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NEW! Dinosaur Expansion from Intrada September 17th, 2024!


Brando

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4 hours ago, Luke Skywalker said:

I think Jay wanted to emphasize that you said 'these days' as if it was a very recent trend while it really started getting more and more expensive for (by the least)  5 or more years...

 

 

 

Pedantic nitpicking.

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It's so funny that this got announced right as I was in the midst of a mini Dinosaur kick. Been enjoying the score and even revisited the film. I'm looking forward to picking this up!

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6 hours ago, Edmilson said:

Although amazing, The Egg Travels is not the only great cue this fantastic score has.

 

I love the Aladar and Neera love theme:

 

 

This track is incredibly powerful and emotional, just JNH at the peak of his orchestral powers:

 

 

Like The Egg Travels, this cue should be among the top 10 cues JNH ever wrote. I don't know if I love the Lion King-inspired first part or the more reflexive second part more, both are sooooo good.

 

 

Thank you for the excerpts and recommendations. Sounds all well crafted. But I really miss the hit tune in this. It's all very tonal and harmonic. But no real surprises or something that would stand the test of time and make it onto any greatest film themes of this or that period.

 

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14 hours ago, Unlucky Bastard said:

 

Pedantic nitpicking.


No, it was actually just funny, unless you're calling explaining the joke pedantic.

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I'm curious if this will have any extra stuff that isn't in the bootleg/the film.

 

Interestingly, some of the vocals are different between the film version/OST. I imagine this will be using the film versions but we'll see!

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I'm pretty sure the original plan was for Goldsmith to score it. It has temp-track love all over.

 

Great score btw

I'm pretty sure the original plan was for Goldsmith to score it. It has temp-track love all over.

 

Great score btw

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5 hours ago, Trope said:

Wow, listening to the OST based on all the glowing recommendations and this is really great stuff!

 

I noticed the vocal sample at 1:32 in "The Courtship" is the same as the one used by Goldsmith in The Ghost and the Darkness (many, many, many times)!

 

 

It will become the Wilhelm scream of movie scores.

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Man. I love JNH. And I'm sure I'll listen to this eventually and love it as much as everyone else does. (Wyatt Earp is one of my favorite discoveries of the last five years.)

 

But the idea that we could have had a THIRD Jerry Goldsmith animated score is a heartbreaking loss to me.

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30 minutes ago, Unlucky Bastard said:

 

Seems he dodged a bullet.

 

This is Jerry we're talking about. The man was riddled with bullets. And the quality of a movie has never determined the quality of a Jerry score.

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I saw this way back probably around uni and thought it was a pleasant film, at least. Certainly not something that a composer like JNH would look at and lament that it was terrible.

 

Certainly, Goldsmith never let on musically that he was scoring a piece of crap, but I'd be curious about whether JNH has any negative opinions on all the modern thriller stuff he's done, or if he sees something in these films that I don't.

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2 hours ago, Richard Penna said:

Certainly not something that a composer like JNH would look at and lament that it was terrible.

Well, compared with The Last Airbender Dinosaur is like Citizen Kane :lol:

 

And even in that case JNH seemed to enjoy working in that movie. He seems such a nice and professional guy, willing to do all he cans to at least try to make a movie a little better with his music, no matter how ungrateful that task can be when he's doing crap like TLA or Snow White and the Huntsman or whatever.

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In an interview a while back he said he thought The Postman was a terrible movie, but that didn't stop him supplying an excellent score and a great album - a slightly more introspective evocation of the West. It sounded like when he finds himself doing a bad movie, he sees it as his role to try to help the director to improve it.

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55 minutes ago, Tallguy said:

Clearly this is an obvious through line directly to The Secret of NIHM and Mulan! :D 


Well, give it a listen — it’s honestly a pretty serious and excellent score. And the animated section of it demonstrates a similar Goldsmith philosophy to NIMH and Mulan: score animation similarly to live action.

 

Yavar

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10 hours ago, Trope said:

Wow, listening to the OST based on all the glowing recommendations and this is really great stuff!

 

I noticed the vocal sample at 1:32 in "The Courtship" is the same as the one used by Goldsmith in The Ghost and the Darkness (many, many, many times)!

 

Oh yeh!

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On 04/09/2024 at 8:22 PM, Muad'Dib said:

I'm pretty sure the original plan was for Goldsmith to score it. It has temp-track love all over.

 

Great score btw

I'm pretty sure the original plan was for Goldsmith to score it. It has temp-track love all over.

 

Great score btw

 

If you'd repeated this just one more time, it would've been a perfect follow-up to that Ghost in the Darkness clip posted above :lol:

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6 hours ago, crumbs said:

 

If you'd repeated this just one more time, it would've been a perfect follow-up to that Ghost in the Darkness clip posted above :lol:

 

Whoopsie i hadn't noticed it was repeated 😅

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10 hours ago, Datameister said:

Gonna strongly disagree with you there. There are actual melodies. Counterpoint. Tonalities beyond basic triads. There's restraint and subtlety in the quieter passages. Good mixture of music that hits the action and music that plays through. Maybe my standards have just been lowered by the blandness of the contemporary film score landscape, but I'd hardly call it junk food.

It is. I mean, the score is all you are saying. But harmonically and melodywise there is not much interesting going on. It doesn't really have what I would call a memorable evergreen hit theme.

 

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23 minutes ago, A. A. Ron said:

Yeah this really isn't a score for "basic bitches." You're thinking of Back to the Future.

 

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12 hours ago, Datameister said:

 

Gonna strongly disagree with you there. There are actual melodies. Counterpoint. Tonalities beyond basic triads. There's restraint and subtlety in the quieter passages. Good mixture of music that hits the action and music that plays through. Maybe my standards have just been lowered by the blandness of the contemporary film score landscape, but I'd hardly call it junk food.

 

I have to agree with this. There's no musical "junk food" in DINOSAUR, even if it's a fairly light adventure sound in the scheme of things. There's a lot of sophistication going on.

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Dinosaur... a default score with placeholder themes? Wow. The musical elitism on occasional display here is astounding. What happened to respecting differing tastes?

 

That's before we get to this ridiculous 'junk food' suggestion.

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3 minutes ago, Richard Penna said:

What happened to respecting differing tastes?

Don't ask, just do it. Like me. :)

 

11 minutes ago, Thor said:

But nothing like that applies to DINOSAUR.

Right. Dinosaurs are great. But it applies to the score of the movie of the same name.

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