Naïve Old Fart

Indeed. That's why I've deleted my post.

The OST is brilliant distillation of the score.

"BLADE RUNNER is the most influential film, ever made". Discuss.

Eejit.

Being shot in the balls is better than listening to POLTERGEIST II. The initial idea for the Omen quadrilogy (there were meant to be four of them) , was from a group of evangelical Christians, as a response to a lot of "apocalyptic" literature, at the time (Hal Lindsey's THE LATE GREAT PLANET EARTH, etc.). It's attempt to be terrifying lies in the premise that what's happening on screen, is plausible - it could happen. All credit to the cast, crew, and especially Richard Donner, for taking it all seriously, and adding the chill factor to what could have been a very s

NIGHTWING Man, this is effing brilliant. It's like no other score he's ever composed. My favourite Mancini, ever.

Favourite Beatles record? THE BEATLES IN MONO

Great choices. I'm convinced that I hear a musical joke in the JP track. Thank you for calling it by its correct title.

CLOSE ENCOUNTERS OF THE THIRD KIND, SUPERMAN, THE TOWERING INFERNO, 1941, THE WITCHES OF EASTWICK, EMPIRE OF THE SUN, THE ACCIDENTAL TOURIST, J.F.K., CINDERELLA LIBERTY, MINORITY REPORT.

...and why not?* * copyright Barry Norman

I am liking this! It has a This Town Ain't Big Enough For The Both Of Us vibe.

I'm as special as everyone else.

I'm not trying to be anything. I don't go for "best ofs" or "greatest hits"; I prefer deep cuts. As it happens, these five tracks are the five JW pieces of music that move me, the most. Simple.

I'm with @filmmusic: Prelude And Main Title from SUPERMAN. Very closely followed by Main Title form THE TOWERING INFERNO, and THE TOWNSHIP OF EASTWICK.

Oh, this is easy. In chronological order. Main Title from THE TOWERING INFERNO, LIGHTSHOW, TURNING BACK THE WORLD, GLORIA, THE SEDUCTION OF SUKI AND THE BALLROOM SCENE. These happen to be my top-5 favourite JW tracks.