JMan 0 Posted June 21, 2005 Share Posted June 21, 2005 So what I can gather after listening to snipits of the score is that the main theme is involved with the family of Tom Cruise and his kids. Im sure that I am not the only one who thinks of Angela's Ashes when I hear it played by the piano. Joe Link to comment Share on other sites More sharing options...
David Coscina 3 Posted June 21, 2005 Share Posted June 21, 2005 No similarity whatsoever melodically or harmonically, except that the piano is used in both instances. Link to comment Share on other sites More sharing options...
Jacck 23 Posted June 21, 2005 Share Posted June 21, 2005 Lol ^^ Link to comment Share on other sites More sharing options...
Simon R. 10 Posted June 23, 2005 Share Posted June 23, 2005 Quite a few similarities have "oozed over" from ROTS though. I generally notice that in a lot of Williams scores, you can hear traces of the film he scored just before this one in many of his scores. Haven't had that feeling for some years now though, but I think it's rather evident with ROTS/WOTW. No criticism, I am more surprised when it doesn't happen at all than when it does:) I haven't had a really good listen to WOTW yet, so I don't have much of an opinion about it yet, except some of the rhythmic stuff sounds really amazing. Link to comment Share on other sites More sharing options...
MSM 126 Posted June 23, 2005 Share Posted June 23, 2005 you can hear traces of the film he scored just before this one in many of his scores. Haven't had that feeling for some years now though, but I think it's rather evident with ROTS/WOTW.Had that feeling the past few years quite a few times, e.g. with the themes from Amistad, American Collection Theme and The Patriot, with Harry Potter & SS and A.I. (e.g. Hide and Seek) and with PoA and Terminal (The Patronus and Gupta's Deliverance). Link to comment Share on other sites More sharing options...
Hlao-roo 389 Posted June 23, 2005 Share Posted June 23, 2005 It's not a new phenomenon; it's happened throughout his career, even during the so-called "peak" of his career during the bridge between the '70s and '80s. Link to comment Share on other sites More sharing options...
Jeshopk 8 Posted June 23, 2005 Share Posted June 23, 2005 He also composed scores without many "hummable" melodies in his "peak" years of the 70's/80's. Link to comment Share on other sites More sharing options...
Josh500 1,615 Posted June 23, 2005 Share Posted June 23, 2005 Quite a few similarities have "oozed over" from ROTS though. I generally notice that in a lot of Williams scores, you can hear traces of the film he scored just before this one in many of his scores. Haven't had that feeling for some years now though, but I think it's rather evident with ROTS/WOTW. No criticism, I am more surprised when it doesn't happen at all than when it does:) I haven't had a really good listen to WOTW yet, so I don't have much of an opinion about it yet, except some of the rhythmic stuff sounds really amazing.I think that's partly intended, though. Williams thinks of new ideas, and then develops it further with the next scoring assignment. The use of marimbas (?) in A.I. and then in Saving Buckbeak from PoA is another example, I think. 8O Link to comment Share on other sites More sharing options...
bondo 33 Posted June 23, 2005 Share Posted June 23, 2005 It's also a characteristic that occurs with most composers who have a distinctive style 8O WotW Link to comment Share on other sites More sharing options...
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