Something that I love about the "Searching" theme from TAOH is that it has great rhythmic flexibility. Consider these three different approaches of accentuating the notes in the melody:     Pattern #1 is based on how the music is actually notated and conducted. It is also how JW introduces it for the first time in TAOH, from 0:37 (focus on the bass). Pattern #2 is the "naive" beat - it is what the naive listener would hear when listening to the melody on its own. Pattern #3