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I probably will buy non Maestro stuff in the future, but it will be after he croaks. I haven't heard a good, new, non JW score in a long time.

Ah, but there are multitudes of magnificent old non JW scores out there.

Indeed.

The last good one I enjoyed was LOTR.

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Yeah, Return of the King was the last truly great non-Williams score.

Ah, so there are some things we disagree on. :lol:

Seriously though.

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Yeah, Return of the King was the last truly great non-Williams score.

At the moment yes, although I don't see that being topped anytime soon.

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Yeah, Return of the King was the last truly great non-Williams score.

Ah, so there are some things we disagree on. :lol:

Seriously though.

Well, I suppose it had to happen eventually. Just out of curiosty, what would be your pick in that category? Something JNH?

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Just out of curiosty, what would be your pick in that category? Something JNH?

Yeah, mostly (no surprise, I guess). From the last few years, I'd say that JNH's Water Horse, Lady in the Water, and The Village are pretty great, as well as Powell's X-Men: The Last Stand and probably a few others. And by "great" I don't necessarily mean "masterpiece," just very good or excellent.

On that note, I don't know as though I've ever seen you make reference to anything by JNH. Are you unfamiliar with his scores, or are you just underwhelmed by what you've heard?

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Heh, well you've called me out there. I just haven't gotten familiar with him. I've only seen random bits here and there of Shamalyan movies and haven't heard any of his CDs. I was really interested in his Peter Pan (and in seeing the movie) but just...never got around to it. A time and money thing mostly. As I'm sure it's obvious by now Giacchino is my favorite of the younger crowd.

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I've never understood people's fixation with Peter Pan. Sure, it's a nice score and works great in the film, but IMO it's hardly the best showcase for his talents. In fact, I didn't like it much before I saw the film, and realised how appropriate all the over the top and mickey mouse parts were for the tone of the movie.

I probably will buy non Maestro stuff in the future, but it will be after he croaks. I haven't heard a good, new, non JW score in a long time.

Just what is it then, that makes a score 'good' for you?

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I never got on with Powell's X-MEN. Maybe it's because I loved Ottman's X2 so much, but it never clicked with me. In terms of JNH, I love KONG. And his work on BATMAN BEGINS.

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Ottman's score is boring and bland.

I wouldn't say it's completely boring. There are a few cues that are pretty good, but bland...yes I do agree with that. I can listen to Superman Returns more often than X-2.

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Ottman's score is boring and bland.

Almost completely agreed.

I think the main theme also lacks originality to an almost irritating level - what happened to the guy who wrote the Usual Suspects themes?

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Powell's X-Men: The Last Stand is probably the best superhero score in quite a while. I mean, since the previous Batman series.

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