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  1. Yesterday
  2. Back in-stock on Intrada's site. Another error? http://store.intrada.com/s.nl/it.A/id.9720/.f
  3. Good to know. I've never heard such a thing, but you learn something every day. I mean- yes, but you're here too so...
  4. Lost is an emotional rollercoaster that takes basic archetypal themes and explores them through a frame of philosophy and religion. Simple stuff man!
  5. This many posts discussing 20 seconds of music. NERRRRRRRRRRRRRRRRRDDDDS.
  6. Hey all: we've got a fun one this week, moving away from the beginning of the movie. Here's Cue No. 9 - The Unforgivable Curses! We'd love to hear your thoughts.
  7. Dial M for Murder (Intrada) by Dimitri Tiomkin. Karol
  8. Generally “demo” refers to mock-ups of cues, but if you mean musical ideas that come before the spotting, then Marco Beltrami did a few jazz ideas for “Logan” with four or five players. Some were adapted into cues and others didn’t make the cut.
  9. He has to compose himself whenever he's with Daisy Ridley. I mean, can you blame him?
  10. The plot is fairly straightforward. It’s a story about accepting mortality.
  11. You speak of the Matrix or Hollywood producers?
  12. This is definitely trolling. Did you get a good chuckle out this, kaitain? Show up out of nowhere to shitpost and then vanish? In any case, if this ever were to happen, it would be the last time I’d have anything to do with the MCU.
  13. Just because there is more than one possible way to interpret the story does not make it "nonsensical". It enhances the film, imo.
  14. They're growing people in vats. Who knows? They could.
  15. Yep, and I bet! It's one I definitely will have to rewatch (and sooner rather than later).
  16. 90 minutes for fucking lunch?! I'm lucky if I get 30, and it's not paid time!! FFS!
  17. The director has much more control over the editing than the writing, though. Directors like Eastwood, Scott and Spielberg are really dependent on having a good script.
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