Smeltington

Here are some direct links, since the search on the BSO site is taking so long: Friday: http://www.bso.org/Seat/SelectYourOwnPerformance/49321 Saturday: http://www.bso.org/Seat/SelectYourOwnPerformance/49322 Tuesday: http://www.bso.org/Seat/SelectYourOwnPerformance/49323 Wednesday: http://www.bso.org/Seat/SelectYourOwnPerformance/49324

Woohoo!! Going Friday and Saturday. Went with the balcony for Friday and a table for Saturday.

The site is going sloooooowwwww... anyone else having any luck?

Ordered! I don't have any previous release of this score, so it's nice to have the chance to pick it up from LLL.

It looks like many theaters have HFR 3D, and/or IMAX 3D, but not many have both. Here's the listing of IMAX HFR 3D showings (including some international theaters): http://www.imax.com/community/blog/peter-jacksons-the-hobbit-an-unexpected-journey-will-be-shown-in-high-frame-rate-3d-in-select-imax-theatres/

Thanks for sharing this info! Is that 10am EST, then?

I've been on similar quests before, as I'm sure many of us have, and as gracious as Williams is, his autograph can still be elusive. Glad you managed to get one!

I bought mine in a record shop for around $16-20 in great shape. I wouldn't expect to pay much more for a used copy, as there are plenty of them out there, at least here in the US.

Enjoyed the music on my first listen yesterday. "Getting Out the Vote," Battle Cry of Freedom, and the Jim Taylor piece all helped liven things up. The rest of the material, like crocodile said, is nice to listen to, but I'm hoping it will stick with me more after a few more listens as I start to pick out the themes, favorite cues, and so on. Both War Horse and Tintin really grew on me with each listen, so I'm looking forward to hearing Lincoln a few more times.

Comparing the OST material to the sessions, I noticed the opening of Prologue: Book II doesn't match. It sounds like the celeste at the very beginning could be a different take, as it's slightly faster on the OST. Then, when the orchestra comes in, it's different again - or at least edited differently. From there, the material seems to overlap as expected. Anyone else notice this?

Glad you guys enjoyed the writeup. I wish ALL the JWFans all over the world could have been there! russds - I've started to appreciate Indy's Very First Adventure more on its own terms lately, too. I overlooked it for a while because it's kind of self-contained vs. the rest of the Last Crusade score, but you can tell Williams put a lot of thought into it, with all the sync points as you mentioned. And Adventure Continues is my favorite from Tintin as well! Thanks for the link, Maurizio! I found a few more. I hadn't seen the interview Williams did about the concert: http://www.ajc.com/news/entertainment/steven-spielberg-and-john-williams-to-host-benefit/nShgZ/ Then there are more photos by the same photographer on his site: http://jeffroffmanphotography.com/blog/john-williams-steven-spielberg-the-atlanta-symphony-orchestra/ And high res versions of the Facebook pics on Flickr: http://www.flickr.com/photos/atlantasymphony/ Getty has some photos too, but they're nowhere near as nice as Roffman's: http://www.gettyimages.com/editorial/benefit-concert-pictures The program indicates that a recording of the concert may be broadcast on WABE FM 90.1 and Georgia Public Broadcasting. I haven't found any info on their sites about it, but here's hoping for a streaming version eventually! Here are the sites in case anyone wants to take a look: http://www.wabe.org/ http://www.gpb.org/radio

How's everyone handling the Jungle Chase cues? I joined them all together based on a DVD rip, with the two versions of "Ugh, Vines" edited to match the OST. I want the score to be as complete as possible, but I'm considering leaving out some of the alternates when they aren't very different, and just trying to strike the right balance there. "The Jungle Chase Begins" - cut off 1 sec silence at beginning; use remaining 3:25 "Irena's Great Blade" - overlay entire 2:29 of track at 3:16 "Ugh, Vines" - overlay first 1:49 of track at 5:35 "Ugh, Vines (Revised)" - cut off first 0:18 of track; overlay the rest at 7:22. Crossfade using OST edit as example. Add 1.5 seconds of silence at end to match OST I also combined "The Wedding" and "Finale" as on the OST, and I'm considering doing the same with the three sequential "Orellana's Cradle" tracks.

So, the Atlanta concert happened yesterday! I was sitting in the fourth row, behind the orchestra pit seats, and it was a wonderful evening. To give some background, I attended one of the Film Nights at Tanglewood two years ago, and the 80th birthday concert at Tanglewood this summer. The Film Night I went to was Spielberg themed, although Spielberg wasn't in attendance, so as much as I enjoyed it I missed hearing Star Wars, Harry Potter, or Superman, and was really hoping for some of those last night. I was also hoping for Tintin and War Horse, and maybe Lincoln. Alas, Lincoln was a no-show but otherwise the program was fantastic: Tribute to the Film Composer - a big montage of film clips, a few seconds each, with accompanying score. Some of the clips included Star Wars, Titanic, Psycho (like Jaws, this got a laugh from the audience), Rocky, Bridge on the River Kwai, The Magnificent Seven, and ET, which segued into Gone with the Wind for the finale. As the concert was held on the same street where Gone with the Wind was written and had its film premiere, this was a great note to end on. The screen went off for the next few pieces, which I was grateful for. Suite from Far & Away Hedwig's Theme - At this point Williams addressed the audience, saying this was his first time in Atlanta since the 1996 Olympics. That made me feel awfully lucky to be at this concert. He then announced the next three pieces, all from Harry Potter, meaning all my dreams were about to come true. He described Hedwig in what I'll call a very archetypal sense, as a "great, white bird who delivers the mail." Fawkes the Phoenix - The highlight for me, as this is one of my favorites and I NEVER would have guessed he'd play it last night. It was also great to hear it the day after listening to the complete Chamber of Secrets score for the first time! Harry's Wondrous World - Accompanied by some clips from the first four films. Dartmoor, 1912 - Great to hear in concert. Very lush and sumptuous, and the solos were beautiful Star Wars Main Title - The main event for me, along with Harry Potter. It was a great reminder that this is why I loved Williams in the first place. The orchestra gave the most powerful performance of the evening; the blasts during the star destroyer attack are so striking, almost primal, compared to the rest of the material in the program. I was also amused to see Williams mouthing the drum hits in the direction of the percussion section in the last few seconds of the piece. - intermission - Jaws - As usual, the audience laughed at the opening notes. This piece wasn't listed in the program. Close Encounters - At last, Spielberg entered, introduced by Williams. He introduced each piece for the rest of the evening, except the final encore, and between each piece he went and sat in a chair on the side of the stage. Most of his introductions didn't give us much info we didn't already know, but of course they were welcome anyway, and it was fun seeing his and Williams' camaraderie. "I love John Williams," quoth he. The Close Encounters piece was played to clips from the end of the film. Indy's Very First Adventure - I hadn't expected to hear any Indy other than the Raiders March, so this was a really nice surprise. Spielberg and Williams stood and watched the screen as the whole train scene from Last Crusade played, sans music. The audience was very responsive and laughed uproariously at all the gags, with Spielberg himself laughing at all the jokes too. They played the whole scene again with accompaniment from the orchestra; I was struck by how meticulously Williams planned and timed all the little touches in that cue, like the motif for the cross of Coronado, but how quick and effortless he makes it look while conducting. The Adventure Continues - Introduced as "The Duel" by Spielberg, and presented with a montage of "swashbuckling" film clips. The clips were pretty distracting to be very honest with you. But I was pleased to see one from Muppet Treasure Island. Theme from Schindler's List Adventures on Earth - around the end of the piece I could see Spielberg tapping his hand, clenching a fist, etc in time with some of the big orchestral flourishes. - encore - Sugarland Express - Haven't heard the score, so I don't know the name of the piece, but it was a nice detour from the rest of the evening and featured a flute solo for pretty much the duration. I thought Lincoln would make a nice bookend with this, but instead we got... The Raiders March - To thunderous applause. This was the only time throughout the evening where I could find fault with the performance; the tempo was a little slow, although I assume that was Williams' preference. Nevertheless it was a great way to end the evening. Other details... Star Wars and Schindler's List both got ovations. There was a snobby guy behind me before the show who was asking his friends who would be conducting, and insisted that John Williams "doesn't conduct." I brought my Raiders LP to try for an autograph, but both of the big dudes got in SUVs inside a huge garage in the building, so there was no chance. I did meet some other fans with really impressive and humbling posters covered in Star Wars cast and crew autographs. Someone told me Williams had been in Atlanta all week. According to one of the staff, he was flying out the same night. The highlights of the evening for me were the Harry Potter music, the Star Wars theme, War Horse, and Indy's Very First Adventure. After only seeing Williams conduct once before, and from very far away, and omitting some of my non-Spielberg favorites, this concert was really special!

Love the three versions of Staring Down the Skull, the first one in particular. It's wonderful to hear so many variations on the familiar themes from the OST. I've only gotten through the first half of the score so far, but I'm really enjoying the variations on Irena and Dovchenko's themes so far.

Thanks! I certainly will! The only Atlanta Symphony concert I've been to thus far was an outdoor performance of Williams music. This one should be more formal... I wonder if taking pictures would be appropriate? Because I'd really like to! I wouldn't wish this on anyone! Thanks for the links, Incanus. That's too bad... glad the boycott rumor wasn't true, though.

I haven't been this happy in exactly two years!!

Hi all, longtime lurker I live in Atlanta and this is going to be the pinnacle of my life. If anyone else is going to this and wants to meet up, let me know! Thanks very much for posting, Mari!