filmmusic 1,829 Posted December 3, 2017 Share Posted December 3, 2017 With the coming of the Close Encounters and the source cues for 10 Commandments and the TV western (along with other instances like the Black Swan film in Conrack) I was wondering (don't remember if we have covered this subject): Why producers/director can get the rights of the video to those films but can't get the rights to their music, so John Williams (or maybe other composers) have to write new music for these films? (hmmm... maybe it's a bit of a mix-up as I put it, but I trust that you understood what I'm saying) edit: does anyone know any other such instances like the 2 i mentioned? Link to comment Share on other sites More sharing options...
Jay 37,364 Posted December 3, 2017 Share Posted December 3, 2017 It costs one amount of money to license the visual footage and audio dialogue/sound effects of an existing piece of media to put into your film. If the clip desired contains any music, it costs an additional amount of money to license that music. Generally it is cheaper to put in your own music than license that music. Simple as that. Ricard 1 Link to comment Share on other sites More sharing options...
Brundlefly 2,385 Posted December 3, 2017 Share Posted December 3, 2017 Basic Instinct has a scene of Hellraiser running in the background. Goldsmith composed "That's Real Music" for that scene. Link to comment Share on other sites More sharing options...
Faleel 5,348 Posted December 3, 2017 Share Posted December 3, 2017 Plus it gives freedom in editing I would imagine. Link to comment Share on other sites More sharing options...
filmmusic 1,829 Posted December 3, 2017 Author Share Posted December 3, 2017 5 hours ago, Brundlefly said: Basic Instinct has a scene of Hellraiser running in the background. Goldsmith composed "That's Real Music" for that scene. oh, don't even remember that or i doubt i ever noticed! Link to comment Share on other sites More sharing options...
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