Nick1Ø66 4,710 Posted May 6, 2021 Share Posted May 6, 2021 1 minute ago, Jurassic Shark said: It's ok, I'll make an exception for you. I am a slow learner. Link to comment Share on other sites More sharing options...
Jurassic Shark 12,052 Posted May 6, 2021 Author Share Posted May 6, 2021 You've come to the right place as I've got nothing to teach you. Nick1Ø66 1 Link to comment Share on other sites More sharing options...
Glóin the Dark 1,220 Posted May 6, 2021 Share Posted May 6, 2021 [Video contains spoilers for The Wicker Man.] Link to comment Share on other sites More sharing options...
Nick Parker 3,040 Posted May 6, 2021 Share Posted May 6, 2021 27 minutes ago, Nick1066 said: I believe music can have a spirit to it that we don't understand. There's a reason it can touch in a way language can't, and why its so universal. I know whachu mean. To address your question, @Edmilson, I think an "evil" score would depend more on the life condition of the composer(s) beyond any subject matter or inspiration. To slightly expand on my initial post, I see one of the deep causes of evil to be a lack of empathy based on fundamental ignorances of the connectedness of life...and I'm drawing hella blanks on thinking of any music, let alone a movie soundtrack!, that feels, or as Not Me Nick posted, has a spirit, coming from that place. Edmilson and Nick1Ø66 2 Link to comment Share on other sites More sharing options...
Deacon Blues 65 Posted May 6, 2021 Share Posted May 6, 2021 Link to comment Share on other sites More sharing options...
Alex 2,835 Posted May 7, 2021 Share Posted May 7, 2021 Patrick Doyle’s Mary Shelley’s Frankenstein Link to comment Share on other sites More sharing options...
Koray Savas 2,251 Posted May 7, 2021 Share Posted May 7, 2021 First and best example that comes to mind is Silent Hill 2. A score that can be beautiful in one instance and terrifying in another. Link to comment Share on other sites More sharing options...
Nick Parker 3,040 Posted May 7, 2021 Share Posted May 7, 2021 6 hours ago, Koray Savas said: First and best example that comes to mind is Silent Hill 2. A score that can be beautiful in one instance and terrifying in another. Did I ever tell you that you know the way to my heart? Koray Savas 1 Link to comment Share on other sites More sharing options...
Brundlefly 2,385 Posted May 7, 2021 Share Posted May 7, 2021 Damien: Omen II - It seems like the voices are delighted by every death depicted in the movie, it is not only articulating viciousness, but also embracing it. Some sections from The Temple of Doom - Cues such as The Evil Potion, The Temple of Doom and Saving Willie can get extremely scary and brutal and again seem to get ecstatic about it. Link to comment Share on other sites More sharing options...
Thor 7,490 Posted May 7, 2021 Share Posted May 7, 2021 7 minutes ago, Brundlefly said: Some sections from The Temple of Doom - Cues such as The Evil Potion, The Temple of Doom and Saving Willie can get extremely scary and brutal and again seem to get ecstatic about it. I mentioned that earlier in the thread. Link to comment Share on other sites More sharing options...
Jurassic Shark 12,052 Posted May 7, 2021 Author Share Posted May 7, 2021 That's a great Jay imitation. Link to comment Share on other sites More sharing options...
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