Popular Post Jay 40,605 Posted November 1, 2024 Popular Post Share Posted November 1, 2024 THE GODFATHER PART II: 50th ANNIVERSARY REMASTERED & EXPANDED LIMITED EDITION (2-CD SET) LLLCD 1652 Music by Nino Rota Limited Edition of 5000 Units RETAIL PRICE: $31.98 STARTS SHIPPING NOV 12 Order yours NOW at www.lalalandrecords.com La-La Land Records, Paramount Pictures and Geffen Records proudly present a remastered and expanded Limited Edition 2-CD release of acclaimed composer Nino Rota’s (8 1/2, LA DOLCE VITA, THE GODFATHER) Oscar-winning original motion picture score to the 1974 masterpiece THE GODFATHER PART II starring Al Pacino, Robert Duvall, Diane Keaton and Robert DeNiro, and directed by Francis Ford Coppola. This deluxe release of Nino Rota’s brilliant score marks the 50th Anniversary of the classic second film in THE GODFATHER saga - arguably the greatest sequel of all time - and its iconic music, both of which have cemented themselves into our culture for eternity. Beyond the composer’s artful reprisals and interpretations of first film’s legendary waltz and love themes, the music of PART II soars further with Rota’s emotional new themes and explorations that enrich the film’s epic nature. And the Academy took note - among the film’s eleven Oscars, including Best Picture, the composer won for Best Original Score. Produced by Dan Goldwasser and Neil S. Bulk, mixed by Chris Malone from original multi-track material, and mastered by Doug Schwartz, this special 2-CD release, limited to 5000 units, includes previously unreleased and unused music and has been approved by Francis Ford Coppola and American Zoetrope. Disc One showcases the film’s expanded score presentation along with Nino Rota source music and additional material, while Disc Two presents the remastered Original Soundtrack Album and also source cues, showcasing music by Carmine Coppola, as well as a rare Nino Rota demo recording! The exclusive, in-depth liner notes are by writer Tim Greiving and the sharp art design is by Dan Goldwasser. TRACK LISTING: DISC 1 SCORE PRESENTATION 1. Main Title / The Immigrant (FILM VERSION) 2:02 2. Anthony’s First Communion 1:03 3. After The Party (EXPANDED)* 1:17 4. Finding The Man** 0:59 5. The Search Continues / Found* 1:38 6. Michael And Anthony 2:31 7. Vito And Abbandando 2:39 8. A New Carpet (FILM VERSION) 1:31 9. A Visit To Roth 1:45 10. Kay (FILM VERSION) 1:11 11. The Little Plane 0:22 12. The Godfathers At Home 2:35 13. Fredo Brings The Bread* / Ola’s Death / Roth Is Next* / Busetta’s Death* 3:33 14. Fredo’s Panic 1:30 15. Ninna-Nanna A Michele 1:04 (feat. Nino Palermo) 16. Intermezzo* 2:48 17. The Corleone Estate 0:27 18. Michael Comes Home 2:06 19. Fredo’s Stay Of Execution 1:13 20. Michael And His Mother 1:28 21. The Landlord / We’re In Business 1:08 22. Remember Vito Andolini (FILM VERSION) 4:38 23. The Brothers Mourn** 3:21 24. Reflections On Romans / Death Of Three 4:29 25. New England* 0:35 26. End Titles 3:56 TOTAL SCORE TIME 52:30 NINO ROTA SOURCE CUES 27. I’ve Got A Girl In Reno* 2:37 28. Havana 2:34 29. Calles De Havana* 0:56 30. Intermezzo Pt. II* 0:50 31. Clar-I-Notes* 2:58 32. The Forties 4:42 33. The Forties (ALTERNATE) 1:41 TOTAL NINO ROTA SOURCE CUES TIME 16:26 ADDITIONAL MATERIAL 34. The Search Continues (WILD TAKE) 0:30 35. The Little Plane (ALTERNATE) 0:23 36. Ninna-Nanna A Michele (ORCHESTRA ONLY EXCERPT) 0:24 37. Ninna-Nanna A Michele (ALTERNATE ENDING) 1:14 (feat. Nino Palermo) 38. The Godfather Epilogue 1:49 TOTAL ADDITIONAL MATERIAL TIME 4:27 TOTAL DISC TIME 1:13:31 DISC 2 ORIGINAL SOUNDTRACK ALBUM 1. Main Title / The Immigrant 3:28 2. A New Carpet 1:59 3. Kay 2:58 4. Ev’ry Time I Look In Your Eyes / After The Party 2:35 5. Vito And Abbandando 2:39 6. Senza Mama (feat. Livio Giorgi) / Ciuri-Ciuri / Napule Ve Salute 2:36 7. The Godfathers At Home 2:35 8. Remember Vito Andolini 2:54 9. Michael Comes Home 2:22 10. Marcia Stilo Italiano 2:02 11. Ninna-Nanna A Michele (feat. Nino Palermo) 2:21 12. The Brothers Mourn 3:21 13. Murder Of Don Fanucci 2:51 14. End Title 3:56 TOTAL ORIGINAL SOUNDTRACK ALBUM TIME 39:00 SOURCE CUES 15. The Fiddler 0:14 16. Italian Eyes (EXCERPT) 0:14 17. Napule Ve Salute (Lassanno Napule) (EXTENDED) 1:31 18. Senza Mama (EXTENDED) (feat. Livio Giorgi) 2:41 19. My Tropical Love (CONSISTING OF “LA PALOMA”) 3:12 20. Marcha Reale Italiana 0:22 21. The Star-Spangled Banner 0:19 22. Marcia Religioso (EXTENDED) 3:51 23. Marcia Sinfonica* 0:51 24. Celeste Aida 1:05 25. Godfather’s Calypso* 2:36 26. Nino Rota Demo Tape 7:18 TOTAL SOURCE CUES TIME 24:34 TOTAL DISC TIME 1:03:40 TOTAL COLLECTION TIME 2:17:11 *NOT USED IN FILM **CONTAINS MATERIAL NOT USED IN FILM This is a CD format release https://lalalandrecords.com/the-godfather-part-ii-50th-anniversary-remastered-expanded-limited-edition-2-cd-set/ Mr. Who, Jurassic Shark, crocodile and 6 others 3 6 Link to comment Share on other sites More sharing options...
bespinGPT 8,952 Posted November 1, 2024 Share Posted November 1, 2024 Instant buy. Once 1 Link to comment Share on other sites More sharing options...
Jay 40,605 Posted November 1, 2024 Author Share Posted November 1, 2024 Artwork preview: https://warmbutter.com/albums/the-godfather-part-ii/ Link to comment Share on other sites More sharing options...
Mr. Who 998 Posted November 1, 2024 Share Posted November 1, 2024 Amazing! This was high on my list of expansion wishes! Yavar Moradi 1 Link to comment Share on other sites More sharing options...
crocodile 8,796 Posted November 1, 2024 Share Posted November 1, 2024 This album is most welcome. Karol Bilbo 1 Link to comment Share on other sites More sharing options...
Bilbo 3,920 Posted November 1, 2024 Share Posted November 1, 2024 4 hours ago, Jay said: And the Academy took note - among the film’s eleven Oscars, including Best Picture, the composer won for Best Original Score. It was nominated for 11 but won 6. Cindylover1969 and Yavar Moradi 2 Link to comment Share on other sites More sharing options...
Davis 3,450 Posted November 2, 2024 Share Posted November 2, 2024 10 hours ago, Bilbo said: It was nominated for 11 but won 6. Or it could’ve won 0 but won 6. Link to comment Share on other sites More sharing options...
Davis 3,450 Posted November 2, 2024 Share Posted November 2, 2024 18 hours ago, bespinGPT said: Instant buy. Do you prefer this one to the first score? Link to comment Share on other sites More sharing options...
Lady Dimitrescu 9,171 Posted November 2, 2024 Share Posted November 2, 2024 1 hour ago, Davis said: Do you prefer this one to the first score? I do. More musically cohesive than the first. Link to comment Share on other sites More sharing options...
bespinGPT 8,952 Posted November 2, 2024 Share Posted November 2, 2024 4 hours ago, The Train Station said: I do. More musically cohesive than the first. Thank you for answering on my behalf! Davis 1 Link to comment Share on other sites More sharing options...
Davis 3,450 Posted November 2, 2024 Share Posted November 2, 2024 13 minutes ago, bespinGPT said: Thank you for answering on my behalf! Is it your answer too? Link to comment Share on other sites More sharing options...
CatastrophicJones 62 Posted November 3, 2024 Share Posted November 3, 2024 Fantastic! Kinda saw this one coming but glad to see it released. Excited to hear the remastered sound, but is it just me or does the cover seem a little... off? Dare I say nearly AI ish in quality? I don't expect Warm Butter would ever tread into such cheap terrain like that, but compared to the cover from the release of the first one, something about it is bothering me lol Really can't wait to listen to this though. I ordered all 3 releases. Link to comment Share on other sites More sharing options...
Lady Dimitrescu 9,171 Posted November 3, 2024 Share Posted November 3, 2024 That artwork has been a thing since FFC released his re-edit of Part III. I hate them all. The old OST covers were better. CatastrophicJones 1 Link to comment Share on other sites More sharing options...
CatastrophicJones 62 Posted November 3, 2024 Share Posted November 3, 2024 7 hours ago, The Train Station said: That artwork has been a thing since FFC released his re-edit of Part III. I hate them all. The old OST covers were better. Ah I see now, so WB was just using the most recent artwork from the 4k, that's not even on him so that makes more sense. I agree, the older covers were far better. Link to comment Share on other sites More sharing options...
Popular Post #SnowyVernalSpringsEternal 10,521 Posted November 3, 2024 Popular Post Share Posted November 3, 2024 13 minutes ago, CatastrophicJones said: I agree, the older covers were far better. The original Godfather II LP had rather bad artwork. Who is that? Michael? Why is he standing like that? Is that in the film? It doesn't look like him or anyone in the film. Trope, CatastrophicJones, RuBen_Kenobi and 4 others 2 1 4 Link to comment Share on other sites More sharing options...
CatastrophicJones 62 Posted November 3, 2024 Share Posted November 3, 2024 34 minutes ago, #SnowyVernalSpringsEternal said: The original Godfather II LP had rather bad artwork. Who is that? Michael? Why is he standing like that? Is that in the film? It doesn't look like him or anyone in the film. I'll still take this over the mess of a cover out currently, but I agree it deserves better. Link to comment Share on other sites More sharing options...
Lady Dimitrescu 9,171 Posted November 3, 2024 Share Posted November 3, 2024 Stefan hates simplicity, elegance, and minimalism. Link to comment Share on other sites More sharing options...
jacksparrow900 38 Posted November 3, 2024 Share Posted November 3, 2024 Lake Tahoe Party Music Italian Eyes Heart & Soul Stumbleloo Sophia In A Paris Cafe When I'm With You Only one of these is on this new release but if you can track down a copy of the LP that was released in Italy that has the music by Carmine Coppola from Part II. It also has two of the Cuba pieces played but Tu Habanera and Guantanmera seems to be from library music and I haven't located those two pieces. https://www.youtube.com/@brianbates9590 Link to comment Share on other sites More sharing options...
Jay 40,605 Posted November 18, 2024 Author Share Posted November 18, 2024 Has anyone on JWFan who ordered without Spider-man 2 gotten a shipping notice yet? Link to comment Share on other sites More sharing options...
jacksparrow900 38 Posted November 19, 2024 Share Posted November 19, 2024 Mine is on the way Link to comment Share on other sites More sharing options...
Popular Post mcnab 9 Posted November 19, 2024 Popular Post Share Posted November 19, 2024 I just received my copy a couple hours ago, and I have had a chance to listen to the score presentation and some of the source cues on disc one. My initial impression is that La La Land again did a wonderful job with these remasters, and I cannot imagine them sounding any better. The sonics are natural, open, and have much better instrument separation than any previous version I have heard. The musical/narrative flow of the score presentation is a joy to listen to, and the source cues and additional material sound great. I can't wait to listen to the source cues on disc two. A must own for any Godfather/Rota fan. Yavar Moradi, Jay, Once and 1 other 2 2 Link to comment Share on other sites More sharing options...
Jay 40,605 Posted November 19, 2024 Author Share Posted November 19, 2024 Cool! Link to comment Share on other sites More sharing options...
Trope 976 Posted November 19, 2024 Share Posted November 19, 2024 1 hour ago, mcnab said: I just received my copy a couple hours ago, and I have had a chance to listen to the score presentation and some of the source cues on disc one. My initial impression is that La La Land again did a wonderful job with these remasters, and I cannot imagine them sounding any better. The sonics are natural, open, and have much better instrument separation than any previous version I have heard. The musical/narrative flow of the score presentation is a joy to listen to, and the source cues and additional material sound great. I can't wait to listen to the source cues on disc two. A must own for any Godfather/Rota fan. This has me really excited to listen! Hurry up Spidey! Link to comment Share on other sites More sharing options...
Trope 976 Posted December 27, 2024 Share Posted December 27, 2024 This is a fantastic score! Honestly, I've enjoyed this release the most choosing between this, Spidey 2 and JPIII. Would anybody know how to sequence the music chronologically (including the source cues)? bespinGPT and GerateWohl 2 Link to comment Share on other sites More sharing options...
bespinGPT 8,952 Posted January 21 Share Posted January 21 Shipped 11/28, I just received it today. Thanks Canada Post for the Strike! Do we have a C&C playlist for this score? The Booklet has NO INFORMATION at all about the source cues. Trope 1 Link to comment Share on other sites More sharing options...
ThomasFernando 24 Posted January 21 Share Posted January 21 2 hours ago, bespinGPT said: Shipped 11/28, I just received it today. Thanks Canada Post for the Strike! Do we have a C&C playlist for this score? The Booklet has NO INFORMATION at all about the source cues. This paper has fairly detailed information about the cues for all 3 GF films. https://www.academia.edu/46947293/Nino_Rotas_The_Godfather_Trilogy bespinGPT 1 Link to comment Share on other sites More sharing options...
bespinGPT 8,952 Posted January 22 Share Posted January 22 Thanks. So here's the C&C information, sorry for the format, this is a copy-paste from the PDF! Spoiler PART II Disc 1 1. Funeral in Sicily 1. MAIN TITLE (1M1) [00:00:15-00:01:11] It consists of The Godfather Waltz (N. Rota) + Michael’s Theme (N. Rota). 00:00:52 The music starts on black screen until the camera fades to the Sicilian countryside. MM: C) Titles (same as Cue #1in Part I) consisting of 20 measures from The Godfather Waltz and Michael’s Theme scored for 1 E. Hn, 2 Cl, 1 Bsn, 2 Hn, 1 Tpr, 3 Trbn, [1 Hp], Strings (6-4-3-3-2). Recorded on 10/30/74 Appendix120 CD 2–Track 1 (Main Title/The Immigrant) 2. MARCIA FUNEBRE (C. Coppola) [00:01:13-00:02:25] From when the above cue fades in until shots are fired killing Paolo Andolini. Recorded by Carmine Coppola on location in Sicily. Deleted [Additional] Scene #1 “Searching for Vito” shows two men searching for young Vito Andolini. As one man knocks at Ando- lini’s door asking about the boy’s whereabouts, the other crouches leaning against a wall and plays on the ocarina1 the Antico Canto Si- ciliano. Recorded by Carmine Coppola on location in Sicily. PSM–Antico Canto Siciliano (Wedding Procession Sicilian Love Song, arranged and adapted by Carmine Coppola): 12-15. 2. It’s Not His Words I’am Afraid Of [no music] 3. “Ellis Island, 1901” 3. THE IMMIGRANT (1M2) [00:07:01-00:08:02] It consists of The Immigrant Theme Part I (N. Rota). + The Immigrant Theme Part II (N. Rota) [00:07:16] + The Immigrant Theme Part I (N. Rota) [00:07:31] From before the camera dissolves to New York Harbor until view of Ellis Island. MM: C) Gli emigranti [The Emigrants] consisting of 32 measures scored for 2 Fl, 2 Ob, 2 Cl, 2 Bsn, 2 Hn, [1 Tpt], 3 [2] Trbn,1 Tb, 1 Perc, 1 Hp, 1 Pn, Strings (8-8-6-6-4). Recorded on 10/29/74. CD 2–Track 1 Main/Title/The Immigrant PSM–Theme from Godfather II by Nino Rota: 30-31. 4. THE FIDDLER (1M4) (C. Coppola) [00:08:48-00:08:53] From when the camera moves past waiting immigrants. 1 The Ocarina is a simple small wind instrument made out of terracotta or wood. Appendix 121 5. LU ME SCECCU (Sicilian Folk) [00:10:39-00:11:12] From after young Vito sits and sings until after the camera dis- solves to interior of a church. 6. ANTHONY’S FIRST COMMUNION (2M2) (N. Rota) [00:10:56- 00:11:46] + The Godfather Waltz (N. Rota) [00:11:23] (organ solo) From above dissolve until the camera cuts to the Tahoe Estate. MM: C) 26 measures scored for voice and organ. 4. Party at Lake Tahoe2 7. ITALIAN EYES (C. Coppola) [00:12:18-00:12:11]* From above cut until the dance exhibition ends. 8. ITALIAN EYES (2M7X) (C. Coppola) [00:12:18-00:12:30]** From a long shot of the party until before Carmela Corleone says: “Look who’s here.” 9. HEART AND SOUL (Loesser & Carmichael) [00:12:52-00:13:12] From when Connie Corleone says” “Here I am “ until Carmela says: “Like everybody else.” 10. FANFARE (C. Coppola) [00:13:15-00:13:19] After the above line is spoken. 11. DROM ROLL [00:14:44-00:14:49] From when Senator Geary says: “…a real Nevada thank you…” 12. MR. WONDERFUL (Bock, Holofcener &Weiss )[00:15:12- 00:16:00]* 2 All cues marked by an * were recorded by Carmine Coppola on location at Kings Castle in Incline, Nevada. Those marked ** were recorded at Paramount Studios in Hollywood. Appendix122 A choir begins until the camera cuts to the interior of the boat- house. 5. You Can Have My Answer Now 13. I LOVE TO HEAR THAT OLD TIME MUSIC (C. Coppola) [00:17:11-00:18:26]* From after above cut until after Spradlin says: “…you whole fuck- ing family.” 14. STUMBLELOO (C. Coppola) [00:19:55-00:21:00]* From a long shot of the party until Frank Pentangeli says: “…gives me a ritz cracker…” 15. INDISTINGUISHABLE MELODY [00:21:14-00:21:33] From after Pentangeli says: “Bring out the peppers and sausage” until he says: “No, no, that was no heart attack.” 16. PAUL JONES TARANTELLA (POPS GOES THE WEASEL) (Traditional/C. Coppola) [00:24:11-00:24:48] From when Pentangeli tries to get the orchestra to play until the camera cuts to the boathouse’s interior. 17. SOPHIA (C. Coppola) [00:24:48-00:26:17]* From the above cut until Michael says: “I want to be reasonable with you.” 6. Frankie Pentangeli’s Complaint 18. IN A PARIS CAFÉ (C. Coppola) [00:27:18-00:28:20] From cut to the party at night until Pentangeli says: “With all re- spect…” 19. HO BISOGNO DI TE (GELOSIA) (WHEN I AM WITH YOU) (Pennino/C. Coppola) [00:28:30-00:29:43] From cut to Deanna Corleone dancing until the camera cuts to the boathouse’s interior. 20. PINK CHAMPAGNE (C. Coppola) [00:30:13-00:31:31:22] From above cut until Pentangeli says: “Junk. Dope.” Appendix 123 21. EV’RY TIME I LOOK IN YOUR EYES (C. Coppola) [00:32:38- 00:34:05] From after Al Neri says: “You want him to leave now?” until a long shot of the party. Deleted scenes # 27 -31 7. Bedroom Shooting 22. AFTER THE PARTY (4M4) [00:34:05-00:35:15] It consists of The Godfather Waltz (N. Rota). + Kay’s Theme (N. Rota) [00:34:44] From above cut until machine gun starts firing. MM: C) After the Party consisting of 31 measures from The Godfather Waltz and Kay’s Theme scored for 2 Fl, 2 Cl, 1 Perc, 1 Hp, 1 Pn, 1 Mandolin, 1 Gt, Strings (6-4-3-3-2). Recorded on 10/30/74. 23. FINDING THE MAN (4M5) (N. Rota) [00:35:46-00:36:44] From cut to the exterior of estate until after cut to interior. MM: A) Finding the man consisting of 26 measures based on a thematic variation of the incipit of Michael’s Theme scored for 2 Fl, 2 Ob, 2 Cl, 1 B. Cl, 2 Bsn, 3 Hn, 2 Tpt, 2 Trbn, 1 Timp, 1 Xilophone, 1 Hp, 1 Pn, Strings (8-8-6-6-4). Recorded on 10/29/74. C) Ricerca dell’uomo [Finding the man] consisting of 43 measures from Michael’s Theme scored for 2 Fl, 2 Cl, 2 Bsn, 2 Hn, 1 Perc, Strings (6-4-3-3-2). Recorded on 10/30/74. 24. THE SEARCH CONTINUES (5M1) - FINDING THE MAN [00:37:07-00:37:26] It consists of Michael’s Theme (N. Rota) From cut to the exterior of estate until long shot of motorboat. MM: C) 1) The Search Continues–Finding the Man consisting of 8 measures from same as above scored for 2 Fl, 2 Cl, 2 Bsn, 2 Hn, 1 Perc, Strings (6-4-3-3-2). 25. MICHAEL AND ANTHONY (5M3) [00:42:11-00:44:00] Appendix124 It consists of The Godfather Waltz (N. Rota). From after Michael kisses his son until camera dissolves to the interior of vaudeville theatre. MM C) Michael and Anthony consisting of 69 measures from The God- father Waltz and Michael’s Theme scored for 2 [1] Fl, 2 [1] Ob, 2 [1] Cl, 1 B. Cl, 1 Bsn, [1 Hn], 1 Tpt, 2 Perc, 1 Pn, 1 Celesta, {1 Gt}, {1 Accordion}, Strings (6-4-3-3-2). Recorded on 10/30/74. Note: The Godfather Waltz is played on Glockenspiel (or amplified Celesta) while Michael’s Theme is played by Viola and Bassoon begin- ning at 00:43:26 8. New York City, 19173 26. NEW YORK 1917 NAPULE VE SALUTE (LASSANNO NAPULE) (GOODBY TO NAPLES) (F. Pennino) [00:44:00-00:44:43] From dissolve of preceding cue until performers finish. 27. SENZA MAMMA (F. Pennino) [00:44:48-00:45:01] From when the curtain rises until after the actor begins. 28. SENZA MAMMA (F. Pennino) [00:46:00-00:48:24] From after the actor says: “Morta. Mamma mia” until the theatre’s owner says: “Not my daughter.” Deleted [Additional] Scene #2 “Fanucci Attacked” takes place after the backstage episode described in Cue #28 in which Fanucci holds at knifepoint the daughter of the theater’s owner. Later, Vito witnesses Fanucci being attacked having his throat slashed by two youngsters. We hear 0:44 of music taken from The Immigrant Theme. CD2–Track 6 Senza Mamma sung by Livio Giorgi. 29. VITO AND ABBANDANDO PART III (6M2) [00:49:12- 00:50:04] It consists of The Immigrant Theme (N. Rota) 3 Cues # 26 – 28 were recorded by Carmine Coppola on location in New York City at A&R Recording Studio. Appendix 125 From after cut to Abbandando’s store until after the camera dissolves to the interior of Vito’s flat. MM: C) 27 measures from The Immigrant Theme scored for 2 Fl [Pic- colo], 2 Cl, 1 B. Cl, 3 Perc, 1 Pn, 1 Tack Pn, 1 Hpsc, 1 Org, 1 Mando- lin, 1 Gt, 1 Cb. Recorded on 10/30/74. CD 2–Track 5 Vito and Abbandando 9. Vito Meets Clemenza 30. CELESTE AIDA from AIDA (Verdi/ C. Coppola) [00:50:06- 00:51:03] From when Vito says: “Forget it” until after he opens a package contaning guns. Scored for 2Fl, 2 Ob, 1 E. Hn, {2 Cl}. 2 Bsn, 2 Hn, 1 Tb, Strings (6-4-3-3-2). Recorded on 10/30/74. 2nd version with tenor solo recorded at Paramount Studios, Holly- wood 31. VITO AND ABBANDANDO PART I (6M4) [00:53:19-00:54:43] It consists of The Immigrant Theme (N. Rota). From after Vito says: “And I won’t forget it” until camera cuts to the street. MM: C) 22 measures from The Immigrant Theme scored for 1 Fl, 1 Ob, 1 E. Hn, 2 Cl, 1 B. Cl, 2 Bsn, 2 Hn, [1 Hp], {1Fender Bass}, {2 Gt}, Strings (6-4-3-3-2). Recorded on 10/30/74. CD 2–Track 5 Vito and Abbandando Deleted [Additional] Scene # 3 “I’am My Own Boss” portrays young Clemenza asserting himself in the eyes of Vito. The scene takes place in a cafè where a piano player performs diegetically a tune by Francesco Pennino. Deleted scene # 4 “Playing the Flute” shows Clemenza, Vito, and Abbandando in Augusto Coppola’s gunsmith shop. As the four- some discuss the accuracy of the pistols under scrutiny, Augusto asks his young son Carmine to play a favorite tune on the flute. The boy plays an unaccompanied Serenade composed (and played) by Car- mine Coppola. Recorded by Carmine Coppola at Paramount Studios Hollywood. Appendix126 32. A NEW CARPET PART II (7M1) (N. Rota) [00:55:46-00:56:09] From the beginning of the scene until Clemenza bends to look for the key. MM: C) A New Carpet Part II consisting of 30 measures from Allegretto mosso in 6/8 “like a kind of tarantella” and The Immigrant Theme scored for 1 Fl, {2 Ob}, 2 Cl, 1 B. Cl, {2 Bsn}, {2 Hn}, 2 Tpt, 2 {1} Trbn, 1 Celesta, [1 Vibraphone], 1 Tack Pn, 1 Hpsc, 1 Org, {2} Gt, 1 Fender Bass. Recorded on 10/30/74. CD 2–Track 2 A New Carpet 33. A NEW CARPET (7M2) [00:58:34-00:59:30] It consists of A New Carpet Part I (N. Rota). + The Immigrant Theme (N. Rota) [00:58:49] From cut to the street until cut to the countryside and train. MM: C) A New Carper Part I consisting of 10 measures from A New Carpet (see Cue #32) and 28 measures from The Immigrant Theme scored for1 Piccolo, 1 Fl, 2 Cl, 1 B. Cl, [2 Hn], 2 Tpt, 1 Trbn, 1 Tack Pn, 1 Fender Gt, 1 Gt, 1 Fender Bass, 1 Celesta [1 Vibraphone], [1 Org], Strings (6-4-3-3-2). Recorded on 10/30/74. CD 2–Track 2 A New Carpet 10. Keep Your Friends Close, But Your Enemies Closer 34. A VISIT TO ROTH (7M3) (N. Rota) [01:00:10-01:01:53] From cut to a Miami hotel’s exterior until Michael opens a screen door. MM: C) A visit to Roth consisting of 26 measures of non thematic mate- rial including Autumn (see Cue #47 in Part I) scored for 1 Piccolo, 1 Fl, 1 Ob, 1 E. Hn, {2 Cl}, [2 Bsn], 1 Hp, 1 Celesta, 1 Pn, Strings (6-4-3-3- 2). Recorded on 10/30/74. 35. DEATH OF THREE (N. Rota) [01:09:08-01:10:33] From after Michael says: “…who the traitor in my family was” un- til cut to the exterior of a bar. MM: A)------- B)---------- Appendix 127 C) Death of Three consisting of 36 measures of non thematic mate- rial (2 Fl, 1 Ob, 2 Cl, 1 Bsn, 1 Hn, 1 Perc, [1 Hp], [1 Celesta], [1 Pn], Strings (6-4-3-3-2). Recorded on 10/30/74. 11. I Remember She Was Laughing 36. AUTUMN (8M1) (N. Rota) [01:15:44-01:16:51] + KAY’S THEME (N. Rota) [01:15:44] (Violin solo) From after Tom Hagen says: “All that’s left is our friendship” until cut to Havana. MM: C) Autumn and Kay’s Theme consisting of 39 measures scored for 2 Fl, [2 Ob], 2 Cl, [1 Bsn], [1 Hn], {1 Perc}, [1 Celesta], 1 Hp, {1 Pn}, {1 Gt}, {1 Mandolin}, Strings (6-4-3-3-2). Recorded on 10/30/74. 12. Welcome to Havana 37. EL CHA CHA CHA DI SAN DOMINGO [01:16:51-01:18:16] consisting of TU (Sanchez & Sanchez Fuentes/C. Coppola). From preceding cue until cut to the interior of the Presidential Palace. Recorded by Carmine Coppola on location in Santo Domingo 13. I Know It Was You Fredo 38. HAVANA (8M6) (N. Rota) [01:25:56-01:27:23] From cut to a hotel’s exterior until after Michael says: “Johnny Ola.” MM: C) Havana consisting of 57 measures scored for 2 Fl, {1 Cl}, 1 Tpt, [1 Alto Sax], 1 Fender Gt, 1 Gt, 1 Fender Bass, 5 Perc. Recorded on 10/30/74. 39. GUANTANAMERA (Traditional/C. Coppola & new lyrics by Italia Pennino) [01:27:49-01:30:49] From cut to garden café until cut to hotel suite. Recorded by Carmine Coppola on location in Santo Domingo. 40. MUSIC FOR AQUA LUZ (C. Coppola) [01:34:56-01:36:29] + EL CHA CHA CHA DI SAN DOMINGO [01:35:17] 41. DANZA ESOTICA (C. Coppola) [01:36:39-01:38:28] (Alto Sax and Percussion) From after above cut until cut to interior of hotel suite. Recorded by Carmine Coppola on location in Santo Domingo. 42. VITO AND ABBANDANDO PART II (6M3) [01:38:08-01:38:18] (Bass Clarinet solo) It consists of The Immigrant Theme (N. Rota). MM: C) 27 measures scored for 1 Piccolo, 1 Fl, 2 Cl, 1 B. Cl, 1 Tack Pn, 3 Perc, 1 Mandolin, 1 Gt, 1 Org, 1 Hpsc, 1 Cb. Recorded on 10/30/74 43. OLA’S DEATH (11M5) (N. Rota) [01:38:29-01:39:31] From preceding cue until a doctor says: “…to the hospital.” MM: C) Ola’s Death consisting of 19 measures scored for 2 Cl, 1 B. Cl, 2 Bsn, 2 Hn, 1 Perc, 1 Celesta, 2 Pn, Strings (6-4-3-3-2). Recorded 10/30/74 44. ROTH IS NEXT PART III (12M4) [01:40:03-01:40:05] From when the bodyguard reenters until cut to the interior of the Presidential Palace. MM: C) Roth is Next Part III consisting of fragments from 7 measures of non thematic material scored for {3 Saxophones}, [2 Cl, 1 B. Cl], [2 Bsn], 2 Hn, 2 Tpt, e Perc, 2 Pn. Recorded on 10/30/74. 45. MY TROPICAL LOVE (12M3) [01:40:07-01:40:56] It consists of La Paloma (Yradier/ C. Coppola) From on above cut until cut to hospital. La Paloma scored for 5 Saxophones, 3 Tpt, 3 Trbn, 1 Perc, 1Pn, 1 Cel, 1 Accordion, 6 Vl, 2 Vlc, 1 Cb. Recorded on 10/30/74. Appendix 129 46. EL PADRINO - BUSETTA’S DEATH (C. Coppola) [01:41:34-01:42:06] From cut to the interior of the Presidential Palace until cut to the hospital. Recorded by Carmine Coppola on location in Santo Domingo 47. GUANTANAMERA (Traditional/C. Coppola) [01:43:10-01:44:05] From cut to the interior of the Presidential Palace until cut to the street. Fireworks + Cuban Revolutionary Song [01:44:12-01:44:26] Recorded by Carmine Coppola on location in Santo Domingo 48. FREDO’S PANIC (12M9) (N. Rota) [01:45:46-01:46:58] + The Godfather Waltz (N. Rota) [01:46:21] + Fredo’s Panic (N. Rota) [01:46:24] + Michael’s Theme (N. Rota) [01:46:46] MM: C) Fredo’s Panic consisting of 60 measures including “Rite of Spring” like material scored for 2 Fl, 1 Ob, 1 E. Hn, {2 Cl}, {2 Bsn}, [2 Hn], [2 Tpt], [1 Fender Gt], 1 Hp, [1 Pn], [1 Celesta], Strings (6-4-3- 3-2) + a montage of various pre-recorded versions of The Godfather Waltz and Michael’s Theme. Recorded on 10/30/74. 14. Was It A Boy? [no music] 15. Fanucci Wants to Wet His Beak 49. MICHAEL AND ANTHONY (5M3) [01:49:45-01:50:30] It consists of The Godfather Waltz (N. Rota) From after Tom Hagen says: “I really don’t know” until cut to street. MM: Same as Cue #25 16. Murder of Fanucci 50. MARCIA REALE ITALIANA (Gabetti/C. Coppola) [01:55:07- 01:55:28] From cut to the street festival until Clemenza moves to a booth. Recorded by Carmine Coppola at A&R Recording Studio in New York City Appendix130 51. STARS SPANGLED BANNER (Smith & Key/C. Coppola) [01:55:29-01:55:46] After above until Clemenza says: “His family’s out of the house.” C) Stars and Stripes scored for 1 Fl, 3 Cl, 2 Hn, 3 Tpt, 5 Perc, 1 Pn, 1 Org, 2 Gt. Recorded on 10/30/74. 52. MARCIA STILO ITALIANO (13M4/14M1) (C. Coppola) [01:55:49-01:57:49] From when Abbandando says: “Here’s is my fifty dollars” until Don Fanucci says: “You’ve got a lot of guts.” Recorded on 10/30/74 C) Marcia Stilo Italiano scored for 1 Fl, 2 Cl, 2 Hn, 3 Tpt, 5 Perc, 1 Pn, 1 Org, 2 Gt. Recorded on 10/30/74. CD–Track 10 Marcia Stilo Italiano 53. MARCIA RELIGIOSO (C. Coppola) [01:58:33-02:01:51] From cut to the street festival until cut to Vito covering his gun and turning the light bulb off. Recorded by Carmine Coppola at A&R Recording Studio in New York City. CD 2–Track 13 Murder of Don Fanucci 54. MURDER OF DON FANUCCI (C. Coppola) [02:02:06-02:02:56] It consists of drum roll and footsteps alternating with the priest re- citing rituals. From when Vito steps behind Don Fanucci until he kills him. 55. FESTA MARCH (C. Coppola) [02:02:56-02:05:08] From preceding cue until Vito nears his flat. Recorded by Carmine Coppola at A&R Recording Studio in New York City. CD 2–Track 13 Murder of Don Fanucci 56. NINNA-NANNA A MICHELE (14M4A1) [02:05:08-02:06:10] It consists of The Godfather Waltz (N. Rota & Lyrics by Italia Pennino) + Michael’s Theme (N. Rota) [02:06:04] From preceding cue until the end of the scene. MM: Appendix 131 C) Ninna–Nanna consisting of The Godfather Waltz and Michael’s Theme scored for voice, 2 Fl, 2 Ob, 2 Cl, {1 B. Cl}, 2 Bsn, 3 Hn, {2 Tpt}, {3 Trbn}, {1 Tb}, 1 Gt, 2 Perc, 1 Hp, Strings (8-8-6-6-4). Sung by Nino Palermo with Guitar accompaniment then by full orchestra. Recorded on 10/29/74. CD 2–Track 11 Ninna Nanna a Michele. Sung by Nino Palermo Disc 2 1. You Can Never Lose Your Family 57. THE CORLEONE ESTATE (15M1X) (N. Rota) [00:00:03- 00:00:24] From the beginning of the scene until a car drives through the gates. MM: C) Autumn consisting of portions of Cue #47 in Part I. 58. MICHAEL COMES HOME - THE GODFATHER AT HOME PART I (15M2) [00:00:46-00:01:53] It consists of Michael’s Theme (N. Rota) + Kay’s Theme (N. Rota) [00:01:37] From when Michael stops by Anthony’s red toy car until he looks through the open door. MM: C) Michael Comes Home consisting of 32 measures from Mi- chael’s Theme and Kay’s Theme scored for 2 Fl, 1 Ob, 1 E. Hn, 2 Cl, 2 Bsn, 2 Hn, 1 Hp, Strings (6-4-3-3-2). Recorded on 10/30/74. CD 2–Track 7 The Godfather at Home 59. FREDO’S STAY OF EXECUTION - THE GODFATHER AT HOME PART II (16M1) [00:04:22-00:04:49] It consists of Michael’s Theme (N. Rota) From cut to the exterior of the estate until after Michael sits by Carmela. MM: C) Michael’s Theme consisting of 17 measures marked Lento, fu- nereo scored for 2 Fl, 1 Ob, 1 E. Hn, 2 Cl, 1 B. Cl, [2 Bsn], 3 Hn, 1 Perc, 1 Tack Pn, 3 Vlc, 2 Cb. Recorded on 10/30/74. 60. MICHAEL AND HIS MOTHER (16M2) [00:05:40-00:07:06] Appendix132 It consists of The Immigrant Theme (N. Rota) From after Carmela says: “…about the baby you lost” until Vito says: “…why did you come to see me?” MM: C) The Immigrant Theme consisting of 23 measures scored for 2 Fl, 1 [2] Ob, 2 Cl, 2 Bsn, 3 Hn, 1 Perc, 1 Hp, 1 [Tack] pn, 2 Mandolins, 1 Gt, Strings (6-4-3-3-2). 2. The Dog Stays 61. THE LANDLORD (16M3) (N. Rota) [00:10:44-00:11:17] From after man says: “What a character” until he enters shop. MM: C) The Landlord consisting of an 18 measure from a Fox-Trot marked Allegro comodo scored for {1 Fl}, [1 Alto Sax], 1 B. Cl, {1 Bsn}, 1 Org, 1 Tack Pn, 1 Gt, 1 Cb. Recorded on 10/30/74. Deleted [Additional] Scene # 7 Don Vito Corleone shows Signor Robert (the Landlord) searching for Vito whom he addresses to as Don for the first time in Part II’s flashback episodes. Deleted [Additional] Scene # 8 Introducing Hyman Roth, al- though deprived of music soundtrack, continues The Landlord epi- sode after Signor Roberto’s clumsy exit from Vito’s shop. 62. A NEW CARPET PART III [(7M1) (N. Rota) [00:13:28-00:14:00] + The Immigrant Theme (N. Rota) + A New Carpet Part III (N. Rota) + The Immigrant Theme (N. Rota) From cut to exterior of Genco’s store until cut to the interior of the Senate Hearing Room. MM: C) A New Carpet consisting of 28 measures scored for 1 Piccolo, [1 Fl], 2 Cl, 1 B. Cl, [2 Tpt], 4 Trbn, 1 Celesta, [1 Vibraphone], [1 Tack Pn], 1 Hpsc, [1 Hp], 1 Fender Gt, 1 Gt, 1 Fender Bass, Strings (6-4-3-3- 2). Recorded on 10/30/74. Note: The Immigrant Theme’s fragments heard in this cue are taken from pre-recorded versions of same. CD 2–Track 2 A New Carpet Appendix 133 3. Senate Hearing [no music] 4. You’re Nothing To Me Now 63. FREDO’S STAY OF EXECUTION (16M1) [00:25:18-00:26:26] It consists of Michael’s Theme (N. Rota) same as Cue #59 + The Godfather Waltz (N. Rota) (Bass Clarinet solo) [00:26:09] on steady beat. From after Michael says: “Fredo, you’re nothing to me now” until the camera pans to another entrance of an Army base. MM: C) Michael’s Theme (Lento funereo) same as Cue #59. 5. Pentangeli Sees His Brother [no music] 6. Michael, You Are Blind [no music] 7. My Father’s Name Was…Antonio Andolini 64. SICILY 1927- CIURI-CIURI (Sicilian Folk/C. Coppola) [00:37:16- 00:37:57] From on cut to train station until dissolve to road. Deleted [Additional] Scene # 9 1927 Vito’s Revenge shows Vito murdering the two men who 20 years prior carried Don Ciccio’s or- der to kill the Andolini family. We hear the Love Theme from The Godfather followed by the ocarina melody heard in Deleted [Addi- tional] Scene # 1. This episode concludes with The Godfather Waltz. During the following cue, Vito kills the Mafioso Don Ciccio. 65. REMEMBER VITO ANDOLINI PART I (19M2A&B) [00:37:56- 00:40:07] It consists of The Love Theme from The Godfather (N. Rota) + Michael’s Theme (N. Rota) [00:39:30] on close-up of baby Mi- chael + The Immigrant Theme (N. Rota) [00:39:46] From when preceding cue dissolves until the gates are closed after a car enters. MM: C) Remember Vito Andolini scored for 2 Fl, 2 Ob, 2 Cl, 1 B. Cl, 2 Bsn, 3 Hn, 3 Trbn, 1 Perc, 1 Hp, 1 Mandolin, 1 Gt, 1 Accordion, Strings (8-8-6-6-4). Recorded on 10/29/74. Appendix134 66. THE BROTHERS MOURN PART III (20M1A) [00:43:04- 00:43:53] It consists of The Immigrant Theme (N. Rota) From when a man near Vito is shot until the camera dissolves to a train station. MM: C) The Brothers Mourn Part III consists of 37 measures from The Immigrant Theme scored for 2 Fl, 2 Ob, 2 Cl, 2 Bsn, 2 Hn, 1 Hp, Strings (8-8-6-6-4). Recorded on 10/29/74. CD 2–Track 12 The Brothers Mourn 8. Mama Corleone’s Funeral 67. CONNIE AND MICHAEL (20M1B) [00:48:31-00:49:57] It consists of The Immigrant Theme + Michael’s Theme [00:40:58] + The Immigrant Theme [00:49:11] and [00:49:33] with great pas- sion + Michael’s Theme [00:49:48] From after Connie says “I want to take care of you now until Tom walks toward the boathouse. Recorded on 10/29/74. CD 2–Track 12 The Brothers Mourn 9. You Can Kill Anyone [no music] 10. Like The Roman Empire 68. REFLECTIONS ON ROMANS (21M1) [00:56:31-00:58:22] It consists of The Godfather Waltz (N. Rota). Viola sola From after Pentangeli says: “…like the Roman Empire” until he says: “See ya, Tom.” MM: C) Lento–Triste consisting of 39 measures from The Godfather Waltz scored for 2 Cl, 1 Vla, 2 Vlc. Recorded on 10/30/74. 11. Key With Her Children [no music] 12. Hail Mary, Full Of Grace 69. DEATH OF THREE (22M1) (N. Rota) [01:02:20-01:04:59] + Appendix 135 The Immigrant Theme (N. Rota) [01:02:40] (French Horn solo) From a medium long shot of the boat on the lake until cut to the boathouse’s interior. MM: C) Re-use of previously hear material consisting of 36 measures of non thematic underscoring and The Immigrant Theme at the very end played by a French Horn scored for 1 Piccolo, 1 Fl, 1 Ob, 2 Cl, 1 Bsn, 1 Hn, 1 Perc, [1 Hp], [1 Pn], Strings (6-4-3-3-2). Recorded on 10/30/74. 13. Surprise Party 70. THE FORTIES (A23M1) (C. Coppola) [01:05:00-01:08:18] From after the preceding cue and before the camera dissolves to dining room until end of scene. MM: C) The Forties consisting of 56 measures in Glenn Miller Style scored for 1 Cl, 5 Sax, 3 Tpt, 3 Trbn, 1 Perc, 1 Pn, 1 Gt, 1 Cb. Re- corded on 10/30/74 71. FOR HE’S A JOLLY GOOD FELLOW (Traditional) [01:09:13- 01:09:31] From after the group says: “Surprise,” then sing. 72. MICHAEL ALONE AT THE TABLE [01:09:24-01:09:39] It consists of The Godfather Waltz (N. Rota) From when Michael remains alone at the table and a close-up of Mi- chael in Tahoe to the beginning of Cue #73 End Credits. 14. End Credits 73. END TITLES (23M2) [01:09:52-01:13:48] It consists of Michael’s Theme (N. Rota) + Kay’s Theme (N. Rota) [01:10:21] + A New Carpet Part I (N. Rota) [01:11:39] + The Immigrant Theme (N. Rota) [01:11:54] + The Godfather Waltz (N. Rota) [01:12:48] MM: Appendix136 C) End Titles consisting of 114 measures scored for 2 Fl, 2 Ob, 2 Cl, 2 Bsn, 3 Hn, 2 Tpt, 3 Trbn, 1 Tb, 3 Perc, 1 Hp, 2 Pn, 2 Mandolins, 2 Gt, 1 Accordion, Strings (8-8-6-6-4). Recorded on 10/29/74. CD 2–Track 14 End Title Link to comment Share on other sites More sharing options...
bespinGPT 8,952 Posted January 22 Share Posted January 22 2 hours ago, bespinGPT said: Thanks. So here's the C&C information of the cues featured in the movie, sorry for the format, this is a copy-paste from the PDF! Reveal hidden contents PART II Disc 1 1. Funeral in Sicily 1. MAIN TITLE (1M1) [00:00:15-00:01:11] It consists of The Godfather Waltz (N. Rota) + Michael’s Theme (N. Rota). 00:00:52 The music starts on black screen until the camera fades to the Sicilian countryside. MM: C) Titles (same as Cue #1in Part I) consisting of 20 measures from The Godfather Waltz and Michael’s Theme scored for 1 E. Hn, 2 Cl, 1 Bsn, 2 Hn, 1 Tpr, 3 Trbn, [1 Hp], Strings (6-4-3-3-2). Recorded on 10/30/74 Appendix120 CD 2–Track 1 (Main Title/The Immigrant) 2. MARCIA FUNEBRE (C. Coppola) [00:01:13-00:02:25] From when the above cue fades in until shots are fired killing Paolo Andolini. Recorded by Carmine Coppola on location in Sicily. Deleted [Additional] Scene #1 “Searching for Vito” shows two men searching for young Vito Andolini. As one man knocks at Ando- lini’s door asking about the boy’s whereabouts, the other crouches leaning against a wall and plays on the ocarina1 the Antico Canto Si- ciliano. Recorded by Carmine Coppola on location in Sicily. PSM–Antico Canto Siciliano (Wedding Procession Sicilian Love Song, arranged and adapted by Carmine Coppola): 12-15. 2. It’s Not His Words I’am Afraid Of [no music] 3. “Ellis Island, 1901” 3. THE IMMIGRANT (1M2) [00:07:01-00:08:02] It consists of The Immigrant Theme Part I (N. Rota). + The Immigrant Theme Part II (N. Rota) [00:07:16] + The Immigrant Theme Part I (N. Rota) [00:07:31] From before the camera dissolves to New York Harbor until view of Ellis Island. MM: C) Gli emigranti [The Emigrants] consisting of 32 measures scored for 2 Fl, 2 Ob, 2 Cl, 2 Bsn, 2 Hn, [1 Tpt], 3 [2] Trbn,1 Tb, 1 Perc, 1 Hp, 1 Pn, Strings (8-8-6-6-4). Recorded on 10/29/74. CD 2–Track 1 Main/Title/The Immigrant PSM–Theme from Godfather II by Nino Rota: 30-31. 4. THE FIDDLER (1M4) (C. Coppola) [00:08:48-00:08:53] From when the camera moves past waiting immigrants. 1 The Ocarina is a simple small wind instrument made out of terracotta or wood. Appendix 121 5. LU ME SCECCU (Sicilian Folk) [00:10:39-00:11:12] From after young Vito sits and sings until after the camera dis- solves to interior of a church. 6. ANTHONY’S FIRST COMMUNION (2M2) (N. Rota) [00:10:56- 00:11:46] + The Godfather Waltz (N. Rota) [00:11:23] (organ solo) From above dissolve until the camera cuts to the Tahoe Estate. MM: C) 26 measures scored for voice and organ. 4. Party at Lake Tahoe2 7. ITALIAN EYES (C. Coppola) [00:12:18-00:12:11]* From above cut until the dance exhibition ends. 8. ITALIAN EYES (2M7X) (C. Coppola) [00:12:18-00:12:30]** From a long shot of the party until before Carmela Corleone says: “Look who’s here.” 9. HEART AND SOUL (Loesser & Carmichael) [00:12:52-00:13:12] From when Connie Corleone says” “Here I am “ until Carmela says: “Like everybody else.” 10. FANFARE (C. Coppola) [00:13:15-00:13:19] After the above line is spoken. 11. DROM ROLL [00:14:44-00:14:49] From when Senator Geary says: “…a real Nevada thank you…” 12. MR. WONDERFUL (Bock, Holofcener &Weiss )[00:15:12- 00:16:00]* 2 All cues marked by an * were recorded by Carmine Coppola on location at Kings Castle in Incline, Nevada. Those marked ** were recorded at Paramount Studios in Hollywood. Appendix122 A choir begins until the camera cuts to the interior of the boat- house. 5. You Can Have My Answer Now 13. I LOVE TO HEAR THAT OLD TIME MUSIC (C. Coppola) [00:17:11-00:18:26]* From after above cut until after Spradlin says: “…you whole fuck- ing family.” 14. STUMBLELOO (C. Coppola) [00:19:55-00:21:00]* From a long shot of the party until Frank Pentangeli says: “…gives me a ritz cracker…” 15. INDISTINGUISHABLE MELODY [00:21:14-00:21:33] From after Pentangeli says: “Bring out the peppers and sausage” until he says: “No, no, that was no heart attack.” 16. PAUL JONES TARANTELLA (POPS GOES THE WEASEL) (Traditional/C. Coppola) [00:24:11-00:24:48] From when Pentangeli tries to get the orchestra to play until the camera cuts to the boathouse’s interior. 17. SOPHIA (C. Coppola) [00:24:48-00:26:17]* From the above cut until Michael says: “I want to be reasonable with you.” 6. Frankie Pentangeli’s Complaint 18. IN A PARIS CAFÉ (C. Coppola) [00:27:18-00:28:20] From cut to the party at night until Pentangeli says: “With all re- spect…” 19. HO BISOGNO DI TE (GELOSIA) (WHEN I AM WITH YOU) (Pennino/C. Coppola) [00:28:30-00:29:43] From cut to Deanna Corleone dancing until the camera cuts to the boathouse’s interior. 20. PINK CHAMPAGNE (C. Coppola) [00:30:13-00:31:31:22] From above cut until Pentangeli says: “Junk. Dope.” Appendix 123 21. EV’RY TIME I LOOK IN YOUR EYES (C. Coppola) [00:32:38- 00:34:05] From after Al Neri says: “You want him to leave now?” until a long shot of the party. Deleted scenes # 27 -31 7. Bedroom Shooting 22. AFTER THE PARTY (4M4) [00:34:05-00:35:15] It consists of The Godfather Waltz (N. Rota). + Kay’s Theme (N. Rota) [00:34:44] From above cut until machine gun starts firing. MM: C) After the Party consisting of 31 measures from The Godfather Waltz and Kay’s Theme scored for 2 Fl, 2 Cl, 1 Perc, 1 Hp, 1 Pn, 1 Mandolin, 1 Gt, Strings (6-4-3-3-2). Recorded on 10/30/74. 23. FINDING THE MAN (4M5) (N. Rota) [00:35:46-00:36:44] From cut to the exterior of estate until after cut to interior. MM: A) Finding the man consisting of 26 measures based on a thematic variation of the incipit of Michael’s Theme scored for 2 Fl, 2 Ob, 2 Cl, 1 B. Cl, 2 Bsn, 3 Hn, 2 Tpt, 2 Trbn, 1 Timp, 1 Xilophone, 1 Hp, 1 Pn, Strings (8-8-6-6-4). Recorded on 10/29/74. C) Ricerca dell’uomo [Finding the man] consisting of 43 measures from Michael’s Theme scored for 2 Fl, 2 Cl, 2 Bsn, 2 Hn, 1 Perc, Strings (6-4-3-3-2). Recorded on 10/30/74. 24. THE SEARCH CONTINUES (5M1) - FINDING THE MAN [00:37:07-00:37:26] It consists of Michael’s Theme (N. Rota) From cut to the exterior of estate until long shot of motorboat. MM: C) 1) The Search Continues–Finding the Man consisting of 8 measures from same as above scored for 2 Fl, 2 Cl, 2 Bsn, 2 Hn, 1 Perc, Strings (6-4-3-3-2). 25. MICHAEL AND ANTHONY (5M3) [00:42:11-00:44:00] Appendix124 It consists of The Godfather Waltz (N. Rota). From after Michael kisses his son until camera dissolves to the interior of vaudeville theatre. MM C) Michael and Anthony consisting of 69 measures from The God- father Waltz and Michael’s Theme scored for 2 [1] Fl, 2 [1] Ob, 2 [1] Cl, 1 B. Cl, 1 Bsn, [1 Hn], 1 Tpt, 2 Perc, 1 Pn, 1 Celesta, {1 Gt}, {1 Accordion}, Strings (6-4-3-3-2). Recorded on 10/30/74. Note: The Godfather Waltz is played on Glockenspiel (or amplified Celesta) while Michael’s Theme is played by Viola and Bassoon begin- ning at 00:43:26 8. New York City, 19173 26. NEW YORK 1917 NAPULE VE SALUTE (LASSANNO NAPULE) (GOODBY TO NAPLES) (F. Pennino) [00:44:00-00:44:43] From dissolve of preceding cue until performers finish. 27. SENZA MAMMA (F. Pennino) [00:44:48-00:45:01] From when the curtain rises until after the actor begins. 28. SENZA MAMMA (F. Pennino) [00:46:00-00:48:24] From after the actor says: “Morta. Mamma mia” until the theatre’s owner says: “Not my daughter.” Deleted [Additional] Scene #2 “Fanucci Attacked” takes place after the backstage episode described in Cue #28 in which Fanucci holds at knifepoint the daughter of the theater’s owner. Later, Vito witnesses Fanucci being attacked having his throat slashed by two youngsters. We hear 0:44 of music taken from The Immigrant Theme. CD2–Track 6 Senza Mamma sung by Livio Giorgi. 29. VITO AND ABBANDANDO PART III (6M2) [00:49:12- 00:50:04] It consists of The Immigrant Theme (N. Rota) 3 Cues # 26 – 28 were recorded by Carmine Coppola on location in New York City at A&R Recording Studio. Appendix 125 From after cut to Abbandando’s store until after the camera dissolves to the interior of Vito’s flat. MM: C) 27 measures from The Immigrant Theme scored for 2 Fl [Pic- colo], 2 Cl, 1 B. Cl, 3 Perc, 1 Pn, 1 Tack Pn, 1 Hpsc, 1 Org, 1 Mando- lin, 1 Gt, 1 Cb. Recorded on 10/30/74. CD 2–Track 5 Vito and Abbandando 9. Vito Meets Clemenza 30. CELESTE AIDA from AIDA (Verdi/ C. Coppola) [00:50:06- 00:51:03] From when Vito says: “Forget it” until after he opens a package contaning guns. Scored for 2Fl, 2 Ob, 1 E. Hn, {2 Cl}. 2 Bsn, 2 Hn, 1 Tb, Strings (6-4-3-3-2). Recorded on 10/30/74. 2nd version with tenor solo recorded at Paramount Studios, Holly- wood 31. VITO AND ABBANDANDO PART I (6M4) [00:53:19-00:54:43] It consists of The Immigrant Theme (N. Rota). From after Vito says: “And I won’t forget it” until camera cuts to the street. MM: C) 22 measures from The Immigrant Theme scored for 1 Fl, 1 Ob, 1 E. Hn, 2 Cl, 1 B. Cl, 2 Bsn, 2 Hn, [1 Hp], {1Fender Bass}, {2 Gt}, Strings (6-4-3-3-2). Recorded on 10/30/74. CD 2–Track 5 Vito and Abbandando Deleted [Additional] Scene # 3 “I’am My Own Boss” portrays young Clemenza asserting himself in the eyes of Vito. The scene takes place in a cafè where a piano player performs diegetically a tune by Francesco Pennino. Deleted scene # 4 “Playing the Flute” shows Clemenza, Vito, and Abbandando in Augusto Coppola’s gunsmith shop. As the four- some discuss the accuracy of the pistols under scrutiny, Augusto asks his young son Carmine to play a favorite tune on the flute. The boy plays an unaccompanied Serenade composed (and played) by Car- mine Coppola. Recorded by Carmine Coppola at Paramount Studios Hollywood. Appendix126 32. A NEW CARPET PART II (7M1) (N. Rota) [00:55:46-00:56:09] From the beginning of the scene until Clemenza bends to look for the key. MM: C) A New Carpet Part II consisting of 30 measures from Allegretto mosso in 6/8 “like a kind of tarantella” and The Immigrant Theme scored for 1 Fl, {2 Ob}, 2 Cl, 1 B. Cl, {2 Bsn}, {2 Hn}, 2 Tpt, 2 {1} Trbn, 1 Celesta, [1 Vibraphone], 1 Tack Pn, 1 Hpsc, 1 Org, {2} Gt, 1 Fender Bass. Recorded on 10/30/74. CD 2–Track 2 A New Carpet 33. A NEW CARPET (7M2) [00:58:34-00:59:30] It consists of A New Carpet Part I (N. Rota). + The Immigrant Theme (N. Rota) [00:58:49] From cut to the street until cut to the countryside and train. MM: C) A New Carper Part I consisting of 10 measures from A New Carpet (see Cue #32) and 28 measures from The Immigrant Theme scored for1 Piccolo, 1 Fl, 2 Cl, 1 B. Cl, [2 Hn], 2 Tpt, 1 Trbn, 1 Tack Pn, 1 Fender Gt, 1 Gt, 1 Fender Bass, 1 Celesta [1 Vibraphone], [1 Org], Strings (6-4-3-3-2). Recorded on 10/30/74. CD 2–Track 2 A New Carpet 10. Keep Your Friends Close, But Your Enemies Closer 34. A VISIT TO ROTH (7M3) (N. Rota) [01:00:10-01:01:53] From cut to a Miami hotel’s exterior until Michael opens a screen door. MM: C) A visit to Roth consisting of 26 measures of non thematic mate- rial including Autumn (see Cue #47 in Part I) scored for 1 Piccolo, 1 Fl, 1 Ob, 1 E. Hn, {2 Cl}, [2 Bsn], 1 Hp, 1 Celesta, 1 Pn, Strings (6-4-3-3- 2). Recorded on 10/30/74. 35. DEATH OF THREE (N. Rota) [01:09:08-01:10:33] From after Michael says: “…who the traitor in my family was” un- til cut to the exterior of a bar. MM: A)------- B)---------- Appendix 127 C) Death of Three consisting of 36 measures of non thematic mate- rial (2 Fl, 1 Ob, 2 Cl, 1 Bsn, 1 Hn, 1 Perc, [1 Hp], [1 Celesta], [1 Pn], Strings (6-4-3-3-2). Recorded on 10/30/74. 11. I Remember She Was Laughing 36. AUTUMN (8M1) (N. Rota) [01:15:44-01:16:51] + KAY’S THEME (N. Rota) [01:15:44] (Violin solo) From after Tom Hagen says: “All that’s left is our friendship” until cut to Havana. MM: C) Autumn and Kay’s Theme consisting of 39 measures scored for 2 Fl, [2 Ob], 2 Cl, [1 Bsn], [1 Hn], {1 Perc}, [1 Celesta], 1 Hp, {1 Pn}, {1 Gt}, {1 Mandolin}, Strings (6-4-3-3-2). Recorded on 10/30/74. 12. Welcome to Havana 37. EL CHA CHA CHA DI SAN DOMINGO [01:16:51-01:18:16] consisting of TU (Sanchez & Sanchez Fuentes/C. Coppola). From preceding cue until cut to the interior of the Presidential Palace. Recorded by Carmine Coppola on location in Santo Domingo 13. I Know It Was You Fredo 38. HAVANA (8M6) (N. Rota) [01:25:56-01:27:23] From cut to a hotel’s exterior until after Michael says: “Johnny Ola.” MM: C) Havana consisting of 57 measures scored for 2 Fl, {1 Cl}, 1 Tpt, [1 Alto Sax], 1 Fender Gt, 1 Gt, 1 Fender Bass, 5 Perc. Recorded on 10/30/74. 39. GUANTANAMERA (Traditional/C. Coppola & new lyrics by Italia Pennino) [01:27:49-01:30:49] From cut to garden café until cut to hotel suite. Recorded by Carmine Coppola on location in Santo Domingo. 40. MUSIC FOR AQUA LUZ (C. Coppola) [01:34:56-01:36:29] + EL CHA CHA CHA DI SAN DOMINGO [01:35:17] 41. DANZA ESOTICA (C. Coppola) [01:36:39-01:38:28] (Alto Sax and Percussion) From after above cut until cut to interior of hotel suite. Recorded by Carmine Coppola on location in Santo Domingo. 42. VITO AND ABBANDANDO PART II (6M3) [01:38:08-01:38:18] (Bass Clarinet solo) It consists of The Immigrant Theme (N. Rota). MM: C) 27 measures scored for 1 Piccolo, 1 Fl, 2 Cl, 1 B. Cl, 1 Tack Pn, 3 Perc, 1 Mandolin, 1 Gt, 1 Org, 1 Hpsc, 1 Cb. Recorded on 10/30/74 43. OLA’S DEATH (11M5) (N. Rota) [01:38:29-01:39:31] From preceding cue until a doctor says: “…to the hospital.” MM: C) Ola’s Death consisting of 19 measures scored for 2 Cl, 1 B. Cl, 2 Bsn, 2 Hn, 1 Perc, 1 Celesta, 2 Pn, Strings (6-4-3-3-2). Recorded 10/30/74 44. ROTH IS NEXT PART III (12M4) [01:40:03-01:40:05] From when the bodyguard reenters until cut to the interior of the Presidential Palace. MM: C) Roth is Next Part III consisting of fragments from 7 measures of non thematic material scored for {3 Saxophones}, [2 Cl, 1 B. Cl], [2 Bsn], 2 Hn, 2 Tpt, e Perc, 2 Pn. Recorded on 10/30/74. 45. MY TROPICAL LOVE (12M3) [01:40:07-01:40:56] It consists of La Paloma (Yradier/ C. Coppola) From on above cut until cut to hospital. La Paloma scored for 5 Saxophones, 3 Tpt, 3 Trbn, 1 Perc, 1Pn, 1 Cel, 1 Accordion, 6 Vl, 2 Vlc, 1 Cb. Recorded on 10/30/74. Appendix 129 46. EL PADRINO - BUSETTA’S DEATH (C. Coppola) [01:41:34-01:42:06] From cut to the interior of the Presidential Palace until cut to the hospital. Recorded by Carmine Coppola on location in Santo Domingo 47. GUANTANAMERA (Traditional/C. Coppola) [01:43:10-01:44:05] From cut to the interior of the Presidential Palace until cut to the street. Fireworks + Cuban Revolutionary Song [01:44:12-01:44:26] Recorded by Carmine Coppola on location in Santo Domingo 48. FREDO’S PANIC (12M9) (N. Rota) [01:45:46-01:46:58] + The Godfather Waltz (N. Rota) [01:46:21] + Fredo’s Panic (N. Rota) [01:46:24] + Michael’s Theme (N. Rota) [01:46:46] MM: C) Fredo’s Panic consisting of 60 measures including “Rite of Spring” like material scored for 2 Fl, 1 Ob, 1 E. Hn, {2 Cl}, {2 Bsn}, [2 Hn], [2 Tpt], [1 Fender Gt], 1 Hp, [1 Pn], [1 Celesta], Strings (6-4-3- 3-2) + a montage of various pre-recorded versions of The Godfather Waltz and Michael’s Theme. Recorded on 10/30/74. 14. Was It A Boy? [no music] 15. Fanucci Wants to Wet His Beak 49. MICHAEL AND ANTHONY (5M3) [01:49:45-01:50:30] It consists of The Godfather Waltz (N. Rota) From after Tom Hagen says: “I really don’t know” until cut to street. MM: Same as Cue #25 16. Murder of Fanucci 50. MARCIA REALE ITALIANA (Gabetti/C. Coppola) [01:55:07- 01:55:28] From cut to the street festival until Clemenza moves to a booth. Recorded by Carmine Coppola at A&R Recording Studio in New York City Appendix130 51. STARS SPANGLED BANNER (Smith & Key/C. Coppola) [01:55:29-01:55:46] After above until Clemenza says: “His family’s out of the house.” C) Stars and Stripes scored for 1 Fl, 3 Cl, 2 Hn, 3 Tpt, 5 Perc, 1 Pn, 1 Org, 2 Gt. Recorded on 10/30/74. 52. MARCIA STILO ITALIANO (13M4/14M1) (C. Coppola) [01:55:49-01:57:49] From when Abbandando says: “Here’s is my fifty dollars” until Don Fanucci says: “You’ve got a lot of guts.” Recorded on 10/30/74 C) Marcia Stilo Italiano scored for 1 Fl, 2 Cl, 2 Hn, 3 Tpt, 5 Perc, 1 Pn, 1 Org, 2 Gt. Recorded on 10/30/74. CD–Track 10 Marcia Stilo Italiano 53. MARCIA RELIGIOSO (C. Coppola) [01:58:33-02:01:51] From cut to the street festival until cut to Vito covering his gun and turning the light bulb off. Recorded by Carmine Coppola at A&R Recording Studio in New York City. CD 2–Track 13 Murder of Don Fanucci 54. MURDER OF DON FANUCCI (C. Coppola) [02:02:06-02:02:56] It consists of drum roll and footsteps alternating with the priest re- citing rituals. From when Vito steps behind Don Fanucci until he kills him. 55. FESTA MARCH (C. Coppola) [02:02:56-02:05:08] From preceding cue until Vito nears his flat. Recorded by Carmine Coppola at A&R Recording Studio in New York City. CD 2–Track 13 Murder of Don Fanucci 56. NINNA-NANNA A MICHELE (14M4A1) [02:05:08-02:06:10] It consists of The Godfather Waltz (N. Rota & Lyrics by Italia Pennino) + Michael’s Theme (N. Rota) [02:06:04] From preceding cue until the end of the scene. MM: Appendix 131 C) Ninna–Nanna consisting of The Godfather Waltz and Michael’s Theme scored for voice, 2 Fl, 2 Ob, 2 Cl, {1 B. Cl}, 2 Bsn, 3 Hn, {2 Tpt}, {3 Trbn}, {1 Tb}, 1 Gt, 2 Perc, 1 Hp, Strings (8-8-6-6-4). Sung by Nino Palermo with Guitar accompaniment then by full orchestra. Recorded on 10/29/74. CD 2–Track 11 Ninna Nanna a Michele. Sung by Nino Palermo Disc 2 1. You Can Never Lose Your Family 57. THE CORLEONE ESTATE (15M1X) (N. Rota) [00:00:03- 00:00:24] From the beginning of the scene until a car drives through the gates. MM: C) Autumn consisting of portions of Cue #47 in Part I. 58. MICHAEL COMES HOME - THE GODFATHER AT HOME PART I (15M2) [00:00:46-00:01:53] It consists of Michael’s Theme (N. Rota) + Kay’s Theme (N. Rota) [00:01:37] From when Michael stops by Anthony’s red toy car until he looks through the open door. MM: C) Michael Comes Home consisting of 32 measures from Mi- chael’s Theme and Kay’s Theme scored for 2 Fl, 1 Ob, 1 E. Hn, 2 Cl, 2 Bsn, 2 Hn, 1 Hp, Strings (6-4-3-3-2). Recorded on 10/30/74. CD 2–Track 7 The Godfather at Home 59. FREDO’S STAY OF EXECUTION - THE GODFATHER AT HOME PART II (16M1) [00:04:22-00:04:49] It consists of Michael’s Theme (N. Rota) From cut to the exterior of the estate until after Michael sits by Carmela. MM: C) Michael’s Theme consisting of 17 measures marked Lento, fu- nereo scored for 2 Fl, 1 Ob, 1 E. Hn, 2 Cl, 1 B. Cl, [2 Bsn], 3 Hn, 1 Perc, 1 Tack Pn, 3 Vlc, 2 Cb. Recorded on 10/30/74. 60. MICHAEL AND HIS MOTHER (16M2) [00:05:40-00:07:06] Appendix132 It consists of The Immigrant Theme (N. Rota) From after Carmela says: “…about the baby you lost” until Vito says: “…why did you come to see me?” MM: C) The Immigrant Theme consisting of 23 measures scored for 2 Fl, 1 [2] Ob, 2 Cl, 2 Bsn, 3 Hn, 1 Perc, 1 Hp, 1 [Tack] pn, 2 Mandolins, 1 Gt, Strings (6-4-3-3-2). 2. The Dog Stays 61. THE LANDLORD (16M3) (N. Rota) [00:10:44-00:11:17] From after man says: “What a character” until he enters shop. MM: C) The Landlord consisting of an 18 measure from a Fox-Trot marked Allegro comodo scored for {1 Fl}, [1 Alto Sax], 1 B. Cl, {1 Bsn}, 1 Org, 1 Tack Pn, 1 Gt, 1 Cb. Recorded on 10/30/74. Deleted [Additional] Scene # 7 Don Vito Corleone shows Signor Robert (the Landlord) searching for Vito whom he addresses to as Don for the first time in Part II’s flashback episodes. Deleted [Additional] Scene # 8 Introducing Hyman Roth, al- though deprived of music soundtrack, continues The Landlord epi- sode after Signor Roberto’s clumsy exit from Vito’s shop. 62. A NEW CARPET PART III [(7M1) (N. Rota) [00:13:28-00:14:00] + The Immigrant Theme (N. Rota) + A New Carpet Part III (N. Rota) + The Immigrant Theme (N. Rota) From cut to exterior of Genco’s store until cut to the interior of the Senate Hearing Room. MM: C) A New Carpet consisting of 28 measures scored for 1 Piccolo, [1 Fl], 2 Cl, 1 B. Cl, [2 Tpt], 4 Trbn, 1 Celesta, [1 Vibraphone], [1 Tack Pn], 1 Hpsc, [1 Hp], 1 Fender Gt, 1 Gt, 1 Fender Bass, Strings (6-4-3-3- 2). Recorded on 10/30/74. Note: The Immigrant Theme’s fragments heard in this cue are taken from pre-recorded versions of same. CD 2–Track 2 A New Carpet Appendix 133 3. Senate Hearing [no music] 4. You’re Nothing To Me Now 63. FREDO’S STAY OF EXECUTION (16M1) [00:25:18-00:26:26] It consists of Michael’s Theme (N. Rota) same as Cue #59 + The Godfather Waltz (N. Rota) (Bass Clarinet solo) [00:26:09] on steady beat. From after Michael says: “Fredo, you’re nothing to me now” until the camera pans to another entrance of an Army base. MM: C) Michael’s Theme (Lento funereo) same as Cue #59. 5. Pentangeli Sees His Brother [no music] 6. Michael, You Are Blind [no music] 7. My Father’s Name Was…Antonio Andolini 64. SICILY 1927- CIURI-CIURI (Sicilian Folk/C. Coppola) [00:37:16- 00:37:57] From on cut to train station until dissolve to road. Deleted [Additional] Scene # 9 1927 Vito’s Revenge shows Vito murdering the two men who 20 years prior carried Don Ciccio’s or- der to kill the Andolini family. We hear the Love Theme from The Godfather followed by the ocarina melody heard in Deleted [Addi- tional] Scene # 1. This episode concludes with The Godfather Waltz. During the following cue, Vito kills the Mafioso Don Ciccio. 65. REMEMBER VITO ANDOLINI PART I (19M2A&B) [00:37:56- 00:40:07] It consists of The Love Theme from The Godfather (N. Rota) + Michael’s Theme (N. Rota) [00:39:30] on close-up of baby Mi- chael + The Immigrant Theme (N. Rota) [00:39:46] From when preceding cue dissolves until the gates are closed after a car enters. MM: C) Remember Vito Andolini scored for 2 Fl, 2 Ob, 2 Cl, 1 B. Cl, 2 Bsn, 3 Hn, 3 Trbn, 1 Perc, 1 Hp, 1 Mandolin, 1 Gt, 1 Accordion, Strings (8-8-6-6-4). Recorded on 10/29/74. Appendix134 66. THE BROTHERS MOURN PART III (20M1A) [00:43:04- 00:43:53] It consists of The Immigrant Theme (N. Rota) From when a man near Vito is shot until the camera dissolves to a train station. MM: C) The Brothers Mourn Part III consists of 37 measures from The Immigrant Theme scored for 2 Fl, 2 Ob, 2 Cl, 2 Bsn, 2 Hn, 1 Hp, Strings (8-8-6-6-4). Recorded on 10/29/74. CD 2–Track 12 The Brothers Mourn 8. Mama Corleone’s Funeral 67. CONNIE AND MICHAEL (20M1B) [00:48:31-00:49:57] It consists of
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