KingPin

I have a feeling it’s most likely going to be recordings of the commercially available Hal Leonard Signature Editions, which do have some, if only a few, of the “non-greatest hits” in the series. Mention of trumpet and clarinet suggests maybe Born on the Fourth of July, JFK, or Lincoln for the trumpet, and The Terminal for the clarinet. All of these are part of the Signature Edition series. I feel like anything recording that isn’t a part of this series would likely be some other arrangement, unless it was Williams himself conducting.

Found this fascinating arrangement of the Schindler’s List theme for theremin and piano.

I’d probably add: - Song for World Peace - Hymn to New England - Theme from The Patriot - The final two movements of The Unfinished Journey - Back to America from Angela’s Ashes - The Long Road to Justice from Amistad - Theme from The American Collection - The Banquet from Hook - With Malice Toward None from Lincoln

It would be amazing if Williams presented this as a concert piece. I think audiences would get a kick out of the choral and percussion features, and it’d be a nice deviation from the standard concert fare.

The Long Road to Justice from Amistad.

The Days Between from Stepmom

Basing my list on known concert arrangements that have been performed live at least once: The rest of the Lincoln suite Circus Train Chase from Indiana Jones and the Last Crusade The full JFK suite The Sea Battle from The Adventures of Tintin Escape from the City and Epilogue from War of the Worlds

This apparently just surfaced a couple of days ago. It’s from the 1987 Boston Pops 4th of July concert conducted by Williams (skip to 19:30):

I attended the San Diego Symphony’s performance of John Williams’ Horn Concerto this past Sunday. This was an afternoon matinee performance, and was the second of two performances that mark the first times that this orchestra has performed this piece. Principal Horn Benjamin Jaber was the soloist, and David Danzmayr was the conductor. The concerto was the second piece in the concert program, preceded by Jean Sibelius’ Finlandia and followed by intermission and then Sibelius’ Symphony No. 1 in E minor (Opus 39). Both Sibelius pieces were very well executed, but I’ll spare those details as this is a John Williams thread. Prior to this performance, I had only listened to the concerto a small handful of times, so to prepare myself for the concert I actually listened to the piece in its entirety earlier that morning, following along with my Hal Leonard Signature Edition piano reduction score in order to re-familiarize myself with it. The hall was roughly 60-70% full in attendance, but it was evident that the majority of the audience was not too familiar with Williams’ concert repertoire. I’m sure many were expecting to hear something akin to Star Wars, etc. The much older couple sitting next to me kept whispering amongst themselves, “Well, that was certainly different-sounding,” though they seemed to enjoy the performance nonetheless. Mr. Jaber produced a wonderfully warm and rich sound overall, effortlessly and subtly adjusting his tone quality in order to suit the characteristics of each individual movement. He demonstrated excellent intonation and expressiveness. My personal favorite movements of his performance were movements 2, 4, and 5, though movements 1 and 3 were brilliantly played as well. The percussion section expertly set the atmosphere in “Battle of the Trees,” and I felt that the horn soloist was able to infuse an added tinge of humor to the movement in his playing. He even made a funny face at the end of the movement, acknowledging to the audience that “yes, this is indeed a strange-sounding piece of music,” to which several audience members lightly chuckled. “The Hunt” movement was also fun to listen to. The orchestra kept the energy going and was well balanced throughout the entire movement, finishing on an exciting downbeat that caused the audience to burst with cheers and applause despite there being one more movement (although in fairness, the ending of this movement does have that definitive “finale” sound to it). The final movement, “Nocturne,” was played exquisitely and with great emotional sensitivity, and brought the first half of the concert to a soft, beautiful close. I've included two pictures that I took and posted on Instagram - one following the concerto's conclusion, and the other as a collage highlight the concert program. Based on previous posts on these message boards, I seem to be one of the only forum members in the San Diego area, so I’m always more than happy to be this city’s “ambassador,” if you will, on this website (if any other members are local to San Diego and have been hiding in the shadows, I'd love to meet up someday!). I’m hoping that this orchestra continues to perform more of Williams’ concert works, especially the concerti. I saw the orchestra perform his Cello Concerto and the Elegy for Cello and Orchestra a few years ago, but that’s about it as far as I know. That said, it was an amazing performance by the San Diego Symphony – one of their best concerts that I’ve seen overall. Future scheduled San Diego Symphony concerts of interest to film music fans include: July 13 and 14: Harry Potter and the Half-Blood Prince in Concert July 19: Galaxy Quest in Concert July 20: Back to the Future in Concert July 26 and 27: Hooray for Hollywood - A Night at the Oscars August 1 and 2: The Empire Strikes Back in Concert August 23: Singin' in the Rain in Concert

Just found out that the San Diego Symphony will be giving performances of the Horn Concerto on April 27 and 28, in a program that will also include two works by Sibelius. https://www.sandiegosymphony.org/performances/danzmayr-conducts-sibelius/

Men of the Yorktown. It’s right there in the title.😜

Yes, this is the Signature Edition.

It was only a matter of time... The Adventures of Han: https://www.halleonard.com/product/4492354/the-adventures-of-han?subsiteid=1 Han Solo and the Princess: https://www.halleonard.com/product/4492295/han-solo-and-the-princess?subsiteid=1

The Hal Leonard Signature Edition scores for Suite from Jane Eyre and “Men of the Yorktown” from Midway include parts for organ.