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TSMefford

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Everything posted by TSMefford

  1. Well I've definitely bookmarked it for future use. So I will get some use out of it! Thanks for all the effort @Holko
  2. LOL. At least those weren't for use in the films marketing...unless they opted for a very different approach.
  3. I mean I'm going to keep both versions, but I'll probably listen to my own edit most. Who knows we'll see. It sounds alright the more I listen to it. So maybe I'll get used to it.
  4. I love this. So many of the early photoshoots are so silly and awkward Yeah exactly. No worries though. I can make it how I want it (With the most music possible. Yes I know it's like one second. Leave me alone.) XD.
  5. Exactly. It doesn't help that the film / LLL version has a quick fade out to transition to the Insert. We'll all do what we want with it I suppose. Lol.
  6. It sounds...odd. The OST length sounds better to me, although it may be because that's how I've listened to it for so long.
  7. The LLL version of the end credits does indeed mimic the Film Edit exactly. So the Hedwig's Theme statement is cut a bit short in both the film and on the LLL set (or the OST and other longer ending note appearances are looped) Here's the waveform comparisons for those of us who care. I'm probably going to replicate the edit present in Art of the Score. DISCLAIMER: I'm not at my workstation, so the only version of the Film Credits I could find quickly was a surround channel version on YouTube, which is why the waveforms don't perfectly match in shape with the LLL version, but you can tell they do in timing. My apologies for those who don't give a damn. My inner music editor is coming out. Personally, I'm hoping that 26. The Firebolt [Alternate] 1:30 has the whole thing.
  8. Picking up the discussion here about PoA's Hedwig's Theme statement in the end credits. @Holko It sounds to me like the LLL version in the sample is edited. I can almost hear the note quickly fade out as the insert comes in.
  9. Indeed. I'll take it over to the music thread.
  10. Lol. It's even longer where it's used in other places outside the film. See here: Not sure if that's the length it was recorded at or if it was looped there.
  11. I can't wait for this set, so I can stop having so many damn questions. XD
  12. There seems to be a film edit in the Firebolt / End Credits sample they posted. The last note of Hedwig's theme sounds cut off (as it does in the film) when they put the insert in. However, on the OST and in the recent Art of the Score, the note lasts longer.
  13. Ohhhh. Yes. You are correct. That's what it was my apologies. Whoops. Sorry @Jay
  14. It's not a big deal. I'm just curious where that version came from.
  15. I thought in an interview with Mike he said they couldn't get the LSO and had decided only certain cues would get redone in London? With the rest of it being done in LA? EDIT: Let me see if I can find the portion.
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