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BLUMENKOHL last won the day on June 8 2019

BLUMENKOHL had the most liked content!

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  • Birthday 22/03/1980


  • Title (custom text underneath your username)
    John Williams's Shrink
  • Location
    Ergonomic Shrink Chair

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  1. I dig it. You should go after your haters. Aggressively.
  2. When King Mark says this, that’s your sign of the end times.
  3. Square Escape is a really good fusion of Zimmer action music and Bond. I’ve never heard brass used quite the way you hear 35 seconds in. Surely there is some digital wizardry at work there? The brass has both bite, rapidity, and a softness that is unreal and satisfying! It’s on another plane from the usual choppy shit.
  4. Dune sucks. I've played this 4 times already. The first 11 tracks are an uninterrupted supreme listening experience.
  5. Even Hans Zimmer couldn’t conjure enough musical testosterone to balance a female Bond.
  6. I just broke 3-month music fast with a back-to-back real-world chronological listen to all 9 Star Wars Scores. They're all great, but three of them stand out as faultless, and one is on another plane in its totality. Star Wars is a breath away from perfection. It is only let down by its 1977 mixing and simplicity. The Force Awakens is a breath and the hair of a fine feline away from perfection. It's too dark and claustrophobic at times to make it an enjoyable experience. The Phantom Menace is perfection. Crisp is the word that comes to mind. The mix is sublime. The music is expansive but not so much that it feels disjointed. It's true to science fiction, dark where it needs to be, and brimming with energy and creativity. You feel like you're on a galactic adventure with this one. This is what I would take to a deserted island with me. The remaining six suffer from rambling incoherence at times. They are too ambitious, too unfocused, and start to move away from being Star Wars. If you just listen to the first of each trilogy, you get the best Star War musical experience. The three have exceptional continuity with each other (mix/mastering aside). They feel more cohesive together than they do with their respective trilogies. Thematically you basically get all the highlights of the 9 movies. That is all.
  7. Thank you all for contributing to a 60% decline in Oscars viewership! Let’s keep it going next year! 2020: 23.6 million 2021: 9.8 million 🤣
  8. So....Apple? Or [Insert Multinational Company Doing Bidness in China]?
  9. If you had said this in 2008 I think you’d be wrong on the 10 year horizon at least.
  10. You’re right, animation has developed quite a bit. I suppose I would ask: are we just so good at this now that there isn’t much more we can do to dramatically improve the cinema experience? Another 200 billion dollars is going to just get you diminishing returns on the blockbuster front. The Lucas dream of an Indy movie Renaissance just hasn’t panned out either.
  11. I can’t. I can tell the difference between a 2004 movie and a 2008 movie, only 4 years apart. But not 2008 to 2020. It all looks the same, it all sounds the same. Even TV is picking up the aesthetic. The only reason I can tell the difference between a 2008 TV show and a 2020 TV show is because 2020 TV is picking up the look and sound of 2008 film. Genuinely curious if anyone can confirm if there has there ever been such a long period of stylistic (and technological) stagnation in Hollywood?
  12. He’s promising. I want to see him push his orchestral side to new places. There are glimmers of it, but he falls back on the current orchestral/electronic tropes too often.
  13. Other than the stuff by Goransson this year, this has gotten the most play time in the soundtrack world for me. Highly recommend.
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