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Philadelphia Concert


jsawruk

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The official program notes for the concert on 15 July in Philadelphia are located at:

http://www.philorch.org/styles/poa02e/www/...s_20030715.html

I know that Neil is going, as well as me. Perhaps if other board members are going, we could meet up at some point.

:spiny:

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I saw the program about a week ago, and immediately fell in love with it. There is so much variety in it. He's starting with the Liberty Fanfare and doing three big suites, JFK, Far and Away and Harry Potter. And of course he's got the more famous stuff like E.T. and and Star Wars in there as well. I'm hoping he does the almost nine minute version of the Cowboys overture as opposed to the two and a half minute one. My fingers are crossed. Also, why in the world is Fawkes being played in the "Harry Potter and the Sorcerer's Stone" suite? I'm not complaining, as I love this theme, but it's not from ST all of us know. Nevertheless, I can't wait for this concert! Only one more week to go!

Ted

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Also, why in the world is Fawkes being played in the "Harry Potter and the Sorcerer's Stone" suite?

Isn't that "Philosopher's Stone" anyway? :spiny:

Neil

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I'm going to this concert, too, y'all. :spiny:

Gotta see (hear) it for the Harry Potter suite. The other things I've already heard live.

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Liberty Fanfare

-Why, oh WHY does he have to do THIS? Why can't he do Olympic Fanfare or Summon The Heroes???

Overture to The Cowboys

-I doubt we'll hear the 9-minute version

Suite from JFK*

Theme-Motorcade-Arlington

-I'd much rather hear Nixon or Hymn to the Fallen...

"Adventures on Earth," from E.T. the Extra-Terrestrial*

"Flight to Neverland," from Hook*

-Can't wait to hear these!

Selections from Far and Away*

County Galway, June 1892-The Fighting Donellys-Joseph and Shannon-Blowin' Off Steam (The Flight)-Finale

-He should just do 'The Land Race'

Suite from Harry Potter and the Sorcerer's Stone

Theme from Schindler's List

Main title from Star Wars

-Can't wait to hear these!!!!

This program does not include encores does it? There is still a chance we'll hear Indy or Superman right??

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Encores are usually not listed as they are a surprise. I'm hoping to hear "Crimebuster's Theme" from Heartbeeps. :spiny:

Neil

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I'm hoping to hear "Crimebuster's Theme" from Heartbeeps. :spiny:

I'd die laughing if he played that! Are there going to be fireworks after the concert?

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I believe that there are going to be fireworks after the concert (don't quote me on that though).

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I never attended a Williams concert, but to my knowledge he always palys the concert overture of The Cowboys, not the film overture. I say this based on a number of concert recordings I have, plus on unending concert reports I've colected over the years.

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At a 1989 Williams concert I attended, he did full "The Cowboys Overture," and it was very well done. Only problem was, it didn't generate that much enthusiasm from the crowd. At least not the same rousing ovation as his bigger signature pieces.

So who's up for meeting next Tuesday....?

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I want to meet, but we need to figure out where. I'm not familiar with the Mann Center at all. I am already supposed to meet Indysolo and mlletsycho...

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I want to meet, but we need to figure out where. I'm not familiar with the Mann Center at all. I am already supposed to meet Indysolo and mlletsycho...

How about everyone wears bright orange T-shirts that say JWFAN.NET on the front and back!

:)

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I've got seat B-27 in the orchestra "A" section. I'll be on the look out for Neil, who should be a few rows back. I'll be wearing my Jason Giambi Yankees road jersey if anyone cares to spot me. :P

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I'm in Orchestra A seat 9. I cannot wait for this concert. Maybe I will meet some of you there. Though I never found a picture of myself to post, so it will be hard to find me I would imagine.

Ted

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Hi everyone. Just writing a reply here only 20 hours before the start of what should be one heck of a concert!!! I will be sitting in Seat 10, Section E, Row VS, Orchestra A Right. I will be wearing a Black, collared, t-shirt that says Nazareth Music on it (supporting the Nazareth Music Center in Nazareth, PA Lehigh Valley, PA where I work). I see some of you who will be there are from the Lehigh Valley as well so it would be really cool to meet up and chat. My cell number is 610-417-6470 and by all means feel free to give me a call before the concert starts. Look forward to maybe seeing one of you there!!! Hope we maybe can get a chance to meet Mr. Williams as well. I've been to 2 of his concerts at Tanglewood already (I'll be up there again this year) and have failed each time to meet him so maybe this time my luck will change. One last note: to anyone who has never been to the Mann, you'll love it, great place, I was there for a Canadian Brass and Philly Orchestra concert in 97 and the acoustics at the place are just phenominal. Alright, later everyone!!!

Clayton

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Clayton, you are from Nazareth? I assume you know the Brodts...

I still don't know what I'm wearing, but I will be in section K, row MC of the circle left.

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What would be considered appropriate attire to this concert?

I'm usually on that side of the stage/podium!

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Hey Jsawruk!!! I definitley know the Brodts. They of course are the owners of the Nazareth Music Center and I've been good friends with them for years. Edith and Ralph Brodt Jr. are the parents and the owners of the store, Scott Brodt, one of their sons, is the president, and Ralph Brodt the 3rd, their other son, is a brass repair man and trombone teacher there, he was my trombone teacher infact for 10 years, great guy. They are sending along with me a shirt of our store to give to Mr. Williams incase I would be lucky enough to meet him, wouldn't that be cool to actually see him at another event sometime wearing the shirt :( As far as attire is concerned, I'm just planning on wearing, like I said before, my Nazareth Music Center shirt which is pretty informal, and cackies. I remember from the last time being at a concert there, the attire varied quite alot, so I wouldn't be that concerned about it. Hope that helps. Take care.

Clayton

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Here is an interview with JW about his concert tonight. He states that there will be Indiana Jones music at the concert, but it is not in the program. I know the Raiders March is one of the pieces he usually encores with, so we can probably expect to hear that.

http://www.philly.com/mld/philly/entertain...sic/6298540.htm

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Q: What would you like to be remembered for?

A: Anything! So few people are remembered at all, one of the great sadnesses of life. Probably "Star Wars," but "E.T." would mean even more.

I don't think he has anything to worry about!

:(

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So, Clayton, you work at Nazareth Music?

Ralph III was my trombone teacher for two years, and I know Ralph II as well. I bought my trombone there.

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Yes, there will be fire works after the concert, to answer that question. I will be there with like 12 of my firends we are sitting in Orch B Right in row L. It is sure to be a good concert. I am so pumped!!! Less than 4 Hours to go!!!! Maybe I will see some of you guys there!!!! West Chester University of PA will be in full force tonight.

Jerome

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It's gonna be sweet...i'm going with my girlfriend, and the rest of the staff of Villanova's summer music program...hope to meet up with some of my Kappa Kappa Psi and Phi Mu Alpha Sinfonia brothers at the concert!! Yay West Chester U!!! :) Hi Jerome!

-Jarred

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I should first say that this concert would mark the third time that I've seen John Williams in concert. The two occasions that I have seen him in the past are and forever will be cemented in my mind as two of the most memorable experiences of my life. So I knew going into this concert that it was going to probably be among the other two concerts as wonderful experience that I would remember for a long time, and though I was right in that assumption, seeing him take the podium tonight was like seeing him for the first time. I had that indescribable awstruck feeling as he prominently walked to the podium with his baton in hand ready to conduct the Philadelphia Orchestra.

With a swift motion of the arms, the Orchestra burst into action with the Liberty Fanfare, which was crisply played by both the strings and the brass. It seemed to carry more emotion and energy than the times that I have heard this theme in the past. It was a good way to start the concert. After that, next on the lineup was the nine minute overture to the Cowboys, which again was well played by the Orchestra. During this performance, Williams did a little bit of dancing on the podium during a few moments, which was great to see.

After these pieces, Williams took the microphone and gave a little introduction to his next piece, which was the three movement suite from JFK. He talked about how he went about composing the music and what the contex of it was. The performance of this suite was superb to say the least. The trumpet and strings were great in playing the main theme and the Motorcade built with frantic energy to a climax of silence, followed by the solemn trumpet solo that began the beautiful last movement, Arlington.

Next was E.T., which Williams talked about before the performance by mentioning where the music took the place and the nature of it, which is always neat ot hear about. The performance of Adventures on Earth was everything it should have been, and I could tell because I felt my heart beating at the end of it. It struck me emotionally, as if I was watching the film. That's how well the orchestra played this music.

After the break were two solid performances, Flight to Neverland from Hook and what was basically the end credits suite from Far and Away, the latter of which I thought was a true standout given the nature of the music that is encompassed in such a short time and how well the orchestra adapted to the changes.

Williams then took the microphone again and discussed his good fortune over coming across the Harry Potter films and how he felt so lucky to be able to compose the music for it. He then introduced his suite by mentioning all the themes and what they represented, Hedwig's Theme, Fawkes the Phoenix, Nimbus 2000, and Harry's Wondrous World. The first two were given wonderful performances by the orchestra - every little detail was present in both of these themes, which is important in capturing the magic of these rich themes. Then the woodiwinds section took over for Nimbus 2000, a quircky little collection of the main themes played solely by the woodwinds section. He then capped off the Potter music with a performance of Harry's Wondrous World.

He then took the microphone once more to talk about his collaboration with Steven Spielberg. he then talked about the first time he saw Schindler's List and gave a lot fo detail over how moved he was and told the auidience the joke of him telling Spielberg that he needed a better composer, to which the audience loved Spielberg's "I know but they're all dead," response. But things quieted down quickly when the orchestra softly played in support of William De Pasqualle's violin solo of the main theme. This was the emotional climax of the night as the solo was flawlessly and movingly played.

And what better way to follow Schindler's List than with Star Wars. The audience bursted into appluse when the surge of brass filled the pavilion and the orchestra vigorously played the famous Star Wars main title with feverish energy. After this performance, Williams and the orchestra received a standing ovation.

For the encores, Williams conducted the Raiders March and the Mission theme, both of which received applause at the time of recognition and a standing ovation at the end. By the time the concert had ended, it was clear to me that the audience had genuinely embraced Williams, and it appeared as though he was deeply moved by such an enthusiastic reception from the audience.

Overall, it was a great concert and a memorable evening. The program was stellar and diverse, giving the audience a mix of the recognizable and lesser known music. Thought it is now only a memory, it is one that I will likely remember for years and years to come.

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This was my third time as well but it was my first all-Williams program. Overall I felt the Phillie Orchestra played well but I think they botched Harry's Wondrous World. I'm not an expert, but they seemed to make several mistakes during that piece.

I was really disappointed that he ended the evening with the NBC News Theme. His last few pieces were Harry Potter Suite, Schindlers List, Star Wars, Raiders March and then NBC News Theme. Hmm, which one of those doesn't fit? He should have gotten back up there and ended with Superman or something.

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What's wrong with "The Mission Theme"? It's a fun little way to end the concert, and the audience loved it.

I've been to four Williams concerts now, and I have yet to hear the complete version of the Superman March.

Neil

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I thought that was an exceptional concert! I think that was the fifth or sixth time i've had the pleasure of seeing Williams conduct, but every other time it has been with the Boston Pops. I thought it was a real treat to hear the Philly Orchestra play his music. I don't know if anyone else thinks this, but I can hear a difference in the orchestras... I felt the orchestra last night had a deeper, and darker sound than the BPO, which gave the pieces just a SLIGHTLY different sound to my ears...the brass was a little less bright than the Pops brass.

I really enjoyed the program as well, gave a little for every type of Williams fan...the causal fan enjoyed Star Wars, and Raiders March, while some of us nuts probably got more out of hearing The Cowboys, or Far and Away.

Now you wanna complain about something? How about most of the fireworks show (with the tiny exception of the finale)...they were horrible! the only part that I enjoyed were the TNT blasts that echoed across the fields, and set off car alarms!! :)

-JCM

- also...Williams talked at this concert much more than I have ever heard him talk at any other performance, which I really enjoyed as well...it's so cool to hear what he has to say about his own work.

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This was my third Williams concert this year, or 3.25, if I count his guest appearance on the 4th of July in DC....

I loved hearing "The Cowboys Overture" and "Liberty Fanfare," which I heard him conduct once previously back in 1989. But back then, I didn't appreciate those particular pieces as much as I do now. So I was paying attention to every nuance and instrument. It came out very nice.

He seemed to do a "themed" based program. The first three pieces were about America: American symbolism (State uf Liberty), Americana (The Cowboys), and an American tragedy (JFK).

The suite from JFK needs some work, but I'm not referring to this particular performance. I heard it once before when Leonard Slatkin conducted it, and it seemed to have the same problem. The solo trumpet part was a little fast and there was not enough "oomph" in the percussion section. It's a great arrangement nonetheless.

The Harry Potter suite was....well, sweeeeet!

He repeated a lot of the same jokes and anecdotes before introducting certain pieces, but since many people were hearing them for the first time, it was funny to them, but didn't do much for me. I met up with Neil and his family ("Attack of the Bulks" :)) before the concert and joked to him about Williams about doing the NBC Theme for encore and talking about how the concert was running late and people would miss the news, so he would fill their need with the music. (He did the same joke at the January 23 DC concert). And he's repeated the "Schindler's List" joke (about all the good composers being dead) ten years now. :music:

Of the "Theme from Schindler's List" performance, it was fine. But because this concert was more informal, the violinist sat in his chair and played the music off his sheet music. I thought urit Bar-Josef (the concertmaster for the National Symphony Orchestra and a major babe) did a more beautifil and emotional rendition. She performed the music from memory and standing, with her eyes closed.

Wish Williams had done a trifecta of his heroes music. After "Star Wars" and "The Raiders March," he should've done Superman! But no, he decides to make Tom Brokaw a superhero instead. (This was a joke brought up from the DC concert.)

I thought the fireworks they presented at the end were more interesting than the ones I saw in DC a couple weeks ago. (It was too much same old, same old and lackluster than in previous years.)

Saw waiting limousine outside after the show, presumably waiting for Williams. I saw a mini cooler inside and figured they contained his favorite bottled water (which he always seems to have with him)

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I've been to four Williams concerts now, and I have yet to hear the complete version of the Superman March.  

Sup with that? Glad you guys liked it. :)

Justin

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The highlight of the evening for me was "The Motorcade" from JFK. To hear this slightly off-kilter rendition of the main theme and the mounting tension really made me tense up. It literally brought tears to my eyes.

The "Nimbus 2000" theme did absolutely nothing for me. Coming after "Hedwigs Theme" and "Fawkes the Phoenix" this seemed anti-climatic. But then things went back on course for "Harry's Wondrous World".

When the brass came in during the first part of "The Raiders March" many audience members started applauding. While still conducting, Williams motioned for the audience to stop. That was great, and a relief. I can hear clapping anytime, but I can't hear the Philadelphia Orchestra conducted by John Williams playing "The Raiders March" that often.

As Jack said, Williams did use many of the same jokes and anecdotes. My favorite is whenever he talks about E.T.. You can be assured that you'll hear the word's "E.T." and "little friends" in the same sentence at some point. Last night he said it twice. :)

Neil

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Listening to him describe Hedwig the Owl and E.T. was hysterical. He's getting daft in his old age.

I feel the same way about Nimbus 2000, it didn't add anything to the suite.

I had goosebumps all throughout 'Adventures On Earth' though.

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Allow me to poke my nose in briefly to mention that I too attended last night?s concert, and was mostly pleased with the results. To start with, the program was dynamite, including personal favorites like ?The Cowboys? and ?Far and Away.? Extraordinarily well-thought out, with selections varied enough from their immediate neighbors so as to provide maximum enjoyment and not tire the ear with two hours-worth of ?Jurassic Park?-type overkill.

On the plus side, ?Liberty Fanfare? and ?The Cowboys,? which opened the concert with an impressive one-two punch were enormously well-done, every bit as stunning as the Pops recordings, although, as the other selections would eventually bear out, the Philadelphia Orchestra makes the Pops sound like a mere pit band. They played like gods, and it helped to disguise notable deficiencies like the absence of the Chieftains in ?Far and Away,? an omission that simply would not do, had it been issued on a Pops record.

And while we?re on the topic of concert arrangements, will someone please take the truncated version of ?Adventures on Earth? and consign it to the shredder? ?E.T.? is arguably Williams? greatest score, and I?m not telling anyone anything they don?t already know when I say that AOE provides the emotional climax. I have never, ever, EVER gotten used to the concert arrangement, which inexplicably GUTS the orgasmic release of the flying sequence, instead leaping from the menace of the (for me, always gun-wielding) checkpoint Feds directly to the descent of the mothership! I don?t generally mind this sort of thing on soundtrack albums, but then the most important part of the score is generally not mutilated. Just play it as it?s heard in the original, John! It?s perfect!

Anyway, ?E.T.? concluded the first half, and I?m happy to report the audience was suitably appreciative. In fact, Williams was greeted with whistles, applause and shrieks of ecstasy all evening. I wonder what the musicians of the orchestra, who are accustomed to a more restrained crowd, thought of it? I was pleasantly surprised to see many of them tapping their bows on the music stands at the end of the concert, a show of respect, and by no means common! Even if they all happened to detect influences and near-quotations that would fly right over the heads of many soundtrack collectors (such as the homage to Grainger?s ?Molly on the Shore? in ?Far and Away?), it has to be a thrill to be able to say you actually had a chance to swashbuckle with Luke Skywalker and Indiana Jones.

So, the concert opened with ?The Liberty Fanfare? and ?The Cowboys,? and the first half concluded with ?E.T.? In between came ?J.F.K.,? which was a nice contrast, since the music had a more haunted quality (and suitably so). I?ve always admired the score, in the film and on disc, but I can?t really pass definitive judgement on the suite without revisiting the soundtrack and without hearing the concert version a second time. The wonderful theme was there, in abundance, as were the sinister snares and elegiac strings.

Following intermission (and a much-needed gasp of air, out from beneath that stifling pavillion!) , Williams launched into the ?Flight to Neverland? from ?Hook,? which is another guilty pleasure (the score, not the film). It made me realize I hadn?t listened to the soundtrack for far too long. If there were any changes to the concert arrangement, I wouldn?t have caught them. I?ve already commented on ?Far and Away,? which followed. That score really deserves to be better-known. And then came selections from the Harry Potter films, all well-done. It was particularly delightful to be able to focus on the wind section in ?Nimbus 2000.? Which reminds me, watching the Grainger-inspired portion of ?F&A? was instructive, as the rhythmic layers built from the basses and cellos to the violas, before the entrance of the entire of the orchestra. This is the kind of detail which is often lost, when simply listening to a recording.

Then came ?Schindler?s List,? with a wonderful contribution by William de Pasquale (whose name I always thought was pronounced in Italianate fashion, but which Williams Anglicized ? who knows, though, he may be right). I?ve known Pasquale?s playing for years. He?s part of a very highly-regarded family of string-players. (His brother, violist Joseph, made some classic recordings of Berlioz?s ?Harold in Italy,? and with the remaining brothers formed a notable string quartet. All of them held positions in the orchestra, at one time or another.) Pasquale suffers from chronic and, at times, disabling back pain. I heard him solo in an incredible performance of Bernstein?s ?Serenade? with the Orchestra of the Curtis Institute of Music, but he only just about made it through Bruch?s ?Scottish Fantasy? when he soloed with the Philadelphia, a year or two later. Last night, he was ?on,? although he played from a seated position, in the role of concert master. For his efforts, he received a standing ?o.?

Before the piece, Williams shared an amusing anecdote about the first time Spielberg had shown him ?Schindler.? He said he had to leave the room, he was so moved, and when he returned he said, ?Steven, this film really deserves a better composer.? To which Spielberg replied, ?I know -- but they?re all dead.?

Immediately following, the orchestra launched into the ?Star Wars? main title, complete with Rebel Alliance music in the coda, as has been the case now for many years. The audience knew a good thing when they heard it, and roared their approval at the opening tutti. In fact, this was the best performance of the main title I?ve heard outside of the original soundtracks. Another example of how the Philadelphia has it all over the Pops and (*gag*) the Skywalker Symphony.

At several points during the evening, Williams seemed to play a little fast-and-loose with the facts. Not that things like precise dates are of any import. But the loosest of observances was made preceding the first encore, when he introduced ?The Raiders March? as being from ?Indiana Jones and the Last Crusade.? It featured Marion?s theme as the ?b? section (thank goodness), so obviously Williams was getting his billion-dollar Indy scores crossed. The fans didn?t care. It was greeted with another roar of approval. (Ideally, the march could have dealt with a bit more swagger.)

I should mention at the end of the published program (that is to say, following ?Star Wars?) most of the audience was on its feet. A very gratifying reception for the maestro, more like the adulation showered on rock stars than your average classical conductor. The thunderous ovation was repeated following ?Raiders.?

Then came Williams usual coy remark about ?should you be caught in traffic and miss the evening news,? and a fine rendering of the soaring NBC News theme. The audience showed no sign of fatigue, but Williams himself gave the ?beddy-bye? gesture and finally led de Pasquale off the stage by hand. The orchestra followed, but only after Williams graciously singled out each of the various sections for praise, as he had done time and again throughout the course of the evening. Some of us in the audience were disappointed there was not a third encore, and I wonder how much of it had to do with the two-hour time limit imposed by the orchestra?s union.

Since SEEING the concert was at least as important to me as hearing the music live, I should make note of Williams? conducting style, which seemed to shift erratically between discernable beats, a very subjective and romantic approach, and not one I?d want to have to follow as a musician! At the same time, he was very fluid, mostly urging the musicians on, rather than having them linger at the ends of phrases (as I would have done). Perhaps this was a result of conducting some of this music probably thousands of times? Most conductors, as they get older, tend to fall into a more reflective style. Everything tends to get drawn out, on occasion becoming less revelatory than leaden. Williams is the opposite. The often Dionysian beats were countered by an almost-Apollonian restraint in interpretation. It made me want to see him conduct someone else?s music, to see what he might do with it. (I am not a fan of his recording of ?The Planets.? Perhaps to see it live?)

All in all, a fine concert, followed by a superfluous and (to me) anti-climactic fireworks display. The Mann Center seems enticing in theory, but I have to say the parking situation is lame, cars orange-flagged onto grassy knolls, fairground style -- in some instances hundreds of yards from the actual venue -- with no landmarks to help you locate your vehicle following the concert (if indeed it's still there ? Fairmount Park is situated in one of the worst neighborhoods in Philadelphia). All this, for $7.00. And as I intimated earlier, sitting under the pavillion, I felt like a migrant worker being herded into a boxcar. Furthermore, the concerts are amplified, and being so close to the action, the speakers create an unnecessary distraction, actually serving to muddy up the sound. Ordinarily, lawn seating or the tried-and-true beach blanket picnic are good enough for me. Great music and a bottle of wine under the stars. But to see John Williams up close and doing his thing ? well, for me, it may have been a once-in-a-lifetime event.

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It's great seeing you post again, Figo. It's been a long time. The last thing I expected was to see a post from you reporting back on this particular concert. It's shocking, but pleasing. Hope you can post every so often in the future.

Ted

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