Smeltington

Instead, it was the most subverted trilogy.

Wow, this guy has good taste.

1. Imagine what a better composer than JW would write 2. Write it down 3. Be a better composer than John Williams!

Why is that disappointing?

How's this one in terms of Horner ""homages"" to himself and others?

The most mysterious and enigmatic piece (of toast) in John Williams' ouvre returns this September! https://www.bso.org/events/williams-bach-montgomery-holst I wonder if this show will be broadcast? I might have to go bootleg it myself!

Probably Chick-fil-A. Can't wait for the show!!

No but I'd like to!

Gregson-Williams does a good job explaining the difficulties of chasing an ever-changing cut. And his methods sound very post-diluvian.

It doesn't seem like they've announced their schedule through the end of the summer, and there are often Film Night concerts in August, so it seems like there's still a chance. However, they've been playing up the JW connection with some of the upcoming Live to Picture concerts, and referring to these as "Film Night" concerts, so those might end up being all we get.

I mean, maybe a small part

Now we're talking about the usual Zimmer setup again, but this movie is a really weird one, where composers from across the decades are being crammed into one movie together. Although with Zimmer having been part of the Buggles, maybe they are contemporaries in a sense. Will we get a true collaboration between the two? Will they divide and conquer? Will Faltermeyer provide some material for Zimmer and his friends to sample, and work into their usual methodology? In this case I would rather it was just Faltermeyer. The idea of Faltermeyer filtered through Zimmer seems like it will dilute his contributions. And I'd be curious to hear what the hell Faltermeyer would do now that it's not the 80s anymore.

Hans Zimmer is a band name!

It would be WAY off topic if we all gave our opinions on the Harry Potter scores and films, then discussed whether we like David Yates.