"The Land Race" from Far and Away It has a lot of Williams-isms: big brassy melody and counterpoint, lush lyrical strings, woodwinds runs, frequent modulation and key change, percussive flare with the cymbals and bass drum, and conservative sprinklings on the glockenspiel. Also, his use of pipes, penny whistles, fiddles and bodhrans in some lovely lyrical passages. In a way, however, it feels a lot like the music is more easily associated with the unfettered freedom and thematics of aviation and aircraft than the Oklahoma Land Rush. If it weren't for the film, I would probably never make the connection despite the cue's title. Despite this, I find it to be an inventive cue, even if it feels a lot like leftovers from "Hook".