TSMefford 1,509 Posted September 28, 2020 Share Posted September 28, 2020 This is why I consider it fun, feel good, popcorn movie. If you read into it too much, it's not as tight as it should be or could've been. I liked the energy, the cast, and the general idea of what I was seeing. Considering how well it seems to be doing for Netflix though, I'm sure there will be a sequel coming when they can. I look forward to it getting better perhaps, even though I don't consider it bad by any means. 1 minute ago, Richard Penna said: At least doing it this way gives Enola a choice between solving her own personal mystery, and helping someone else. That seemed to me one of the primary quandries she faced. Score-wise, I read Broxton's review mentioned above, and agree with it - bought the CD earlier. More on that topic, I picked it up too! I like it. It's a very fun score. I need to sit down and have a proper listen of it, but it's been fun to have on the last few days Yavar Moradi 1 Link to comment Share on other sites More sharing options...
TheUlyssesian 2,478 Posted September 28, 2020 Author Share Posted September 28, 2020 8 minutes ago, Jay said: Maybe they should have introduced the marquess guy earlier than the train scene or something Agree with this. The setup is misleading. The marquess guy plot is the actual main plot of the movie. The book title is also called case of the marquess boy or something. But they start is as the search for Enola's mother plot. But to be fair to the movie, they do midway show throw a graphic or visual that they are abandoning the mother plot and will be following the marquess boy plot instead. Yavar Moradi 1 Link to comment Share on other sites More sharing options...
Edmilson 7,436 Posted September 28, 2020 Share Posted September 28, 2020 There is definetly a feminist theme to the movie, since the main plot concerns the bill that allowed women to vote. Also, Enola's mother teachers her daughter to be strong, and she herself is leader of an underground feminist movement, or something. However, the movie isn't anti-male, or "all men are bad" or something like that. Characters like Sherlock and that boy (can't remember his name) are supportive of Enola in several occasions. So yeah, it's a feminist movie, but it doesn't have any agenda or try to promote anti-male politics. After all, Netflix needs that men also watch the movie, lol. Yavar Moradi and Richard Penna 2 Link to comment Share on other sites More sharing options...
TheUlyssesian 2,478 Posted September 28, 2020 Author Share Posted September 28, 2020 Yes, I would also like to support rough cut. He isn't imagining this. The movie is for sure a feminist movie. The film-makers say so themselves. Feminist in the sense, it does have patriarchy as the villain and does show women doing things in 1880s which I imagine are ahistorical to get a point across. There is some kind of blow it all up energy around it. I don't think anyone minds that it is a feminist movie. Calling it a feminist movie is not a criticism. It is an assertion - a neutral one at that. I for one like the movie because it is decently engaging, has an engaging lead star and a very good score. Yavar Moradi and rough cut 2 Link to comment Share on other sites More sharing options...
TSMefford 1,509 Posted September 28, 2020 Share Posted September 28, 2020 9 minutes ago, rough cut said: Pass. ‘Enola Holmes’ - be it done with a PC-agenda in mind or be it just your average female led YA-movie - the movie doesn’t appeal to me. And by any and all accounts, it seems I won’t be missing out on a masterpiece. So I’ll trust my gut, but I don’t mind the discussion or difference of opinion. Thats fair. No one has to watch a film, but I would say it's a bit unfair to brand the film anything definitive based off some articles when you haven't seen it. It's completely fair if it's just not your thing though based on the aesthetic and tone of the trailer or something. Though even bad trailers have turned me off to films I ended up enjoying years later. My other question, and I'm trying to not sound confrontational with this, I just legitimately don't understand: Why come into a thread for a film & score you're not remotely interested in? I stay out of the Zimmer threads because I typically don't like his stuff as of late and have nothing productive to add to the conversation these days. Yavar Moradi 1 Link to comment Share on other sites More sharing options...
rough cut 1,714 Posted September 28, 2020 Share Posted September 28, 2020 I saw the trailer, didn’t like it. Who knows, maybe I’d love the movie! 18 minutes ago, TSMefford said: Why come into a thread for a film & score you're not remotely interested in? Why come to this thread... Who said anything about “not being remotely interested?” How does one indicate ‘interest’? What qualifies? Not having seen a movie but still having an opinion based on reviews seems to be disqualified if I’m reading you correctly. Your question almost implies that someone shouldn’t be allowed to read/post on certain topics based on some invisible rule book. Interest? Just by reading a thread - none the less engaging with written content - seems to indicate otherwise, no? I didn’t come here like a troll, I am curious how people are receiving this movie since I am a huge Sherlock Holmes fan. I also think it’s fun to discuss the political agenda of certain movies... be it heavy handed or light hearted. What do people pick up? What do people say? Would you deny anyone that? Link to comment Share on other sites More sharing options...
Popular Post Yavar Moradi 2,599 Posted September 28, 2020 Popular Post Share Posted September 28, 2020 1 hour ago, TSMefford said: Though even bad trailers have turned me off to films I ended up enjoying years later. Oh yeah. John Carter was a particular victim of terrible trailers. Yes, it’s a feminist movie, not in the sense of "men are evil" but rather in the original sense of, “women are just as intelligent as men and deserve equal rights”. If that’s somehow too “woke” or controversial for you, then I’d say it’s time you joined the 21st century. Initially the Marques is a bit of a male damsel in distress, yes, but I don’t think that’s depicted so much because of his gender, but because of his rather spoiled upbringing. He has his own surprises though and comes into his own quite thoroughly by the end of the movie. And Enola, while intelligent, resourceful, and quite capable, is certainly not a “Mary Sue” type character by any means. She is young and unwise in the ways of the world, makes mistakes and misjudgments, and grows over the course of the story. I just wish they hadn’t picked on poor Mycroft Holmes to represent the traditional patriarchy. As a Mycroft fan I felt that wasn’t true to his character, though I guess it was done because he’s the one who works for the government. Yavar TSMefford, Edmilson and Not Mr. Big 3 Link to comment Share on other sites More sharing options...
TSMefford 1,509 Posted September 29, 2020 Share Posted September 29, 2020 2 hours ago, rough cut said: Your question almost implies that someone shouldn’t be allowed to read/post on certain topics based on some invisible rule book. ---------------------- Would you deny anyone that? Good grief, I specifically said I wasn't trying to be confrontational when I asked the question. I was merely trying to understand your mindset, not trying to imply you didn't have a right to be here. No one here is saying you shouldn't be allowed in a thread. My point, as stated in my example was: If I don't like something (like Hans Zimmer) - it implies, in my mind, that I don't have an interest in looking at anything to do with it. So, why engage in a thread for something you've already decided you don't like? It was a question to understand your mindset, as it does not mesh with mine, not me trying to snidely imply I wanted to take away your rights. 2 hours ago, rough cut said: Who said anything about “not being remotely interested?” I sort of assume a lack of interest when you express that you would pass on the film without seeing it in your first post of the thread: 5 hours ago, rough cut said: This is one movie I am happy to skip. It seems awful right down from its woke inception to its pc-agenda fueled completion. So that’ll be a ‘No thanks’ for me. ‘Back in the cupboard for you, Granola Holmes.’ That doesn't sound interested to me. It read to me like you were coming in to voice your displeasure for the film, but didn't ask any questions as to what other people thought about the film or the politics, at least in the first post. I suppose that's on me for interpreting it that way. If you're interested and want to discuss, by all means, go right ahead. I am stopping you, nor do I want to. Again, if I had those thoughts about a film, I wouldn't bother clicking on a thread for it, I was just trying to see where you were coming from. I never expected a thread about the score for a Netflix film called Enola Holmes to be so heated. Lol. I have now... lost interest for tonight since this devolved so fast. So I'll see myself out. Have a good one everyone. Yavar Moradi 1 Link to comment Share on other sites More sharing options...
Popular Post TheUlyssesian 2,478 Posted October 10, 2020 Author Popular Post Share Posted October 10, 2020 So this is my first attempt at a thematic analysis for Enola Holmes. Please correct me or propose additions in case I have missed anything. I actually think there are still other small motifs in the score. After doing this analysis, I actually think this might be the best score of the year. Themes & Motifs 1. Mystery Theme - De facto main theme of the film in its normal guise and specially the more prevalent adventure theme. You can tell DP thinks this is the most important theme as this is the first theme you hear - over the logos before the main title. The regular mystery theme is a slightly slower and more fully articulated version of this theme. Check out the piano solo rendition in An Old Friend. 01 Enola Holmes 0:16 - 0:31 06 Train Escape 1:53 - 2:01 13 The Limehouse Puzzle 1:36 - End 17 Basilwether Hall 0:26 - 0:57 24 For England 0:00 - 0:35 27 An Old Friend 0:00 - End (piano solo) 28 Mother 0:32 - 0:59 2. Enola's Theme - The title theme, very good and memorable. Used sparingly but always with great impact. For example Fields of London really stands out as it is used for a scene transition. The fullest versions are the main title and end credits in the first and lack tracks respectively. 01 Enola Holmes 0:32 - 2:38 03 Mycroft & Sherlock Holmes 0:00 - End 09 Fields of London 0:00 - End 22 School Escape 0:00 - 1:07 25 Ha! 0:00 - End (De-constructed variation?) 29 Enola Holmes (The Future Is Up to Us) 0:00 - End 3. Mystery Theme (Discovery) - Used just twice, it is the mystery theme over a bed or swirling figures denoting a sense of discovery. 02 Gifts from Mother 0:00 - End 14 Limehouse Lane 0:00 - 1:10 4. Eudoria's Motif - A haunted solo vocal voice that denotes a sense of loss and is slightly spooky but also sad as it represents Eudoria who isn't here any more. This might be a vocal version of the Mystery theme or the same theme as the Mother-Daughter theme also featured on solo voice later on. Best expressions are identification renditions in Gifts from Mother and Limehouse Lane. 02 Gifts from Mother 0:35 - 0:49 14 Limehouse Lane 0:38 - 0:52 14 Limehouse Lane 2:18 - End 24 For England 0:36 - 0:58 5. Mystery Theme (Adventure) - The most prevalent theme - it is the bouncy strident action theme of the score and has a great sense of propulsion and drive. This is different in the sense that it uses the first notes of the mystery theme in a different rhythm and then does its own thing. The Game is afoot has a nice rendition with it exploding into the full orchestra at the end. London Arrival also goes through the many contours of this theme. The first rendition in the Enola and Tewkesbury is also memorable and could be its own theme. 04 Cracking The Chrysanthemums Cypher 0:00 - 1:42 05 The Game Is Afoot 0:00 - End 10 London Arrival 0:00 - End 15 Fight Combat 0:00 - 0:08 15 Fight Combat 2:59 - End 18 Forest Clues 0:39 - 1:10 18 Forest Clues 1:49 - End 22 School Escape 1:31 - End 26 Enola & Tewkesbury Farewell 0:47 - 1:22 26 Enola & Tewkesbury Farewell 2:23 - End 6. Decision Motif - A superb idea by DP and very very effective. Instead of repeating Enola's Theme all the time, every time Enola makes a big decision, this motif bursts forth to great effect. And because Enola makes big decisions in big moments, several important scenes feature this motif. Watch out for the standout rendition in Escaping Lestrade where it takes on a monumental gravity. Is it the organ I hear there? But a great motif and since Enola's theme is very light and peppy, this works very well for all the big moments. 04 Cracking The Chrysanthemums Cypher 1:42 - End 06 Train Escape 2:31 - End 13 The Limehouse Puzzle 0:43 - 1:14 15 Fight Combat 1:06 - 1:15 20 Escaping Lestrade 0:00 - 1:23 22 School Escape 1:08 - 1:30 26 Enola & Tewkesbury Farewell 2:03 - 2:22 7. Tewkesbury’s Theme/Love Theme - An outstanding swoony theme for the budding romance between Tewesbury and Enola. He's basically the love interest so its fitting he got a theme like this. It is a romantic theme but not necessarily overtly feminine, it has a dreamy masculine edge too so works quite well for the character. The first rendition in Marquis is the best one. In the sequels, this theme has a lot of promise for development. 08 Marquis 0:00 - End 19 Tewkesbury’s Trail 0:00 - End 24 For England 1:37 - 2:02 26 Enola & Tewkesbury Farewell 0:00 - 0:46 8. Linthorn's Theme - A complex theme of a percussion and pulsing brass with scary flute figures. This is a good churning villain theme for the henchman pursuing Teweksbury. Maybe a bit Gia-esque. 14 Limehouse Lane 1:14 - End 15 Fight Combat 1:20 - 2:35 23 Tick Tock 0:42 - 3:10 9. Mother-Daughter Theme - A solo voice theme for Enola's relationship with her mother and her memory. Best heard in the track Mother. That track is so good that it is used twice - also tracked earlier in the film where Sherlock comes to meet Enola at the girls' school. 21 Making a Lady 2:19 - 2:51 23 Tick Tock 3:11 - End 24 For England 1:00 - 1:26 28 Mother 1:00 - End Track by Track Analysis 01 Enola Holmes 0:16 - 0:31 Mystery Theme 0:32 - 2:38 Enola's Theme 02 Gifts from Mother 0:00 - End Mystery Theme (Discovery) 0:35 - 0:49 Eudoria's Motif 03 Mycroft & Sherlock Holmes 0:00 - End Enola's Theme 04 Cracking The Chrysanthemums Cypher 0:00 - 1:42 Mystery Theme (Adventure) 1:42 - End Decision Motif 05 The Game Is Afoot 0:00 - End Mystery Theme (Adventure) 06 Train Escape 1:53 - 2:01 Mystery Theme 2:31 - End Decision Motif 07 Nincompoop Standalone cue 08 Marquis 0:00 - End Tewkesbury’s Theme/Love Theme 09 Fields of London 0:00 - End Enola's Theme 10 London Arrival 0:00 - End Mystery Theme (Adventure) 11 Dressing Up Box Great standalone cue 12 Messages for Mother Great standalone cue 13 The Limehouse Puzzle 0:43 - 1:14 Decision Motif 1:36 - End Mystery Theme 14 Limehouse Lane 0:00 - 1:10 Mystery Theme (Discovery) 0:38 - 0:52 Eudoria's Motif 1:14 - End Linthorn's Theme 2:18 - End Eudoria's Motif 15 Fight Combat 0:00 - 0:08 Mystery Theme (Adventure) 1:06 - 1:15 Decision Motif 1:20 - 2:35 Linthorn's Theme 2:59 - End Mystery Theme (Adventure) 16 Edge of a Cliff Standalone cue 17 Basilwether Hall 0:26 - 0:57 Mystery Theme 18 Forest Clues 0:39 - 1:10 Mystery Theme (Adventure) 1:49 - End Mystery Theme (Adventure) 19 Tewkesbury’s Trail 0:00 - End Tewkesbury’s Theme/Love Theme 20 Escaping Lestrade 0:00 - 1:23 Decision Motif 21 Making a Lady 2:19 - 2:51 Mother-Daughter Theme 22 School Escape 0:00 - 1:07 Enola's Theme 1:08 - 1:30 Decision Motif 1:31 - End Mystery Theme (Adventure) 23 Tick Tock 0:42 - 3:10 Linthorn's Theme 3:11 - End Mother-Daughter Theme 24 For England 0:00 - 0:35 Mystery Theme 0:36 - 0:58 Eudoria's Motif 1:00 - 1:26 Mother-Daughter Theme 1:37 - 2:02 Tewkesbury’s Theme/Love Theme 25 Ha! 0:00 - End Enola's Theme (Variant) 26 Enola & Tewkesbury Farewell 0:00 - 0:46 Tewkesbury’s Theme/Love Theme 0:47 - 2:02 Mystery Theme (Adventure) 2:03 - 2:22 End Decision Motif 2:23 - End Mystery Theme (Adventure) 27 An Old Friend 0:00 - End Mystery Theme 28 Mother (Tracked earlier in the film too) 0:32 - 0:59 Mystery Theme 1:00 - End Mother-Daughter Theme 29 Enola Holmes (The Future Is Up to Us) 0:00 - End Enola's Theme Jay, TSMefford, Richard Penna and 1 other 4 Link to comment Share on other sites More sharing options...
Richard Penna 3,686 Posted October 10, 2020 Share Posted October 10, 2020 The 'Mystery Theme' in all its guises, is what initially made me sit up and notice the score. I love its melancholy sound, and how pliable it is amongst various settings. TSMefford 1 Link to comment Share on other sites More sharing options...
Popular Post Jay 37,352 Posted October 10, 2020 Popular Post Share Posted October 10, 2020 Wow great work @TheUlyssesian, this is awesome! I love this website! TheUlyssesian, TSMefford and Yavar Moradi 3 Link to comment Share on other sites More sharing options...
Jules 59 Posted October 12, 2020 Share Posted October 12, 2020 You blokes are just insane with your comprehensive analysis. I saw the film and must get around to listening to the score, really liked it in context. Link to comment Share on other sites More sharing options...
TheUlyssesian 2,478 Posted January 3, 2021 Author Share Posted January 3, 2021 Recent score feature TSMefford 1 Link to comment Share on other sites More sharing options...
TheUlyssesian 2,478 Posted April 16, 2021 Author Share Posted April 16, 2021 CC's review - https://www.filmtracks.com/titles/enola_holmes.html (4 stars out of 5) (maybe he read my analysis ) Pemberton took quite a leap in CC's estimation with this score. CC had reviewed only 2 prior Pemberton scores - Into the Spiderverse and Birds of Prey and he had awarded both 1 star out of 5. Link to comment Share on other sites More sharing options...
MedigoScan 324 Posted April 16, 2021 Share Posted April 16, 2021 Thats clearly way too low for Spiderverse. TSMefford 1 Link to comment Share on other sites More sharing options...
TSMefford 1,509 Posted April 16, 2021 Share Posted April 16, 2021 1 hour ago, MedigoScan said: Thats clearly way too low for Spiderverse. Agreed. I loved that score! It may not have been the most sophisticated and the style took some getting used to at times, but it was very fun and it had far more emotional resonance and life than a lot of other scores have had for me recently. I actually revisit this one quite often. It's fun to listen to. Link to comment Share on other sites More sharing options...
Thor 7,495 Posted April 16, 2021 Share Posted April 16, 2021 I really, really disliked this film. The score had its moments, but nothing I would like to own. Pemberton has done much better in the past. Link to comment Share on other sites More sharing options...
Popular Post TheUlyssesian 2,478 Posted April 16, 2021 Author Popular Post Share Posted April 16, 2021 I actually liked the film too. It had a charismatic lead performance from MBB and the story was decently well written as well. Arpy, Edmilson and TSMefford 3 Link to comment Share on other sites More sharing options...
TSMefford 1,509 Posted April 16, 2021 Share Posted April 16, 2021 2 hours ago, TheUlyssesian said: I actually liked the film too. It had a charismatic lead performance from MBB and the story was decently well written as well. I liked it as well. A fun twist on the Sherlock Holmes stories. Yavar Moradi 1 Link to comment Share on other sites More sharing options...
Edmilson 7,436 Posted April 16, 2021 Share Posted April 16, 2021 It was a fun movie. TSMefford and Yavar Moradi 2 Link to comment Share on other sites More sharing options...
Richard Penna 3,686 Posted April 16, 2021 Share Posted April 16, 2021 Fun movie, fun score - bought it almost immediately after. TSMefford and Yavar Moradi 2 Link to comment Share on other sites More sharing options...
Yavar Moradi 2,599 Posted April 16, 2021 Share Posted April 16, 2021 I'll join in the chorus of love for this film and score. Neither one was amazing or brilliant or anything, like Holmes stuff can be at its best. But quite a delightful and fun romp. I would happily invite any sequels Netflix wants to fund (I think there are four other books in the series which could be adapted). My quibbles with characterization probably lie more with the source novels than the filmmakers or actors, but I will say that Sherlock was a bit too *nice* in this (while I liked Cavill quite a bit in the role, he just comes off a bit too "normal" and well-adjusted, lacking Sherlock's familiar issues and quirks), and Mycroft was too much of an asshole. Yavar Arpy and TSMefford 2 Link to comment Share on other sites More sharing options...
TSMefford 1,509 Posted April 17, 2021 Share Posted April 17, 2021 7 hours ago, Yavar Moradi said: I will say that Sherlock was a bit too *nice* in this (while I liked Cavill quite a bit in the role, he just comes off a bit too "normal" and well-adjusted, lacking Sherlock's familiar issues and quirks) I found it refreshing. I've seen the same old iteration of Sherlock over and over. Cavill's version is a welcome change. Link to comment Share on other sites More sharing options...
Unlucky Bastard 7,782 Posted April 17, 2021 Share Posted April 17, 2021 Is Godzilla in it? Link to comment Share on other sites More sharing options...
TSMefford 1,509 Posted April 17, 2021 Share Posted April 17, 2021 15 hours ago, The Big Man said: Is Godzilla in it? Yes absolutely. Sherlock follows the clues and figures out where he's hiding, which leads them to an underground layer of baby Godzilla eggs. The final battle includes hundreds of freshly hatched baby godzillas. Edmilson 1 Link to comment Share on other sites More sharing options...
gkgyver 1,645 Posted April 17, 2021 Share Posted April 17, 2021 What's an enola? Link to comment Share on other sites More sharing options...
MedigoScan 324 Posted April 18, 2021 Share Posted April 18, 2021 58 minutes ago, TSMefford said: Yes absolutely. Sherlock follows the clues and figures out where he's hiding, which leads them to an underground layer of baby Godzilla eggs. The final battle includes hundreds of freshly hatched baby godzillas. I hope he brought a lot of fish. TSMefford 1 Link to comment Share on other sites More sharing options...
Unlucky Bastard 7,782 Posted April 18, 2021 Share Posted April 18, 2021 1 hour ago, gkgyver said: What's an enola? The plane that delivered the bomb. Link to comment Share on other sites More sharing options...
TheUlyssesian 2,478 Posted May 13, 2021 Author Share Posted May 13, 2021 Millie Bobby Brown, Henry Cavill Returning for ‘Enola Holmes’ Sequel https://www.hollywoodreporter.com/movies/movie-news/millie-bobby-brown-henry-cavill-enola-holmes-sequel-1234952481/ I hope Pemberton is returning too. Yavar Moradi and TSMefford 2 Link to comment Share on other sites More sharing options...
Edmilson 7,436 Posted May 13, 2021 Share Posted May 13, 2021 Everything Cavill did is getting a new movie or new season... except for Superman. Link to comment Share on other sites More sharing options...
Arpy 4,145 Posted May 13, 2021 Share Posted May 13, 2021 26 minutes ago, Edmilson said: Everything Cavill did is getting a new movie or new season... except for Superman. tbh, he's not a great Superman. Link to comment Share on other sites More sharing options...
Jay 37,352 Posted May 13, 2021 Share Posted May 13, 2021 They're making a sequel to Man from UNCLE? Link to comment Share on other sites More sharing options...
Edmilson 7,436 Posted May 13, 2021 Share Posted May 13, 2021 17 minutes ago, Arpy said: tbh, he's not a great Superman. He looks great as Superman, it's unfortunate that the scripts they gave him were so bad. 15 minutes ago, Jay said: They're making a sequel to Man from UNCLE? Ok, so "almost everything". Link to comment Share on other sites More sharing options...
Disco Stu 15,495 Posted May 13, 2021 Share Posted May 13, 2021 Looking great doesn't make him a good Superman. Cavill has too much villain energy to be Superman. Link to comment Share on other sites More sharing options...
Jay 37,352 Posted May 13, 2021 Share Posted May 13, 2021 Indeed Link to comment Share on other sites More sharing options...
Yavar Moradi 2,599 Posted May 13, 2021 Share Posted May 13, 2021 1 hour ago, Jay said: They're making a sequel to Man from UNCLE? I loved that film so I’d be onboard, though obviously they’d have to recast Cavill’s costar... Yavar Link to comment Share on other sites More sharing options...
Jay 37,352 Posted May 13, 2021 Share Posted May 13, 2021 What, you don't want to give a job to a cannibal? Link to comment Share on other sites More sharing options...
TheUlyssesian 2,478 Posted May 13, 2021 Author Share Posted May 13, 2021 #RepresentationMatters #FightingForTheRightOfCannibals Link to comment Share on other sites More sharing options...
Yavar Moradi 2,599 Posted May 13, 2021 Share Posted May 13, 2021 19 minutes ago, Jay said: What, you don't want to give a job to a cannibal? Disco Stu 1 Link to comment Share on other sites More sharing options...
Disco Stu 15,495 Posted May 13, 2021 Share Posted May 13, 2021 No joke, @Yavar Moradi I saw this in the forum activity feed and before I clicked into the thread I said to myself "I bet he posted a Mads gif" Yavar Moradi 1 Link to comment Share on other sites More sharing options...
Jay 37,352 Posted May 13, 2021 Share Posted May 13, 2021 Such a good show Yavar Moradi 1 Link to comment Share on other sites More sharing options...
Popular Post Stark 312 Posted May 16, 2021 Popular Post Share Posted May 16, 2021 I didn’t particularly like the film, but if it means we’ll get another Pemberton score in this style I’ll take it - this was the best score of 2020 in my book! TSMefford, Cerebral Cortex, TheUlyssesian and 1 other 4 Link to comment Share on other sites More sharing options...
TheUlyssesian 2,478 Posted May 16, 2021 Author Share Posted May 16, 2021 28 minutes ago, Stark said: I didn’t particularly like the film, but if it means we’ll get another Pemberton score in this style I’ll take it - this was the best score of 2020 in my book! I would agree. Very memorable, and the kind of out and out big orchestral score that you don't see often for this kind of a film (or for any kind of a film). Link to comment Share on other sites More sharing options...
Thor 7,495 Posted May 16, 2021 Share Posted May 16, 2021 I hated the film a bit. The score was okay, but nowhere near the top list last year. Link to comment Share on other sites More sharing options...
Jay 37,352 Posted September 26, 2022 Share Posted September 26, 2022 JNHFan2000 and Tom Guernsey 2 Link to comment Share on other sites More sharing options...
JNHFan2000 2,959 Posted September 26, 2022 Share Posted September 26, 2022 Exciting. The first score is my no 1 or 2 Pemberton score. Glad to see it's a big orchestra Yavar Moradi 1 Link to comment Share on other sites More sharing options...
Stark 312 Posted September 26, 2022 Share Posted September 26, 2022 The first score is my favorite score of 2020, so I’m very excited for this. TheUlyssesian 1 Link to comment Share on other sites More sharing options...
Richard Penna 3,686 Posted September 26, 2022 Share Posted September 26, 2022 I think the first score is the only Pemberton I have - definitely looking forward to this. Link to comment Share on other sites More sharing options...
Jay 37,352 Posted September 27, 2022 Share Posted September 27, 2022 Hmm, I just saw the trailer. I didn't really care for the first film; Something about it rubbed me the wrong way. I can't even really remember now what it was. I did quite like Henry Cavill's portrayal of Sherlock in it, though! This trailer, though... I think it looks better than the first movie? Hard to tell from just a trailer I suppose. Maybe I'll watch it after all. I was quite put off by the anachronistic use of a Jet song in the trailer though. I wonder if that new rendition was done for the movie, or if its just something for the trailer. Here's the original if anyone is curious Link to comment Share on other sites More sharing options...
mstrox 6,651 Posted September 27, 2022 Share Posted September 27, 2022 Looks like it’s a cover by Mallory Merk. https://www.instagram.com/reel/Ci5yDmnqsxm/?utm_source=ig_web_copy_link Link to comment Share on other sites More sharing options...
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