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What Williams-score really SHOULD have won an Oscar?


Sandor

What Williams-score really SHOULD have won an Oscar?  

47 members have voted

  1. 1.

    • Superman The Movie (1978)
      13
    • The Empire Strikes Back (1980)
      25
    • Born On The Fourth Of July (1989)
      1
    • Harry Potter And The Sorcerer's Stone (2001)
      6
    • Other
      2


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Now that Memoirs is already tipped for an Academy Award by many (without hearing a single note) I'm afraid that even if Memoirs is the best score of Williams' career, the award will eventually go to a man named Krathnouíck or something like that. The weird name among the bunch.

Looking back; what Williams-score really should have won an Oscar?

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Not that i dont agree with you, but it wasnt even nomiated, and having Shindler's list there, i prefer the later to win.

Same with SW and close encounters, CEO3K deserved an oscar, but SW too...

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All mentioned above and many more Williams scores should have won an Oscar. Amistad for one and Jurassic Park ante omnia. A.I. which had a rotten fortune of being nominated on the same year as FOTR(Academy gave Oscar to some one new instead of Williams). Raiders would have deserved an Oscar no questions asked (I am still pissed off by the Academy's choice to pick Chariots of Fire over Williams' masterpiece).If I would have to choose ESB is the one.

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That you left Raiders of the Lost ark is amazing...

That I left that one out is amazingly STUPID!! I should have included Raiders of course! Problem is: I don't know how to edit a poll. Is it possible?

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JP should not have won an Oscar. Schindler's List was a better score. JP should have won in almost any other year, though.

ESB, though, should have won in ANY year.

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"The Empire Strikes Back" lost to "Fame," which had about three minutes of underscore. Like the 1986 winner, "'Round Midnight," voters confused original music with song score and previously recorded music.

Before you mention "The Full Monty," that had a very fine underscore, but was probably overshadowed by all the songs in the film.

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Nor should it. Both have fantastic material, but IMO SL is more affecting, and JP does have it's less than sublime patches, something I don't think SL has.

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On top of my head:

Superman

Raiders

Empire Strikes Back

Return of the Jedi

Temple of Doom

Empire of the Sun

Born on the Fourth of July

Amistad

Angela's Ashes

A.I

Catch me if you can

Harry Potter and the Prisoner of Azkaban

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Raiders should have won, Hook should have won, Superman should have won, Born on the Fourth of July should have won, The Patriot should have won, ESB should have won, POA should have won, Far and Away should have won, AI was Oscar material though I dont disagree with the academy's choice of FOTR, which was equally deserving. I do disagree however, with ROTK's win.

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Raiders should have won. Superman should have won, Born on the Fourth of July should have won, The Patriot should have won, ESB should have won, POA should have won, Far and Away should have won, AI was Oscar material though I dont disagree with the academy's choice of FOTR, which was equally deserving. I do disagree however, with ROTK's win.

I'm a die hard Williams fan, but no way should The Patriot have beaten out Crouching Tiger, Hidden Dragon in 2000. And even if Far and Away would have been nominated in '92, Basic Instinct should have been the winner despite the fact that it wasn't.

I voted for Superman-The Movie.

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hmm...i feel the patriot is fair game for crouching tiger. and yeah, i'm of chinese descent. :sleepy: i havent watched Basic instinct either, so i cant comment about it. however, i do feel far and away is really one of JW's best works (its my most played JW album outside of SW) and it would not have been travesty if it won.

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Superman the Movie, should have won,

The Empire Strikes Back, should have won

Raiders should have won,

Harry Potter and the Sorcerer's Stone should have won, its a much better and much more memorable score than the adequate score for the stinker movie called A.I.

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Nor should it. Both have fantastic material, but IMO SL is more affecting, and JP does have it's less than sublime patches, something I don't think SL has.

Jurassic Park is flawless piece of Film music history. It has no less sublime patches good sir! Shush now! I do not want to hear your protests or arguments. I'm not listening, I'm not listening!

It would have deserved an Oscar even if it was composed the same year as Schindler's List.

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I think "The Empire Strikes Back" should have won an Oscar. The Imperial March is one of the reasons why it should have won an Oscar another reason is the The Battle of Hoth. These plus the other muisc make this a real winner and not muisc used from other movies he has made.

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From all that lengthy list of Williams Oscar’s losses my votes would be for The Empire Strikes Back :pukeface:and Born on the Fourth of July!

(* marks the winner of course)

1967

(Scoring of Music--adaptation or treatment)

* Camelot -- Alfred Newman, Ken Darby

Valley of the Dolls -- John Williams

1969

* Butch Cassidy and the Sundance Kid -- Burt Bacharach

The Reivers -- John Williams

(Score of a Musical Picture--original or adaptation)

Goodbye, Mr. Chips -- Music and lyrics by Leslie Bricusse; adaptation score by John Williams

* Hello, Dolly! -- Adaptation score by Lennie Hayton and Lionel Newman

1972

images -- John Williams

* Limelight -- Charles Chaplin, Raymond Rasch, Larry Russell

The Poseidon Adventure -- John Williams

1973

Cinderella Liberty -- John Williams

* The Way We Were -- Marvin Hamlisch

(Scoring: Original Song Score and Adaptation -or- Scoring: Adaptation)

* The Sting -- Adaptation Score by Marvin Hamlisch

Tom Sawyer -- Song Score by Richard M. Sherman and Robert B. Sherman; Adaptation Score by John Williams

1974

* The Godfather Part II -- Nino Rota, Carmine Coppola

The Towering Inferno -- John Williams

1977

Close Encounters of the Third Kind -- John Williams

* Star Wars -- John Williams

1978

* Midnight Express -- Giorgio Moroder

Superman -- John Williams

1980

The Empire Strikes Back -- John Williams

* Fame -- Michael Gore

1981

* Chariots of Fire -- Vangelis

Raiders of the Lost Ark -- John Williams

1983

Return of the Jedi -- John Williams

* The Right Stuff -- Bill Conti

1984

Indiana Jones and the Temple of Doom -- John Williams

* A Passage to India -- Maurice Jarre

The River -- John Williams

1987

Empire of the Sun -- John Williams

* The Last Emperor -- Ryuichi Sakamoto, David Byrne, Cong Su

The Witches of Eastwick -- John Williams

1988

The Accidental Tourist -- John Williams

* The Milagro Beanfield War -- Dave Grusin

1989

Born on the Fourth of July -- John Williams

Indiana Jones and the Last Crusade -- John Williams

* The Little Mermaid -- Alan Menken

1990

* Dances With Wolves -- John Barry

Home Alone -- John Williams

1991

* Beauty and the Beast -- Alan Menken

JFK -- John Williams

1995

Nixon -- John Williams

* The Postman (Il Postino) -- Luis Enrique Bacalov

(Original Musical or Comedy Score)

* Pocahontas -- Music by Alan Menken; Lyrics by Stephen Schwartz; Orchestral Score by Alan Menken

Sabrina -- John Williams

1996

* The English Patient -- Gabriel Yared

Sleepers -- John Williams

1997

Amistad -- John Williams

* Titanic -- James Horner

1998

* Life Is Beautiful -- Nicola Piovani

Saving Private Ryan -- John Williams

1999

Angela's Ashes -- John Williams

* The Red Violin -- John Corigliano

2000

* Crouching Tiger, Hidden Dragon -- Tan Dun

The Patriot -- John Williams

2001

A.I. Artificial Intelligence -- John Williams

Harry Potter and the Sorcerer's Stone -- John Williams

* The Lord of the Rings: The Fellowship of the Ring -- Howard Shore

2002

Catch Me If You Can -- John Williams

* Frida -- Elliot Goldenthal

2004

* Finding Neverland -- Jan A.P. Kaczmarek

Harry Potter and the Prisoner of Azkaban -- John Williams

2005

... ?

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