Brundlefly
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Posts posted by Brundlefly
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So the answer is always the same: He always excludes music when it differs too much from the rest, no matter how great it is. I do not know wether Rescuing Sarah would have become my favorite cue if it wasn't shortened, making my desire to enjoy it in full length even bigger, but it is surely a highlight of the score.
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2 hours ago, publicist said:
There's a long seduction scene in 'Dracula' in his castle that i quite would like to have.
Do you mean "Wallcrawler I/Dracula & Mina"? That's my number 5!
9 minutes ago, Richard said:Sorry! I meant the music that starts with bells of some sort, when Indy says "whoever drinks the cup of Christ..." (or something like that).
That's "The Holy Grail". My number 3!
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Probably the same reason why he also ditched the outstanding first cue of Terminal on the OST.
A similar question: Why did Williams ditch the best part of Rescuing Sarah? - No one will ever understand.
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Troll in the Bathroom
! Above all the last part after it has lost its conciousness!
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One day...
For me it's Harry Potter, though the Star Wars Prequels are missing a similarly huge amount of music - officially.
Maybe the exclamation mark is the most distracting thing of the title. Typical of somebody who is freaking out because of new expansions!
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Once, when I have got all definitive presentations of those three franchises' scores, I will be blessed with eternal patience for every expansion coming after that!
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Well, it seems to be quite obvious that PoA is a favourite around here.
Any idea why WB hasn't licensed out the Potters? I mean, they've been very generous the last years - Rosewood, Empire of the Sun, A.I...
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Non-Williams: The Scene when the mummy awakes in The Mummy and other cues from that movie, as well as a lot of russian stuff from Air Force One. (The best example of an album leaving completely out an important motif of a score - worst album of all time!)
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One issue I'm really afraid of is the fact that PoA contains a lot of very very short cues, so that Williams himself could tend to want them excluded from a expanded edition. Hopefully he got the reaction of his Hook meddling.
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Well, there are too much cues in the HPs and in the SW Prequels, but "Discussing Black" and "War in Krakozhia" are awesome. The latter is THE one cue that differs a lot from the rest of the score, so why wasn' t it on the OST?
The Voldemort motif in the first HP is neither well presented on the OST.
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Absolutely, now that TLW got blessed by La-La Land Prisoner of Azkaban is the most urgent to be completed in my opinion, as well as Temple of Doom. Hopefully all the franchises (HP, IJ, SW) will be covered soon, then 75% of the my most wanted cues are available.
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I'm not asking for most wanted complete scores, but for a special, single, yet unreleased cue you really want on CD.
My Top 5:
1 Molaram's Speech/The Evil Potion (The Temple of Doom)
2 Professor Trewlaney's Prediction (The Prisoner of Azkaban)
3 The Holy Grail (The Last Crusade)
4 [Cue in Amistad when Yamba explains the bible]
5 Wallcrawler I/Dracula & Mina (Dracula)
Since the John Williams Jurassic Park Collection my Top 5 are all new.
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TLW had much potential to become an ambitious movie, more than a simple entertainment movie, but editing the music to get a brighter/more heroic atmosphere was the first step away from that, as was the chaotic post-production and the will to limit its running time to 2 hours. To be less stocky it would have needed at least a running time of 150 minutes.
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I think it was not only Spielberg who was responsible for that changes in post-production. I just don't get any other word than "coward" which is of course too strong in order to say that they wanted to save a box office success.
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14 minutes ago, Mr. Breathmask said:
After scoring, there might have been some doubt if the score was adventurous enough for a Jurassic Park score, as it doesn't have a prominent adventure theme like the first one. This was then fixed by tracking the concert theme into the film at various places.
Now, after having seen TLW again as an adult, it had a sour aftertaste to me, as i had the impression that the movie as well as the use of music were edited, changed and cut to make it more comfortable to all the mainstream viewers. Without that coward producers it could probably have been a more interesting, unique film. Then the score would have been used with more respect, too.
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Nevermind, all scores that haven't got an album, when they came out, got a directly-complete-score-release, later.
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Disc 4 rocks! No replacements yet!
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Bringing Joey Home rings like Jack Sparrow
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Never seen this image, but I am quite sure they will do anything to make such a release as perfect as possible, cause it might be the most prestigeous matter of Disney Records there is.
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The best known music anthology by the most notorious film composer of all time! And now every single piece of music from that musical universe!!! - The mouse smells money!
- Pieter Boelen and Disco Stu
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This Disney Legacy Collection is somehow like a guarantee that Disney will spare no expanses!
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Ok, I bought "Magic" because of 20 additional seconds, but in this case I really don't care any more.
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Wait! - Empire of the Sun is NOT complete?!
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The 80s is the decade of expanded-but-not-complete-scores. E.T. is missing three little cues, the Star Wars Trilogy is missing tiny unimportant things (if there wasn't that sound quality issues and that medley mess) and the Indiana Jones Trilogy is missing more than 68 minutes of music.
Most wanted score to get a definitive treatment?
in JOHN WILLIAMS
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I've excluded nearly complete soundtracks, for the number of choices is limited.
But I do not understand why 7 further choices do not appear!