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  1. I've been a lurker on this forum for a little while now and I'm amazed at all the wealth of the knowledge here! I'm sure many people here agree that engineer Bruce Botnick is one of the best, if not the best recording engineer for film scores. His work on Jerry Goldsmith's scores, Alan Menken's work, and especially my favorite from the maestro himself E.T., sound so clear and warm even compared to today's modern film recordings. I've always wondered: How does he achieve this? What is his "secret" if there's even one?
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