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Menken/Schwartz: Hunchback vs. Pocahontas


WampaRat

Menken/Schwartz: Hunchback vs. Pocahontas   

24 members have voted

  1. 1. Which score do you prefer?

    • Hunchback of Notre Dame
    • Pocahontas
  2. 2. Which songs do you prefer?

    • Hunchback of Notre Dame
    • Pocahontas
  3. 3. Which music do you prefer overall?

    • Hunchback of Notre Dame
    • Pocahontas


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With the release of the legacy edition of Hunchback (all issues aside), we have a much fuller picture of the score and music from Menken and Schwartz second collaboration.

 

Overall, which of their two classic animated works do you prefer? Pocahontas or Hunchback of Notre Dame? 
 

I find them comparable as they are  both some of the most mature/soaring/ heart-rending music ever written during the 90s Disney Renaissance. 

 

 

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17 minutes ago, Thor said:


Why? They’re Disney at their finest.

The scores are exceptional listening, but the movies are embarrassingly pompous (Pocahontas moreso, back when white men making movies ‘discussing’ racism wasn’t as immediately laughed at as they are now). 

Menken’s (and Ashman’s) work for me peaked with Little Mermaid. There’s an energy and spontaneity to it that’s more polished with Beauty and the Beast and onward, but in turn feels more overtly manufactured and self-conscious. 

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Hunchback for both. When revisiting P, I got kinda bored of the underscore (this was a couple years ago though), and definitely felt a lot of the vocal performances aren't strong/tense/powerful enough to fulfill their narrative part, like P in Savages. I guess overall I very much prefer H's gothic/medieval brand of histocising over P's american historicising/native ethnicising and the way the songs are integrated.

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I didn't like both movies at all.

Arielle, Beauty and Aladdin were really best in class. But already Lion King and all the Menken musicals afterwards disappointed me as movies (except Mulan, which again was brillant, but like Lion King not Menken, I know).

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Hunchback, if only because the place and subject matter prevented score and songs from becoming too Disney vanilla. I'm listening to the new edition of Hunchback on Spotify at this very moment.

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