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Steven Spielberg will be making a UFO movie based on an original idea with a David Koepp script


Andy

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Night Skies, perhaps?

8 hours ago, Andy said:

“I want to keep learning and discovering and scaring the shit out of myself, and sometimes the shit out of you,” Spielberg added. “I gotta get back to some of those earlier scarier movies, but that’s another story for later on.”


Berlin 2023 Lifetime Achievement Speech

 

 

 

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6 hours ago, Andy said:

Night Skies, perhaps?

 

 


Having given us probably the ultimate 'benevolent alien' movie in E.T. I'd certainly be interested in Spielberg bringing us one about the opposite sort.   

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4 hours ago, Sweeping Strings said:


Having given us probably the ultimate 'benevolent alien' movie in E.T. I'd certainly be interested in Spielberg bringing us one about the opposite sort.   


He did War of the Worlds - hard to get more malevolent than that.

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6 minutes ago, mstrox said:


He did War of the Worlds - hard to get more malevolent than that.


Maybe this time round, they'll be resistant to Earth germs. EEP! 

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Doesn't Spielberg check IMDb? Most of the movies Koepp has worked on end up being 6/10 movies. JP is one of the few exceptions. 

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He wrote the shitty Mummy reboot starring Tom Cruise, Indy 4, the Dan Brown/Tom Cruise movies... lmao

 

Seems like his best scripts (Jurassic Park, M: I 1) are all in the past.

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Hmmmm. This is the type of UFO story I can see later-day Spielberg telling...he's often spoken about how, when he made CE3K, that version of himself would have flown away on the Mothership, but later in life, as a husband and father, he said he wouldn't.  So I always thought it would be interesting to see a film about Roy Neary returning to Earth after decades away with the CE3K aliens (i.e. ET). I mean, the guy had a wife and kids and essentially abandoned them, and it would be interesting to see how he, and they'd, react to his homecoming and how he'd adjust to life on a completely unrecognizable Earth. Dreyfuss is probably too old for the part, but you could recast for a younger Roy Neary (proving Einstein right).

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I think the reason Spielberg keeps returning to Koepp is that he's an efficient and quick writer -and they seem to get along quite well. I'm not sure Spielberg's had any other long-term relationship with a writer... Tony Kushner comes to mind, but that's been more sporadic and started in the mid-2000's or so.

 

I don't think Spielberg's looking for a presitigous writer with Koepp. Of course he's very prolific, so he could be considered prestigious in some other way; but I'm guessing that he's easy to work with, he writes fast and is someone Spielberg knows how he works.

 

All that said, the project sounds intriguing and potentially could be a lot of fun. Here's hoping Steven tries something in that scary vibe it was quoted above.

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  • 1 month later...
9 minutes ago, filmmusic said:

What does "event film" mean?

It’s just an evolved version of blockbuster since the term blockbuster has become overused. 

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3 hours ago, filmmusic said:

What does "event film" mean?

An event film or event movie is a blockbuster film whose release itself is considered a major event.

 

It could be a highly anticipated sequel or a big budget film with state-of-the-art special effects or major stars generating considerable attention. Although it is subjective what is and what isn't considered an event movie, they are usually among the highest-grossing movies in their years of release and become a part of popular culture.

 

Steven Spielberg's Jaws from 1975 is the first film that was considered an event movie at the time of its release, but some sources also retroactively apply the term to earlier films such as The Birth of a Nation (1915), Gone with the Wind (1939), and Ben-Hur (1959). Examples more recent than Jaws include Spielberg's Jurassic Park, James Cameron's Titanic, Spider-Man and Avatar alongside the Star Wars, Harry Potter, and The Lord of the Rings films and The Dark Knight.

In the 2010s, other event movies include The Hunger Games, Frozen, Deadpool, and many films from the Marvel Cinematic Universe, in particular Avengers: Infinity War and 

Avengers: Endgame, Spider-Man: No Way Home. The last huge event film was Avatar: The Way of Water. 

- Wikipedia

 

 

 

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If somehow Williams is not able to score it (I truly hope he is, really do... But the future is uncertain), who would Spielberg turn to? I think he'll go to Alan Silvestri, the two of them seemed to have enjoyed working together on RP1. Maybe John Powell could also be a choice, he has the "John Williams Seal of Approval" after Solo.

 

Or maybe... Just maybe... Could this be the first Steven Spielberg/Hans Zimmer collaboration? :)

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29 minutes ago, Bellosh said:

I predict Spielberg knocks this out of the park.

 

I'd like nothing more than that. I want Spielberg to do well and bring in not just the stuffy modern drama audiences who barely pay attention to his snoozefests (he just isnt a profitable director anymore), but also the riffraff like myself that just want him to make anything as enjoyable as even Hook or TLW (and the studios wouldn't mind the profits). He's been a disaster for some time now, and I'm sad to say it.

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1 minute ago, Brock Lovett said:

 

I'd like nothing more than that. I want Spielberg to do well and bring in not just the stuffy modern drama audiences who barely pay attention to his snoozefests (he just isnt a profitable director anymore), but also the riffraff like myself that just want him to make anything as enjoyable as even Hook or TLW (and the studios wouldn't mind the profits). He's been a disaster for some time now, and I'm sad to say it.

 

I agree for the most part (bridge of spies prob his last truly great movie imo)

 

But the fact that he wants to go back to UFOs is why I think he might do something special. I always figured it was something he was done with.

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The BFG and Ready Player One are the only two since Indy 4 where I felt a little embarrassed for him while watching. I don't hate them or anything but even Tintin which I don't totally love either had a lot more of his chutzpah. The only thing in RPO where I kinda felt him in there was the backwards driving thing. 

 

I think he's been way more on his game in the dramas. The opening of Bridge of Spies is fantastic, I wouldn't call the movie a grand slam but it's really good. War Horse has some amazing stuff but it is his most cornball movie. West Side Story and Fabelmans are the ones I've liked most, I was so anti-WSS but I felt Spielberg all over that thing in a way I hadn't really since Munich, and Fabelmans is kinda just a good high school movie. 

 

I understand the "snoozefest" thing a little with BoS, Lincoln, and The Post, the latter I have seen twice and remember almost nothing about it. I still think Lincoln is extremely impressive but I like it more as a DDL/Tony Kushner movie than a Spielberg movie.

 

But I will say this last decade, even though I like most of the movies because he's still got his bag of tricks and he's kinda better than ever with actors, it does feel like he overall lost his edge. 

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Spielberg's latest production outside of the film industry is another disaster. He's just become so impotent and irrelevant.

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11 hours ago, mrbellamy said:

But I will say this last decade, even though I like most of the movies because he's still got his bag of tricks and he's kinda better than ever with actors, it does feel like he overall lost his edge. 

 

The last Spielberg movie I thought had any bite was Munich, but I believe he faced a backlash for the film's politics. Yet that film is just as relevant today as it was 20 years ago. Incredibly underrated.

 

He seemed to retreat into his shell with safer, inoffensive projects after that. The toned-down and toothless Indy sequel that followed Munich perfectly encapsulates this. It's an interesting contrast to his post-Schindler's List phase where he doubled down with a succession of violent, edgier projects.

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6 hours ago, Edmilson said:

Or maybe... Just maybe... Could this be the first Steven Spielberg/Hans Zimmer collaboration? :)

 

FUCK, NO!!!! :o

 

 

 

6 hours ago, Edmilson said:

If somehow Williams is not able to score it (I truly hope he is, really do... But the future is uncertain)...

 

I'm prepared to bet that JW is already working on themes and sketches for the film, based on a reading of the script. You know, just in case...

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1 hour ago, Naïve Old Fart said:

I'm prepared to bet that JW is already working on themes and sketches for the film, based on a reading of the script. You know, just in case...

 

In case it gets made.

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17 hours ago, Bellosh said:

I predict Spielberg knocks this out of the park.

I feel that Spielberg will be aiming for the upper decks with this one. Or maybe, rather, I feel like if I were Spielberg, I would be aiming for the upper decks. His legacy is rock-solid, of course, but he runs the risk now of being known as the director who delivered hits and cultural touchstones for people of two or three generations past. RP1 was his last big hit and even that was only modestly-sized compared to the Marvel and SW juggernauts of the mid-2010s. 

 

To the extent he cares about such things, I think he's going to want to prove that he can still make new dents in the pop cultural universe.

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I'm very curious about the premise and genre. Action sci-fi, drama sci-fi? Good UFO, bad UFO?

 

And David Koepp with Spielberg is a question mark. Jurassic Park, Lost World, War of the Worlds, and Indy 4 isn't exactly an upward trajectory for their collaboration. 

 

The most interesting thing is that it's Spielberg's own idea. So it'll be their first time going entirely off the cuff together, even though their adaptations were pretty loose.  

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