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NEW! Dinosaur Expansion from Intrada September 17th, 2024!


Brando

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Are there any other scores that use the same format (M+Cue No.+R+Reel No.)? Never seen that before.

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I remember seeing some cue lists with just the number of the music but not the reel (like M35, M36, M37, M38, etc) but I think when they're in this format they're used by the music editor and not the composer.

 

James Horner's slates for Titanic are like SC206, SC07, etc., probably because they didn't have the reels completely locked in during scoring proccess. And of course to this day the slates used for Howard Shore's Middle Earth music are a mystery... lol 

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And of course even in the usual reel/music order, the format changed a lot, #m#, r#m#, r#p#, etc. Really weird to depart from the recently unofficially standardised one so hard though.

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Another quirk of this release is that the liners don't discuss any of the alternates that are included on it, but DO include a couple quotes from JNH about an earlier version of "The Egg Travels."

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43 minutes ago, A. A. Ron said:

Another quirk of this release is that the liners don't discuss any of the alternates that are included on it, but DO include a couple quotes from JNH about an earlier version of "The Egg Travels."

 

Which isn't included. That's bizarre...

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38 minutes ago, The Great Gonzales said:

Was it recorded?

 

It was at least mocked up because the notes describe it as the first piece of music Howard played for the directors. That's why it's mentioned at all. The directors apparently liked the sound, but had some unspecified suggestions that Howard apparently took to heart for the revised version.

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In all seriousness, though, it's an incredible cue. Never gets old. It would be super interesting to hear the demo of JNH's original version mentioned in the liner notes.

 

I finally listened to the end credits to hear what everyone was talking about. It's unpleasant but not a big deal for this particular listener.

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Watched it a few weeks ago, it's OK, the story avoids some expected cliches and has some relatively unexpected elements (in a good way). Definitely looks like an upscaled dvd master though.

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10 hours ago, HunterTech said:

I initially had concerns about the mastering when I started listening to the main presentation yesterday, as I had to boost the volume a tad as the famous Egg Travels was playing. But once I did that, I didn't have any issues with needing to adjust the levels afterwards, even if I think the last two tracks might've maybe had a little too much dynamic range intact (though that's definitely subjective).

 

I had the same experience with the opening few tracks.

 

I found a nice comfortable volume for track 1 but was reaching for the dial on track 2 (felt too loud relative to track 1).

 

To my ears, The Egg Travels has a noticeable volume increase between 2:00-2:18, and the very climax (2:40) felt a bit too loud for my tastes. Judging by the waveform it's not my imagination either.

 

The volume throughout the OST track is more consistent though, so we can pin this on mastering being subjective. Personally I hate reaching for the volume knob when short sections are too loud, but others might appreciate the dynamic range.

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8 hours ago, Edmilson said:

In fact, just listening to The Egg Travels takes me back to those wonderful days of the early 2000s, when the trailer for the movie was just this sequence of the travel accompanied by JNH's magnificent score.

The egg travels is the best scene of the movie. At that point I still hoped, the story would be told without talking. As soon as the first animal started to speak in human language, the magic was gone for me and I was mostly bored.

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1 hour ago, GerateWohl said:

The egg travels is the best scene of the movie. At that point I still hoped, the story would be told without talking. As soon as the first animal started to speak in human language, the magic was gone for me and I was mostly bored.

 

It can't be a coincidence that the (excellent) teaser trailer stopped at the same point :D

 

 

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I couldn’t care less when it was released, because I thought it was an animated documentary? And the animation didn’t look convincing, especially compared to Jurassic Park. So I skipped it, and later it looked more and more dated. The only aspect I’m interested in is the score, which I’ll be checking out soon. 

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I found the animation impressive but the film had that vibe to it which THE LAND BEFORE TIME had already been done earlier and I was and still am in love with both the film and score 

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All this chat about DINOSAUR made me want to play the ol' CD again, but I have to wait because I'm currently only at "E" (and Ennio Morricone) in my collection walkthrough. But....just as I thought about this, and glanced on over to my CD collection, I couldn't see it anywhere! Dammit, must have traded that one off too. WHYYYYYYY?

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3 minutes ago, Thor said:

All this chat about DINOSAUR made me want to play the ol' CD again, but I have to wait because I'm currently only at "E" (and Ennio Morricone) in my collection walkthrough. But....just as I thought about this, and glanced on over to my CD collection, I couldn't see it anywhere! Dammit, must have traded that one off too. WHYYYYYYY?

 

I feel your pain. It's been two years and I'm still finding out about things that I got rid of in my last move. "Ahhh! We're moving in a week! We have too much stuff! I don't even WATCH these movies anymore!"

 

Two years later: "Hey, remember the commentary on the old Big Trouble in Little China DVD? What? Noooooooooo!"

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Indeed. Via this walkthrough I'm having now, I've also discovered a whole bunch of scores I was CERTAIN I still had on CD, but that I apparently must have traded off at some point, presumably to secure something I needed more. But it still bugs the crap out of me, and I decided a few weeks back that from now on, I'm only going to trade off my duplicates, or soundtracks I don't care for (which aren't many).

 

Anyways.....maybe this new DINOSAUR release will make people dump their old OSTs, so that I can rebuy it to a reasonable price.

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6 hours ago, GerateWohl said:

The egg travels is the best scene of the movie. At that point I still hoped, the story would be told without talking. As soon as the first animal started to speak in human language, the magic was gone for me and I was mostly bored.

 

I know what you mean. It's hard to know how well the entire film would have worked without dialogue, but there's something pretty magical about that sequence.

 

Now that I think of it, I wonder whether I knew that the animals would talk when I first saw the film? I remember seeing the teaser, which obviously had no dialogue, but I don't remember whether I was surprised when the lemurs started talking.

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I think Dinosaur is one of those movies where you need to have seen it as a kid and have a nostalgic connection to it. If you only saw it as an adult you will probably be like "the dinosaurs are fake looking, the characters aren't charismatic, etc...". 

 

That said, it was only after I grew up and listened to more scores that I managed to appreciate JNH's music even more. For me the brilliance of this score aren't just in the epic cues like The Egg Travels, is also in how he scores smaller, more intimate moments with great use of the orchestra, like the ending of The Courtship.

 

And not only in Dinosaur: these more intimate character moments are where some of my favorite JNH music is at.

 

A few examples:

 

Spoiler

 

 

 

 

 

 

 

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1 hour ago, Thor said:

Nah, it's great. One of my concert goosebump experiences over the years was shooting this clip on my camera during "The Egg Travels" performance in Ghent about a decade ago:

 

 

From my experience goosebumps moments and filming with my mobile don't go together well. At least for me. I am bad at such multi tasking.

By the way, just recognized, this contains that nice 4 note Battlestar Galactica motif.

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18 minutes ago, GerateWohl said:

From my experience goosebumps moments and filming with my mobile don't go together well.

 

They don't. The goosebump was for the music. The camera (not a cell phone, a proper camera!) was just nervousness, as it wasn't really allowed. Of course, the proper WSA footage was later put online, so the clip is nothing but a personal memory now. But it was the only footage for a while. Hence 15.000 views.

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4 hours ago, Thor said:

Nah, it's great. One of my concert goosebump experiences over the years was shooting this clip on my camera during "The Egg Travels" performance in Ghent about a decade ago:

 

 


That was a superb evening!

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