Brundlefly

So, maybe it's a new low for the Oscars instead.

It's a much better film than Braveheart, for example.

Done!

This time, Zendaya and Villeneuve winning Oscars is priority to me.

Please, Varese, make it another 1000 copies.

Really nice to see producers like The Alchemist appreciate such hidden gems.

Wow, if that's what 4K Blu-rays have to offer for near three times the price of FullHD Blu-rays, then it's not for me.

And the last two of them included the OST program plus something that is neither the OST program, nor some kind of Goldsmith-approved extended program, nor the complete score program, but something in-between the latter two.

Are we at least sure that it's Morricone? I stumbled upon another example, which I identified within a second, whereas the hip hop community is still involved in vivid dicussions about where the sample could possibly originate from. Do you recognize it?

I might seem offbeat to ask this question on this forum, but I have a reason: Can anyone identifiy the sample that is used here? I thought, I could possibly be some kind of 80s Italian horror movie soundtrack? Maybe even Morricone?

I hope, it will be a revelation similar to the Conan re-recording.

Yes, that is what I meant. As much as I love having all those expansions on my shelf, the excitement of a new expansion being announced is often unmatched and cannot be replicated.

You can make a new poll now: "What will be the next Matessino/Williams/Spielberg expansion? Catch Me If You Can or The Terminal?" It's kinda amazing and it's kinda sad that that's the options we've got left.

I hate Disney for buying anything and everything and when it comes to well made expansions they block everyone with ambition and want to do it themselves and if they actually get to it they make it lazily and poorly.

I've finally seen this. Even Prometheus is a masterpiece in comparison. It is downright shocking to acknowledge that this garbage was actually directed by the same guy who did the original film. The script, the visuals, the music - everything is just terribly amateurish sci-fi horror trash dosed with pompous religious metaphors. How can the effects of this be so much less convincing than those from the original? I really hated the way the music dipped into Goldsmith territory and then got back to generic underscoring without any kind of identity. This was the distinguishing trait of the movie: the total lack of originality