maybe it's how you get a clearer relationship with the poetry of Williams, the relationship between metaphor (image) aspect of music and can also give hints for better analysis of developments in the musical themes. Difficult to discern the various things, all carefully linked by a common factor, which is the general character of the film. The poetry of Williams, the film he generated music that mysterious, irrational amount of emotion that grips the listener's memory .... but this certainly does not apply to property design and logic of the musical themes by John Williams .... I think he takes the internal relationships in the music of late romantic composers (relations melodic, rhythmic, harmonic, logical, formal) and gripped in his very personal constructions, without sentimentality Lush melodies and the late nineteenth century, especially typical of schools of symphonic Russia and England.