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mxsch

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I'm looking for action scores with good themes and not dull underscore. It will be great if it includes couple or more lengthy bombastic tracks.

All composers, except Davis, Debney, Silvestri, Elfman, Arnold, Shore, Powell and JW because I've listened all from them with this criterias.

 

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Those are very broad parameters. I would also need to know what style we're talking about. I can glean from the composers you mention that you're primarily looking for orchestral action scores, perhaps? Also, while 'action' is considered a genre, you can also have scores in other genres that have a busy soundscape, be it westerns or fantasy films or sci fis of whatever. Do they count too?

 

A few off the top of my head that are orchestral, have a thematic base, are not by any of the composers you mention, have lengthy bombastic tracks and that are action-oriented in sound:

 

ENTHIRAN - Rahman

THE EAGLE - Örvarsson

CONAN THE BARBARIAN - Poledouris

STARSHIP TROOPERS - Poledouris

YOUNG SHERLOCK HOLMES - Broughton

HARD RAIN - Young

THE MONKEY KING - Young

THE GOONIES - Grusin

MUSIC FROM THE FILMS OF STEVEN SEAGAL - Frank

FIRE BIRDS - D. Newman

THE PHANTOM - D. Newman

THE COUNT OF MONTE CHRISTO - Shearmur

DEMOLITION MAN - Goldenthal

BATMAN FOREVER & ROBIN - Goldenthal

FINAL FANTASY - Goldenthal

THE SEA HAWK - Korngold

ROBIN HOOD - Korngold

WE'RE NO ANGELS - Fenton

TORPEDO - Hannes de Mayer

WILLOW - Horner

THE ROCKETEER - Horner

THE MASK OF ZORRO - Horner

AVATAR - Horner

WATERWORLD - Howard

DINOSAUR - Howard

VERTICAL LIMIT - Howard

HIDALGO - Howard

THE WIND AND THE LION - Goldsmith

THE GREAT TRAIN ROBBERY - Goldsmith

FIRST BLOOD - Goldsmith

KING SOLOMON'S MINES - Goldsmith

THE MUMMY - Goldsmith

TOTAL RECALL - Goldsmith

THE EDGE - Goldsmith

KULL THE CONQUEROR - Joel Goldsmith

IRON WILL - McNeely

SQUANTO - McNeely

SOLDIER - McNeely

THE TIME MACHINE - Badelt

AGE OF CONAN series - Haugen

RAGNAROK - Beite

TWISTER - Mancina

THE TREASURE OF THE SIERRA MADRE - Steiner

KING KONG - Steiner

ROBIN HOOD - Kamen

THE THREE MUSKETEERS - Kamen

THE THIEF OF BAGDAD - Rozsa

SHIPWRECKED - Doyle

BRAVE - Doyle

RUBINROT - Kölmel

DAYLIGHT - Edelman

THE QUEST - Edelman

DRAGONHEART - Edelman

LAWNMOWER MAN 2 - Folk

ALEXANDER NEVSKY - Prokofiev

NATE AND HAYES - Jones

AROUND THE WORLD in 80 DAYS - Jones

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38 minutes ago, Thor said:

Those are very broad parameters. I would also need to know what style we're talking about. I can glean from the composers you mention that you're primarily looking for orchestral action scores, perhaps? Also, while 'action' is considered a genre, you can also have scores in other genres that have a busy soundscape, be it westerns or fantasy films or sci fis of whatever. Do they count too?

 

A few off the top of my head that are orchestral, have a thematic base, are not by any of the composers you mention, have lengthy bombastic tracks and that are action-oriented in sound:

 

ENTHIRAN - Rahman

THE EAGLE - Örvarsson

CONAN THE BARBARIAN - Poledouris

STARSHIP TROOPERS - Poledouris

YOUNG SHERLOCK HOLMES - Broughton

HARD RAIN - Young

THE MONKEY KING - Young

THE GOONIES - Grusin

MUSIC FROM THE FILMS OF STEVEN SEAGAL - Frank

FIRE BIRDS - D. Newman

THE PHANTOM - D. Newman

THE COUNT OF MONTE CHRISTO - Shearmur

DEMOLITION MAN - Goldenthal

BATMAN FOREVER & ROBIN - Goldenthal

FINAL FANTASY - Goldenthal

THE SEA HAWK - Korngold

ROBIN HOOD - Korngold

WE'RE NO ANGELS - Fenton

TORPEDO - Hannes de Mayer

WILLOW - Horner

THE ROCKETEER - Horner

THE MASK OF ZORRO - Horner

AVATAR - Horner

WATERWORLD - Howard

DINOSAUR - Howard

VERTICAL LIMIT - Howard

HIDALGO - Howard

THE WIND AND THE LION - Goldsmith

THE GREAT TRAIN ROBBERY - Goldsmith

FIRST BLOOD - Goldsmith

KING SOLOMON'S MINES - Goldsmith

THE MUMMY - Goldsmith

TOTAL RECALL - Goldsmith

THE EDGE - Goldsmith

KULL THE CONQUEROR - Joel Goldsmith

IRON WILL - McNeely

SQUANTO - McNeely

SOLDIER - McNeely

THE TIME MACHINE - Badelt

AGE OF CONAN series - Haugen

RAGNAROK - Beite

TWISTER - Mancina

SPEED - Mancina

THE TREASURE OF THE SIERRA MADRE - Steiner

KING KONG - Steiner

ROBIN HOOD - Kamen

THE THREE MUSKETEERS - Kamen

THE THIEF OF BAGDAD - Rozsa

SHIPWRECKED - Doyle

BRAVE - Doyle

RUBINROT - Kölmel

DAYLIGHT - Edelman

THE QUEST - Edelman

DRAGONHEART - Edelman

LAWNMOWER MAN 2 - Folk

ALEXANDER NEVSKY - Prokofiev

NATE AND HAYES - Jones

AROUND THE WORLD in 80 DAYS - Jones

Yeah I've meant orchestral scores, any genres count, thank you so much!

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Joe Kraemer's MISSION IMPOSSIBLE: ROGUE NATION

 

Craig Safan's THE LAST STARFIGHTER

 

James Horner's STAR TREK 2

 

James Horner's THE ROCKETEER

 

Jerry Goldsmith's TOTAL RECALL

 

Jerry Goldsmith's AIR FORCE ONE

 

Marc Mancina's SPEED 2: CRUISE CONTROL

 

Marc Mancina's TWISTER

 

Michael Kamen's DIE HARD WITH A VENGEANCE

 

John Barry's THE LIVING DAYLIGHTS

 

Hans Zimmer's THE ROCK

 

Hans ZImmer's DROP ZONE

 

James Newton Howard's WATERWORLD

 

Michael Giacchino's MEDAL OF HONOR

 

Michael Giacchino's SPIDER-MAN: FAR FROM HOME

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1 hour ago, Jay said:

Hans Zimmer's THE ROCK

 

I considered mentioning this, and other Zimmers, but I felt they didn't qualify in terms of a PURELY orchestral style.

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For good quality adventure scores I would like to throw in one of my favourites from the time when I was starting to listen to motion picture soundtracks: 

Clash of the Titans from Lawrence Rosental.

 

Haven't listened to it in years.

And I think, James Newton Howard's King Kong is worth mentioning as well.

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