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Will John Williams score Steven Spielberg's new UFO movie?  

83 members have voted

  1. 1. Will John Williams score Steven Spielberg's new UFO movie?

    • Yes, I think Williams will score it
      53
    • No, because I think someone else will score it
      19
    • No, because I don't think it will actually get made
      11


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Posted

If Steven Spielberg directs it and John Williams is alive and well at 93+, I think it'll happen. I wouldn't begrudge him saying no but of course I hope he does it. I don't really wanna think about it anymore until it exists. 

Posted

Williams doesn't owe anyone another film score. If he wants and is able, he'll do it, perhaps with Ross' help. But no one should be surprised, shocked, betrayed or send hate mail to the composer who scores it, if Williams chooses not to.

 

We were fortunate to get DoD out of him as a largely original score but we shouldn't expect it from him.

Posted
3 hours ago, Gurkensalat said:

I would love another big Williams score, but when I look at the Indy 5 soundtrack, for which he had to resort to copying old works to fill in the blanks despite having lots of time due to the constant delay of release, I don't think that he has a big action wall to wall score in him any more. Once you get that old, the energy level just goes down and everything takes much more time.

 

Maybe it wouldn't have to be a wall to wall score. It probably needs fewer busy action sequences than Indy, too. And I'm sure Spielberg would accommodate Williams and plan for his scoring habits along with editing. Provided Williams is healthy and wants to do it, of course.

Posted
On 18/04/2024 at 2:43 AM, bollemanneke said:

No, because he said he was done with films, right? He's done enough, he needs to enjoy the time he has left.

 

Wrong; he never ever said that. And I agree he should enjoy the time he has left... fortunately for us he genuinely enjoys writing music for films (or at least, for Spielberg films).

 

Yavar

Posted

Spielberg should do Indy 6, getting Indy and Short Round (Tall Round? Mr. Round?) back together for one last adventure, kick-starting the Round franchise. 

  • 2 weeks later...
Posted
On 19/04/2024 at 6:26 PM, Jurassic Shark said:

Short Round (Tall Round? Mr. Round?)

You call him Long Round, Doll! 

---------------------------------

 

 

I would LOVE another sci-fi score in the same veins of CLOSE ENCOUNTERS OF THE THIRD KIND or E.T. 

If only...

Posted
On 19/04/2024 at 1:26 PM, Jurassic Shark said:

Spielberg should do Indy 6, getting Indy and Short Round (Tall Round? Mr. Round?) back together for one last adventure, kick-starting the Round Cinematic Universe

Fixed.

Posted

I just want one more HUGE Spielberg-Williams sci-fi blockbuster like CEOTTK, E.T., MR, AI or WotW. 
I’m so sorry JW couldn’t do RPO, that could’ve been a great opportunity for him to return to sci-fi with Spielberg. Maybe now they can pull it off. I miss his 70s sound very much, but I guess we’ll never have that again as his style has evolved so much. And he doesn’t have Herbert Spencer, either. But an optimistic sci-fi with a hummable JW theme would be wonderful.

  • 4 weeks later...
Posted

Hopefully he will! If he scores this during 2025 he'll be 93, maybe 94 if the proccess continues during early 2026. A very advanced age, but he looks healthy, right? Doesn't he still have concerts scheduled for the next few months all around the world?

Posted

You know what could be wild? Sneaking in references to Spielberg's Firelight score.

Posted
3 hours ago, Marian Schedenig said:

He could announce that he's scoring it in Vienna and premiere the theme in Berlin…

 

He could write the theme in the cart while riding from Vienna to Berlin.

Posted

I always thought that an evil posessed Barry trying to take over the planet would be a perfect sequel for CE3K. Afterall, who knows if the little boy that came out of the ship was actually him? And Roy Neary was selected by the aliens in the end and shipped as far away as possible because he was the only one who would be able to identify alien Barry and stop it in time, but soon he would realise that and would fight the aliens and take control of the ship and go back to Earth, but then no one here would believe him and sent him to jail for trying to murder a child. When all hopes are lost, Ronnie Neary comes up and sets her husband free by making the guards hostages and making them open the cell and locking them up. Then a wild chase unfolds when Jillian Guiler shows up in Mad Max style (or Furiosa, for that matter) to prevent the Neary family from taking posessed Barry from her (which, of course, she doesn't want to believe he's not her son anymore).

 

Then Spielberg and Koepp can figure out the rest of the story. I can imagine some freakin cool cues JW can score for this... 

Posted

Ah yes, the perfect sequel for the movie ending with the revelation that not only are we not alone in the universe but they're just like us, we play music together and make peace... is that they were evil all along? What?

Posted

 Btw a CEOTTK sequel wouldn’t be so bad. Imagine what they could achieve with today’s CGI. The Mothership comes back with Roy and little Barry who never aged a day. They see what have become of Earth and get back into the ship, and take JW with them. End cue.

Posted
2 minutes ago, phbart said:

They kidnapped people for decades, stoled aircrafts...

But they brought them back, fully operational and with their tanks full. 
And the people didn’t age.

The mess in the kitchen is unforgivable.

Posted

Yes, they pretty much emptied Jillian's fridge. I hope at least they went to do groceries for her. I'm sure JW will write a beautiful cue for that scene.

Posted
8 hours ago, Holko said:

but they're just like us

Well, if they are anything like us, then of course they are evil. Maybe not evil but more like "eh, these stupid humans are way too inferior to us, they haven't even figured out space travel yet! Let's enslave them all".

Posted
7 hours ago, Bayesian said:

I see no reason why JW couldn't score this. The music wouldn't be bombastic or Star Wars-y anyhow, since that style has been passé for decades now (outside of SW of course). A JW score to a violent or scary alien movie would probably focus on textures, WOTW-style, more than anything. Honestly, I would love if JW wrote some seriously angular or atonal stuff, full of tone clusters and weird-ass polychords and shit. We know of JW's supreme mastery in the tonal realm; let's hear some more Images-like sound design.

Atonal Images-like textures could result in an Oscar win. If the movie is a hit.

Posted
On 19/04/2024 at 1:21 AM, Gurkensalat said:

I would love another big Williams score, but when I look at the Indy 5 soundtrack, for which he had to resort to copying old works to fill in the blanks despite having lots of time due to the constant delay of release, I don't think that he has a big action wall to wall score in him any more. Once you get that old, the energy level just goes down and everything takes much more time.

 

I'm going to piggyback off this, one of the best comments I've seen on this forum in years. I know you're referring strictly to "Big" JW scores in this case, so in a very modern way, I would in no way want to take your post out of context. But you're absolutely right. Now we'll go strictly into my unrelated opinion. 

 

DOD was a total disaster. For a decade now these pitiful JW scores have been one-and-dones, and a chore to get through at that. Even the Galaxy Edge track at 5 minutes was a pathetic slog.

 

This will be met with nothing but disdain and pitchforks, but JW should have retired 20 years ago. Goldsmith was taken by cancer and Horner exploded in a horrific plane crash in the desert, but they both exited the field before they'd outlived their usefulness, as Kirk and Spock would say.

 

Modern Williams should be relaxing and watching baseball games, not putting out this forgettable mediocre autopilot dreck that shouldn't even be associated with the guy who composed Superman, Jaws, E.T., Raiders, bloody Amazing Stories "The Mission". 

 

I've had a few drinks, but this is how I truly feel. I'm sorry to those who are triggered.

Posted

He's basically like Twin Peaks Season 2. His story wrapped up... but he just keeps going and going and going and going and going!

Posted

You should be sorry. That was a swamp ass rant. 

Posted

Then why did you apologize?  The booze talking?

Posted

I saw the words Ranch and Wine next to each other earlier but realized it was Skywalker. Almost lost my lunch on my keyboard 

Posted
1 minute ago, Andy said:

Then why did you apologize?  The booze talking?

 

That's alright Lieutenant. From the smell of him I'd say it was the booze talking. 

Posted

Justin's right. Aside from a few occasional blips of decent material, JW overall output over the last decade has been mediocre compared to his previous usual standard. Artists tend to lose their hunger as they get older and richer anyway.

Posted
1 hour ago, Brock Lovett said:

I've had a few drinks, but this is how I truly feel. I'm sorry to those who are triggered.

 

Posted

Even if it were true that JW had declined, his newest scores are still good scores and better than most other contemporary scores. The word “usefulness” has no bearing on this matter, but if we must entertain it, then it’s undeniable that JW’s mere presence was “useful” to the Star Wars sequels in legitimizing them (at the minimum before the films’ other characteristics could be assessed). 

 

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