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Posted

Awesome, thanks! I can't wait to read.

You might consider making a brand new thread for it, since it was only released a few days ago.

Posted

Wait, he's gonna conduct a concert at the Royal Albert Hall? Awesome!!!

Posted

Wow, this is definitely one of Williams' better interviews. There's a lot of uncharted territory here, I only wish it were longer. Very cool to hear that Morris Stolof may have been the connection that allowed JW score score Sinatra's only film. Also cool to hear about Hitchock's knowledge of British music, and the approach to instrumentation for Angela's Ashes.

Posted

So nice to read him address three of my favorite scores of his: Seven Years in Tibet, JFK and Angela's Ashes

Posted

A really insightful interview and wonderful that Ray Bennett asked such specific questions about these individual scores.

Posted

It's so full of tidbits, it almost seems fake. Who would've thought John Williams would do an entire paragraph on Alan Parker, of all people?

Posted

Yes the interview seems to have been done pretty much on these great names and how JW is associated with them but there are some very interesting small tidbits I had never read before. Surprisingly Mr. Bennett goes into these "I loved your this or that score" remarks that spark the answers or reminiscence about them.

Posted

A good deal of these anecdotes were already recounted in one of the earliest interviews he did with the Boston Globe back in the 1980s. It's nice however to hear them again with some new tidbits added.

Posted

So nice to read him address three of my favorite scores of his: Seven Years in Tibet, JFK and Angela's Ashes

(Y)

Is youngster really a word JW would use?

I believe it is.

Posted

It's so full of tidbits, it almost seems fake. Who would've thought John Williams would do an entire paragraph on Alan Parker, of all people?

You do realize that this interview is not new. It is from 2000, not all that long after Angela's Ashes was composed.

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