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The sort that criticizes other people for not being devout Williamsians but then doesn't buy anything pre-Jaws.

We're back! For now... Peter, how would you like to play football for Penn State? -Wojo You're blowing things way out of proportion. -Wojo Batman never had to wash the windows. Can't wait to move out. -Koray Savas Copy and paste the code below and insert your caption... [img=http://i.imgur.com/iECCd.jpg] INSERT YOUR CAPTION HERE Copy and paste the code below and insert your caption... [img=http://i.imgur.com/tPv8S.jpg] INSERT YOUR CAPTION HERE Copy and paste the code below and insert your caption... [img=http://i.imgur.com/Z9p3q.jpg] INSERT YOUR CAPTION HERE SCORES

Indeed. The Golden Compass. Now this is true fantasy Desplat where no one forces him to be something else. I like that. A very rich score and at the same time completely, transparent and crystal clear. I takes some time to get the most out of it, but the effort is worth it. Karol

Harry Potter and The Deathly Hallows by Alexandre Desplat Such a frustrating pair of scores. On one hand they are both a showcase of Desplat's talent and intelligence. There are nods to John Williams' style and some really cool passages sprinkled throughout both outings that stand above most current composers' abilities. On the other hand, so much dull unimaginative filler as well. The collection of cues never creates any whole, to be honest. And yet, I can't dismiss those works completely. At the very least they prove the composer can do quite a lot of different stuff. Which is a good thing for his resume, I guess. Ironically, my favourite track from both scores would be this one: Karol