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Batu Sener


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1 hour ago, SilverTrumpet said:

Didn't I read somewhere that he wrote Corellia Chase from Solo? That's a hell of a track.

I think it was more of a "Powell + Batu combo", right? Either way, if Batu did this cue on his own, congratulations to him, it might be the best action cue of that score.

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I doubt Sener had a particularly major role in writing "Corellia Chase," given that Powell posted the sheet music for that cue on YouTube without giving credit to Sener. 

 

In any event, I completely agree about the two Ice Age scores. Gorgeous stuff: 

 

 

Some great action writing in here as well: 

 

 

See also: 

 

 

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14 hours ago, Edmilson said:

I think it was more of a "Powell + Batu combo", right? Either way, if Batu did this cue on his own, congratulations to him, it might be the best action cue of that score.

 

Yeah, I'm pretty sure it's a co-credit.

 

Not sure how reliable this website is but that cue appears to credited to both of them.

 

https://hans-zimmer.com/discography/229/project/3306

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  • 10 months later...
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The Part 1 album from Atatürk is out.

What do you guys think?

 

After a first listen, I feel like there a some really good things in there.

I can start to hear Sener's style… Especially if we compare it to his "Lugano Impressions", which is a really good Cello and Piano short album. After all, Charles Tyler is the solo cellist on both projects.

Unfortunate that the show will only come in 2024 on Disney+, but I'll certainly listen to the music a couple times until then.

 

IMG_E3DCF67066B3-1.jpeg

 

All in all, I'm just very happy Sener has quite a big project on his own. I think he has a bright future as a composer ahead of him!

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Listened to a lot of this as am impressed by Sener's work with Powell. Here - not sure. It is standard bio music, some interesting progressions and colours, but really, it's not anything to write home about. Sener did the job - the score functions - a release came out - okay.

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2 hours ago, Edmilson said:

His name does sound like the name for a Star Wars character :lol:

 

"We must confer with Master Batu Sener about the dire situation in Utapau..."

Always two there are. A master and an apprentice. Alas John Powell just isn’t a Jedi Master name. 

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Master Powell was under a Padawan under Master Zimmer, a former Jedi exiled from the Order due to his forbidden experiments with synths and power anthems. After climbing in the ranks of the Order, Powell went searching for the knowledge of the powerful Jedi High Council leader Master John Williams to study the seemingly forgotten art of the orchestral film scoring, then under attack by Zimmer's acolytes.

 

A better plot than the SW sequels! :lol:

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Just now, Edmilson said:

Master Powell was under a Padawan under Master Zimmer, a former Jedi exiled from the Order due to his forbidden experiments with synths and power anthems. After climbing in the ranks of the Order, Powell went searching for the knowledge of the powerful Jedi High Council leader Master John Williams to study the seemingly forgotten art of the orchestral film scoring, then under attack by Zimmer's acolytes.

JP to HZ.... “When I left you I was but the learner. Now I am the master.”

 

1 minute ago, Edmilson said:

A better plot than the SW sequels! :lol:

It certainly has better characters and makes more sense ;-)

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https://www.qobuz.com/nz-en/album/harold-and-the-purple-crayon-original-motion-picture-soundtrack-batu-sener/zp6nueapmih1b

 

  1. The Crayon Overture
  2. The Real World
  3. Our Old Man
  4. Crash Biking
  5. Help Each Out
  6. Pursuits and Pies
  7. Library Gary
  8. Take to the Skies
  9. Who’s Your Daddy?
  10. Ollie’s Adventure
  11. Hungarian Rhapsody
  12. Pure Imagination
  13. Escaping Bars
  14. Closet of Whistles
  15. No More Purple
  16. Bottomless Pit
  17. Believe in Yourself
  18. Duel of the Crayons
  19. More than Purple
  20. Glaive of G’Garaur
  21. The Crayon Suite
  22. Harold’s Theme (Solo Piano) [Bonus Track]
  23. Crayon Tune (Solo Piano) [Bonus Track]

1 hour 1 minute.

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Yeah. It doesn't really SOUND like Powell, but it does REMIND me of him.

 

This is the kind of score I want more of. There a definitely a few bits that remind me of Buck Wild, which I guess could be BS's sound..but I haven't heard enough from him yet to really work out what that is yet.

 

I think he's awesome, though!

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2 hours ago, Anthony said:

a few bits that remind me of Buck Wild

 

To be honest, I felt like it reminded me too much of Buck Wild and Scrat Tales. I hope Sener gets to explore more ways of doing this kind of kids/adventure music in the future! :) But he stays one of my biggest hopes for the future of film music and I can't wait to hear what he comes up with next.

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It’s clear director Carlos Saldanha wanted John Powell first, but as a good mentor as he is, and probably too busy writing two Netflix features simultaneously and big assignment such as Wicked, he delegated this to Sener. So Powell’s signature sound, that clearly heard all over this score, is the very reason why Sener was hired in the first place.

 

Even though Sener’s own touch is more present here than in Buck Wild, it’s still a ‘Powell sound’ as a whole. I think that, maybe, is like an unwritten guarantee for Carlos Saldanha so he could be at ease knowing he would get Powell sound without hiring him. 

 

If you want to hear pure Sener’s signature sound, then you should hear his Attaturk score.
 

But honestly, come on let’s be honest, the very reason why we (or me) attracted to Sener’s works is because his association and adept mimicry of John Powell’s style, correct?

 

At this moment, Sener needs something to truly break away from ‘Powell grasp’. The successful example of ‘Powell’s graduate’ that could develop their own voice is Anthony Willis. He has frequent collaboration with director Emerald Fennel that truly propel his career. Sener needs that.

 

 

 

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One day Batu Sener will break free from the nest just as John Powell broke free from Zimmer's. And then Batu Sener will start 6 Dog Studios and he will have his own backup composer (Powell2 ?)

 

But until then he will have to play the role of Powell's "backup" composer from time to time.

 

It is written.

 

(But, mind you...being Powell's "backup", with the mentorship that undoubtedly comes with that, is quite an enviable role to have :D ).

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I've only listened to the first cue. It's great. I can hear quite a lot of Powell in it!

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