB floppy disks? 3 KB for a few pictures and the rest for your posts? Is that why they're almost identical and borderline incoherent? You're the expert on " floppy dicks"😝 Link to comment Share on other sites More sharing options...
Nick Parker 3,040 Posted July 4, 2020 Share Posted July 4, 2020 6 minutes ago, bruce marshall said: You're the expert on " floppy dicks"😝 You give me too much credit, that field's too esoteric for my blood. I humbly defer to your expertise. I'll stop contaminating your thread, Karel. Link to comment Share on other sites More sharing options...
Romão 2,274 Posted July 4, 2020 Share Posted July 4, 2020 Well, regardless of the OP use of the word, there are truly some great moments and tracks being highlighted in this thread. Thank you all for this karelm 1 Link to comment Share on other sites More sharing options...
karelm 2,913 Posted July 5, 2020 Author Share Posted July 5, 2020 18 hours ago, Will said: Great thread idea @karelm -- you're absolutely right that this is so difficult to put into words, but it's really something I've noticed and loved about JW's music for the least few years. These sorts of mystical, ethereal moments never fail to move me emotionally, even more so than his grand orchestral moments. Somehow this type of music seems to me to underscore the fragility, indeed the ephemeral nature, of time, and of moments in our lives (or those of the characters on screen). Although I think Williams is best at this, Horner is also brilliant at it (actually, perhaps even equal to JW), as @SteveMc notes above. This gorgeous cue from The New World is a great example (I wish we could hear it without the bird-chirping, although I suppose that adds to the effect): Yes exactly! This would have been so perfect without those sampled birds. Gorgeous cue. 15 hours ago, bruce marshall said: You're the expert on " floppy dicks"😝 Clearly no contribution to this thread and very stupid posts like this. Holko 1 Link to comment Share on other sites More sharing options...
Popular Post Jay 37,359 Posted July 6, 2020 Popular Post Share Posted July 6, 2020 @bruce marshall , knock it off. If you don't have something positive to contribute to a thread, just don't post in it. Thanks! Ricard, karelm and SteveMc 3 Link to comment Share on other sites More sharing options...
bruce marshall 1,315 Posted July 6, 2020 Share Posted July 6, 2020 1 hour ago, Jay said: @bruce marshall , knock it off. If you don't have something positive to contribute to a thread, just don't post in it. Thanks! Sorry😥 Link to comment Share on other sites More sharing options...
Jurassic Shark 12,074 Posted July 6, 2020 Share Posted July 6, 2020 On 7/4/2020 at 7:43 AM, bruce marshall said: masterpiece SUPERMAN Only the first act. Link to comment Share on other sites More sharing options...
bruce marshall 1,315 Posted July 6, 2020 Share Posted July 6, 2020 27 minutes ago, Jurassic Shark said: Only the first act. If you mean the LAST part of the film " Chasing Rockets" etc. isn't on the same level as what preceded it? I concur. Jurassic Shark 1 Link to comment Share on other sites More sharing options...
Romão 2,274 Posted July 6, 2020 Share Posted July 6, 2020 On 7/4/2020 at 8:02 PM, Will said: Great thread idea @karelm -- you're absolutely right that this is so difficult to put into words, but it's really something I've noticed and loved about JW's music for the least few years. These sorts of mystical, ethereal moments never fail to move me emotionally, even more so than his grand orchestral moments. Somehow this type of music seems to me to underscore the fragility, indeed the ephemeral nature, of time, and of moments in our lives (or those of the characters on screen). Although I think Williams is best at this, Horner is also brilliant at it (actually, perhaps even equal to JW), as @SteveMc notes above. This gorgeous cue from The New World is a great example (I wish we could hear it without the bird-chirping, although I suppose that adds to the effect): That's absolutely lovely Will and karelm 2 Link to comment Share on other sites More sharing options...
Popular Post Thor 7,504 Posted July 7, 2020 Popular Post Share Posted July 7, 2020 I just realized that the word 'ethereal' is perhaps more fitting for this purpose than 'esoteric'. thx99, SteveMc and Will 3 Link to comment Share on other sites More sharing options...
Popular Post karelm 2,913 Posted July 7, 2020 Author Popular Post Share Posted July 7, 2020 15 hours ago, Thor said: I just realized that the word 'ethereal' is perhaps more fitting for this purpose than 'esoteric'. I think you might be right. I revised the OP to reflect this. SteveMc, thx99 and Will 3 Link to comment Share on other sites More sharing options...
Bellosh 3,418 Posted July 11, 2020 Share Posted July 11, 2020 'Watching the Skies' - Close Encounters of the Third Kind Could not find a clip of it on YouTube, seems like nobody has uploaded the complete LLL release. So hopefully you have that release to listen to it. That cue is the definition of 'too perfect for this world.' karelm 1 Link to comment Share on other sites More sharing options...
Gruesome Son of a Bitch 6,488 Posted July 11, 2020 Share Posted July 11, 2020 On 7/3/2020 at 7:12 AM, thx99 said: This, too, from the small screen... I was going to post this as a hyperlink in this Hellish nightmare of embedded YouTube videos. But yes, it's one of his best tracks. thx99 1 Link to comment Share on other sites More sharing options...
Joni Wiljami 1,206 Posted July 11, 2020 Share Posted July 11, 2020 . Link to comment Share on other sites More sharing options...
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