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filmmusic

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Posts posted by filmmusic

  1. Hello.

    I was wondering if anyone knows good musicological books which describe the style of composing of each composer. e.g. different chapters on harmony, melody, orchestration etc, which sum up the basic techniques of the composer (mostly 20th century composers such as Copland, Bartok, stravinsky etc.)

    The books i find usually have many biographical-historical facts, and they may analyse some individual works and not sum-up the composers' composing style

    If it's film composers that you want, a nice set of books was published a few years ago, which covered many aspects of film-making (production design, directing, editing, etc.) which included composing, and featured interviews with the likes of Gabriel Yared, and Riuichi Sakamoto. It came with a (frankly naff) c.d., but it was worth reading. Hope this helps?

    hmm. i'm not sure about which books you say (maybe Film score Guide Series from Scarecorw press? although they didn't have a cd).

    But I was talking about classical composers..

  2. Hello.

    I was wondering if anyone knows good musicological books which describe the style of composing of each composer. e.g. different chapters on harmony, melody, orchestration etc, which sum up the basic techniques of the composer (mostly 20th century composers such as Copland, Bartok, stravinsky etc.)

    The books i find usually have many biographical-historical facts, and they may analyse some individual works and not sum-up the composers' composing style

  3. I think the bootleg has one track missing (the synth one), and adds the Kunzel rerecording, if I'm not mistaken. I don't have it though. But do a search, the info's somewhere on the MB, and it can't be hard to track down.

    Yes, that's correct, but since the bootleg omits a track and adds another in its place, it still should have 14 tracks and not 15.

    the reason for this is that the track 7 from the Japanese release (or track 7 from Intrada) is split into 2 tracks in the bootleg version (7 + 12).

    and another difference is that I think the tracks are in the right order in the bootleg version/

  4. ordered!

    For anyone that hasn't seen Spacecamp I suggest that you do. this was one of my favourite films in my childhood, and it still has the same effect until today that I'm watching it..

    I always wondered why many people say it's a lousy movie..

    what is lousy? the effects? the acting? the script?

    Well, i don't think it pretended to be something else than it is..

  5. So I guess nobody has this book then eh?

    I've got the book. i consider it (as many) to be the "bible" for film music composers.

    Do you have the version with all the HPCOS info in it? Anything else good in there?

    yes, it's this version. well, it just has the complete cue list, and a description with timing notes of cue 2m11A "Cornish Pixies". that's all..

  6. I've bought it and waiting for it in the following week. I'll tell you what it looks like (if it has written examples, academic music analysis etc.) when i see it..

    You speak german? ;)

    Haha. no.. but since I'm doing my Ph.D on Williams i thought i should have this, and see if it has any music examples along with analyses.

    plus, i will be able to translate the parts i think are most important by online translators.

  7. Can someone help me out?

    I have a 9/8 piece. I tried to put it into sibelius/finale, but the eighteens are not correctly divided. How I do that?

    Here's an example of what I mean:

    http://img37.imageshack.us/i/example1214.jpg/

    Well, i don't know which version of Sibelius you use, but in the Time Signature box it should have a "beam and rest groups" option.

    You should put "2,2,3,2" and so the notes would be grouped as in your example..

  8. Here are the contents that I found mentioned in a forum:

    Vorbemerkungen

    Williams' Zusammenarbeit mit Spielberg

    Musikalischer Werdegang

    Zur Kooperation mit Steven Spielberg

    Funktionen von Filmmusik

    Deskriptive Qualitäten

    Affektsteuerung

    Repräsentation von Erinnerungen

    Strukturierung

    Kommentierung

    Musik im filmischen Raum

    Detailanalysen zu Jaws und E.T.

    Jaws

    Anmerkungen zum musikalischen Material

    Analyse des Films

    Ergebnisse

    E.T.

    siehe Jaws

    Science-Fiction-Film

    Close Encounters

    A.I.

    Minority Report

    War Of The World

    Jurassic Park

    The Lost World

    Abenteuerfilm

    Indiana Jones Triologie (jeweils einzeln betrachtet)

    Hook

    Historiendrama

    Empire Of The Sun

    Schindler's List

    Amistad

    Saving Private Ryan

    Munich

    Komödie

    1941

    Catch Me If You Can

    The Terminal

    Liebesfilm

    Always

    Road-Movie

    The Sugarland Express

    Schlussbemerkungen

    Literatur

    Zugrunde liegende DVD-Fassungen

    Register der Filme und Serien

    Personenregister

    Sachregister

    Register der Standardsituationen

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