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BurgaFlippinMan

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Posts posted by BurgaFlippinMan

  1. OK, WOW!!

    I am just seeing this for the first time now. This was ridiculously impressive!

    Even if they were just marching on the field to pre-recorded music, this would be madly impressive. The way the T-Rex moves it's legs, opens its jaw! The way the pirate ships shoot at each other and one sinks! This is so impressive!

    Then you add in that the guys on the field are playing all the music while they are doing it, likely didn't have a huge time to prepare, etc - just wow!

    Thanks for posting!!

    The T-Rex eating the Drum Major is hilarious

  2. I saw this tonight. I thought the effects were flawless and it had probably the best use of 3D I've seen thus far. But still, it still feels somewhat half cooked. Like a full length demo reel for a more ambitious layered project. It's a wonderful technical exercice and it's definitely immersive, but like a sort of rollercoaster ride, you only enjoy it while you're in the ride itself. I didn't take much with me when I left the theatre

    I saw it again yesterday and I think I agree with this. Flawless technical execution aside, there's nothing much more to it that you can cling to after the first time. It's still a really good space thriller of course, one you could probably watch once every other year, thanks to its brief running time. But it's no Alien or Blade Runner or 2001: ASO in terms of lasting power.

    Maybe I'm wrong but I don't think it will pass the test of time and be regarded as a classic ten years down the road.

    Does a film necessarily require something to 'cling on to' to have lasting power though? Just off the top of my head, Goldfinger, Jaws and Raiders of the Lost Ark are rollercoaster rides which have plenty of lasting power.

  3. People that grew up in a fast era which presents radical changes in the way we see things.

    a fantasy film of the 80s and a fantasy film of the 40s-50s don't have much difference in that they will both use a traditional symphonic score, they'll both use puppets, models, live sets, they both were shot in 35mm etc., so it's easier for us to appreciate both.

    But the times have now changed considerably! The void between current films and past ones seems much bigger than in the past, due to the rapid growth in technology used.

    And ultimately, how does this truly matter? Film, as in any other artform have works and elements that go in and out of fashion over time. Its called progress. Does it ultimately matter if today's classic films are reduced to classroom material in the future? Likewise, oratorios were popular music in the 1600s, and I'm sure there are works considered to be amazing by the audiences at that time. Does it matter that they have now fallen out of fashion and largely forgotten about by the mainstream?

  4. Vol 1 without Vol 2 is ultimately unsatisfying, as the ending explicitly says this is the middle (or beginning, chronologically) of the story. Now I don't see them as intertwined with each other as say, the LOTR films, but they are incomplete without each other...and watching them back to back was incredibly entertaining still. I dont know what music plays over the intermission of The Whole Bloody Affair, but I love the orchestral surge of The Lonely Sheperd as the credits of Vol 1 starts to roll.

  5. Kill Bill Vol 1 and Vol 2 back to back. Probably my favorite QT movie(s).

    I also just realized that it is possible that Bill maaaay not be dead. Key points.

    • The playing dead scene when Beatrix first meets BB.
    • Bill's Superman monologue about how Beatrix will always be a killer.
    • Beatrix's story about how she found out she was pregnant, and chose to walk away from her assignment (and assassin) suggests otherwise when her parenthood comes into play.
    • Bill vs Beatrix. Beatrix never unsheaths her Hanzo sword. Is this a test?
    • The 5 point palm exploding heart technique being told as a myth. We don't know if it truly has fatal effects.
    • Beatrix crying/laughing saying 'thank you' at the end...perhaps to Bill for letting them leave?
    • David Carradine's name in the B&W credits is the only one on the Death List Five which isn't crossed out or question marked.

    I was very bored at work. Also after I came up with it I find out someone on reddit had came up with a similar theory months ago, though his was more intricate and was IMO reading into things a lot more than I did.

  6. Remember that an enormous part of the film is CGI, so that was rendered in 3D anyway.

    And all the live action footage was set up and film with the intention to convert them to 3D.

    Yes thats true. Its just that converted films have obviously always looked obviously converted...at least the ones I've seen in trailers.

  7. Are you planning to view it in the cinema?

    Of course not! I'll watch it in glorious HD on my Samsung and without the typical distractions that go with watching movies in the theater.

    I drove 60 miles to see this in IMAX 3D. And it was worth every single cent. The technical execution was absolutely brilliant, the effects were seamless and having the image fill up almost your entire field of vision in 3D (especially in the first person views) made for some buttclenchingly tense moments during the action sequences. Space seemed very scary in IMAX 3D

  8. The theatrical cut is indeed very rubbish. The DC is now one of my favorite Ridley films, up there with Alien and Blade Runner...and it gets better with every viewing. Admittedly I've developed sort of an interest in the Crusade ages over the years so that probably helped.

    i can't understand how an additional 46 minutes can change things for the better..

    Imagine The Lord of the Rings film that only tells you Aragorn story, or just Frodo, as one film. Just focues on the meat of the script. And everything that has nothing to do with their story gets scrapped.

    Sometimes the best things about films are not basic stories.

    Even the basic stories of Kingdom of Heaven was mangled beyond comprehension in the theatrical cut. The KOH theatrical cut is more like an LOTR film, telling just the Frodo story, and then missing 30% of stuff that help make that story make sense.

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