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Bor Gullet

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  1. 88% on RT, 8/10 average rating. Anyone seen this yet?
  2. There seems to be a huge disconnect between the positive and negative reviews on RT. Weird.
  3. I doubt it will be a game changer like Bridge of Spies.
  4. Incoming trailer. http://www.trailer-track.com/2017/12/05/in-the-pipeline-get-ready-for-a-new-trailer-for-steven-spielbergs-ready-player-one/
  5. With an insanely high 8.8 average rating!
  6. I'd wager anything between 75 to the low 90's on RT.
  7. Not as bad as the Lincoln trailer though.
  8. Looks like Bridge of Spies 2.0 That Disco Stu fellow should be quite pleased.
  9. A new tidbit. Spielberg is working closely with ILM on the massive number of visual effects for his next epic, ’80s-inflected Ready Player One (Warner Bros., March 30), based on the 2011 Ernest Cline sci-fi novel, which wrapped principal photography a year ago. Spielberg said he spends three three-hour meetings a week going over visual effects with ILM. "This is the most difficult movie I’ve done since Saving Private Ryan." http://www.indiewire.com/2017/11/steven-spielberg-the-post-ready-player-one-ben-mendelsohn-arthur-miller-writer-1201895214/
  10. Word to the wise: I personally recall rumors swirling around in early November 2005 that Munich was something resembling a mess and that Spielberg and Friends were struggling to put it all together as both a coherent and enjoyable film in the editing room. The time span between the start of production to the release date in December 22, 2005 was less than six months. The first trailer came out November 7. It's possible we could get a trailer for The Post sometime this week. Taken from the Munich IMDB page: The film crews called the shooting of the movie as a "race against the clock". In order to have the film ready by Christmas for Academy Awards consideration, Steven Spielberg and Editor Michael Kahn devised an editing schedule in which: 1) All of the scenes in Malta and Hungary shot in twelve weeks were edited on the spot. Each day, Spielberg would review an edited scene shot two days earlier. 2) Two copies of the edited scene were sent out, one to John Williams for music and the other to Ben Burtt for sound effects. 3) The Paris and New York City scenes were edited two weeks after photography, and the final cut was readied after another two weeks.
  11. Don't misunderstand me. I would dislike TLW less if Spielberg hadn't directed, like Jaws 2. I'm a big fan of Spielberg, and it shocks me he could direct such a boring turd.
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