Yavar Moradi

I sure would love a full score release for Eidelman’s My Girl 2 paired with James Newton Howard’s score for the original. Yavar

Why would we? I’m sure such things wouldn’t be likely to be discussed publicly until a new agreement is reached. Yavar

With us hitting 20 years since that cutoff point, I’m hoping that the rule will be reassessed with a sliding date sooner rather than later. Yavar

Sorry to hear it’s dragging for you, but IMO the second half of Moon Knight is when it’s at its strongest. Yavar

Great news! Now all we need is LLL to do an expansion of the James Horner Karate Kid score, in order to complete the franchise on their label! Yavar

There's a good amount of cool scoring in the show. I think it's a better follow up to The Winter Soldier from Jackman than Civil War was... Yavar

Yup. Screenwriter(s) hadn't seen WandaVision when they wrote the script. Yavar

Are we watching the same trailer? That moment at the beginning of the interview where he shifts into Superman-mode and says "Ms. Lane" you think he sounds boyish?? And are you all forgetting what Christopher Reeve sounded like, as Clark Kent? "Actually she's silver haired." Yavar

And the middle episodes were fantastic! (Too bad the finale was so affected by Covid... very disappointing.) Yup, and yup. You should try LOKI though! Both seasons were quite excellent/bold. Yavar

Sure @Naïve Old Fart — I’ve passed along your compliment to Leigh. He only did one other similar Goldsmith all-synth-to-orchestral-mockup, as far as I know. Several years earlier he tackled a brief bit of action from the much-maligned Criminal Law. I think I might like it even better than the Runaway one! https://www.facebook.com/share/v/16HZXTuJrS/?mibextid=wwXIfr Yavar

I'm not sure about the Jarre scores (probably written), but I am sure about the Goldmith all-synth scores. Here are his original written sketches for all three of them, held at the Academy's Margaret Herrick Library: Runaway: https://academycollection.org/web/arena/search#/entity/academy/71303067/runaway---music Criminal Law: https://academycollection.org/web/arena/search#/entity/academy/71302948/criminal-law---music-sketches Alien Nation: https://academycollection.org/web/arena/search#/entity/academy/71302931/alien-nation---music-sketches I recall Goldsmith saying in an interview about Runaway that at least in that case, he "orchestrated" the score for synth ensemble (the Herrick's note says, "Pencil sketches in the form of reduced photocopies for an electronic music score utilizing the Moog, Jupiter E-5, Yamaha DX-7, and other synthesizers.") much as he would for an orchestra. It's why I think that score in particular would lend itself well to an orchestral realization someday...which Leigh Phillips has expressed interest in tackling. Here's an orchestral mockup sample he made: Yavar

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Don't hold your breath. Yavar

This is news to me. All three young actors started out just okay, but by Prisoner of Azkaban they had come into their own IMO. Yavar

Correct. The final WB-licensed "Expanded Archival Collection" release was Goldsmith's The Swarm in 2020 from LLL -- a great release that's still available from them! https://lalalandrecords.com/swarm-the-limited-edition-2-cd-set/ Yavar