-
Posts
299 -
Joined
-
Last visited
Posts posted by antovolk
-
-
So...I take it the score won't be released then?
-
Saw the film Tuesday night. I'll place my review under the tag but firstly the score. I saw the first 15 mins at an IMAX preview a couple weeks back (they did these in the US as well in late Feb) and quite honestly I was blown away by Mansell's score there, especially in the shelling/opening credits sequence (the Kawai theme is relegated to the end credits in the final film). But then I see the final film and....it's not there anymore, just an imitation of it really. Shelling sequence is a lot quieter and just disappointing. Listening out for Mansell's clear 'theme' and other general tip offs basically conclusion is - they brought on Balfe at the start/mid March (he started recording his bits exactly two weeks ago according to his social media) to re-do some of Mansell's cues for whatever reason. In some cases to just rearrange - just so both composers' cues sound organically as part of the same score. Also explains why Mansell has said nothing on his socials about this film and talking HIGH-RISE all the time; while Balfe is hyping this. Even take what happens after the shelling/credits:
Mansell's original versions of these cues had a lot more melodic power to them, with his 'theme' (which we only hear a tiny underwhelming bit of in this final version, when the Major jumps off the roof) really prominent. The cue you hear over the tracking shot of the city is completely different in the IMAX preview. Luckily it seems the second half of the film is pretty much all Mansell (or Lorne just re-recording). But overall it's actually pretty great, really wanna hear it again on its own. just the changes that irked me
As for the film - just putting it in tags because of space:
SpoilerHonestly, really pleasantly surprised by this. The visuals and the action are the main attraction, and do overall end up making up for the straightforward self discovery/revenge story. Maybe people expected more because of the original (which I haven't watched)? But thinking about it, for a big budget PG13 blockbuster this is probably the best they could've done. Scarlett is surprisingly good, she really sells you on how she's not fully human - there's an element of coldness to her that she pulls off here with Major. Pilou's warmth and coolness in his own way as Batou complements Scarlett very nicely. Binoche and Takeshi were both cool to see, Binoche especially. I wish they picked a better known actor with more gravitas for Cutter though, so much wasted potential with that character who is just cliche at this point. Michael Pitt - I wish he was in it more bot wow he made a real imoression in his scenes, which the trailers do not do justice (mainly the stunning voice, which is such an unsettling mix of Hawking and his own stylisations). Overall - it's a pretty nicely done solid action film, it's not OMG MASTERPIECE OUTSTANDING but it does what it was set out to do and is frankly a great time. Will probably see again in IMAX 3D at some point.
7/10
-
On the Newman Stage... pic.twitter.com/9F8UnxF348
— Mangold (@mang0ld) 13 January 2017 -
Not sure where to put this but yeah - Beltrami still scoring Logan (not Martinez)
-
2 minutes ago, Jay said:
It's obvious you haven't purchased the CD and looked inside the booklet, then.
Ah! Only have digital purchase. Just looked it up on Twitter, you are right!
-
8 minutes ago, Jay said:
And here's the spreadsheet!
https://docs.google.com/spreadsheets/d/1P1YtETbm10jj2PUJ_4l9bBdVuVVtm8u3QP4ea3Y8CG8/pubhtml
I welcome all corrections!
Those original titles aren't legit I figure haha
-
- Popular Post
-
Extended version of one of the clips -
-
- Popular Post
-
-
-
bits of Kurzel's score in this
-
Seems like this finally has the score
-
9 hours ago, Jay said:
There's no way that's Giacchino's score, that's just trailer music
It's a piece from Audiomachine that was used for TFA spots also.
Here's a full version of that trailer:
-
Also got the chance to chat with JNH on Monday - more Hunger Games-focused as it was for an HG fansite but did touch upon FB (and some of his upcoming projects in the second part I'm putting up later this week - incl one not mentioned in the above video) http://www.quarterquell.org/2016/11/we-chat-to-james-newton-howard-about.html
-
-
-
-
-
21 minutes ago, crocodile said:
Is the film any good? As in... better than that trailer suggests?
Karol
Film of the year for me. Some more thoughts at http://letterboxd.com/antovolk/film/arrival-2016/
-
I saw the film at LFF a week ago btw and the score works amazingly in it really chilling stuff. Really needs to be heard in context.
-
-
54 minutes ago, mrbellamy said:
What the hell is with this trend now of putting a 5 second trailer for the trailer before the trailer?
it's so when this YT link is used for ads on YT or it's on FB or any sites with autoplay, you see the cast and logo first and it'd count as a 'view'.
48 minutes ago, crocodile said:Lawrence and Pratt doing serious s-f? Please...
Karol
this is anything but big fun date movie blockbuster....
-
Nobody talking about how this is the second Besson film not scored by Serra? Pretty shocked tbh that he isn't doing it....would've loved to hear what he'd come up with but I think at the same time maybe Besson didn't want Fifth Element 2.0 from Serra.
Dreamworks To Remake Ghost In A Shell Into A Live Action Movie
in General Discussion
Posted
Guess for now we will have to settle with this:
(btw they opened this exhibit to the public last weekend and it was playing the score. Asked when it was coming out, they basically said that they don't know)