MSM

So yesterday (May 11) I watched the live conversation “horn hangout” of Sarah Willis and Stefan Dohr from the Berlin Philharmonic and questions could be ask by the viewers. So I (and probably also other people with me) asked whether the orchestra would consider inviting JW to conduct his music with them. She replied: “we asked him, but unfortunately he doesn’t....well, it didn’t work out. So we’ll keep asking!” So at least any rumors that the orchestra is too traditional for such a collaboration are untrue. How wonderful would it be if this would happen one day... See her remark at 22’10:

I can’t stop listening to this fantastic recording😄! I do agree with many people that it is probably the best recording there is, regarding control, phrasing, balance of sound and sound quality. Especially the unisono horn part at 2:32 (video) / 2:27 (audio) gives me chills. There’s just one thing that bothers me every time I hear it, small but audible, which is the second flute coming in half a beat early on the G5 of the ostinato counterpoint 2:25 (video) on 2:20 (audio). I checked the score and there really should be a full quarter note rest on the first beat for tutti orchestra except for the melody played by the horns and trumpets (bar 60). It doesn’t really affect the overal performance but once you hear this you cant unhear it (at least I can’t🙈)...

Ah yes, but what you are linking to must be also his home then (look at the shelves). And the place below must be his Amblin office, am I correct? Either way he likes the set-up of his workstation like that😄

It seems JW is not sitting in his usual environment. I think so because: - at his usual workstation there is no door at the left side of the piano, but windows with shutters; - he has build-in shelves with doors, different from the ones in this video; - normally he uses an adjustable drawing table at his left side and not an antique desk. So either the maestro has different workstations at home, but more likely he is in a different house.

I compared the audio and the video. They seem to be the same recording. I think they indeed just re-recorded the parts that overlap with applause, or they edited them out. They did not correct tiny errors it seems as they are in both versions.

And the cars, the uniforms, the merchandise...😎🎉 I honestly think John Williams is the only one who can satisfyingly finish this saga.

It does look like it’s official.

Was I sitting next to you? 😃

it was not allowed to just go and sit there. People tried and were sent away. The management decided who got to sit there after the break. Apparently it had to look good for the Blue-Ray.

Anyone else thinks it’s exciting to see the original color scheme returning? It might all look a great deal more like Jurassic Park! How great if JW would return for scoring...

I wouldn’t want anyone else but JW for Indy 5.

Violin Concerto for ASM, as mentioned before.

She did, it was the “Lord Dunn-Raven”.

It was great being there with all of you guys. I will never forget the energy. These memories will last forever🎉!

Just kidding 🤣

Shall we all clap rhythmically and shout John’s name at the applause? Maybe we can get the entire hall to join in...

It must be.

And now we know the ‘deleted’ pieces are the encores, so the third and last encore will be Raiders March!🎉

Is that going on at this moment? I’m standing at the Musikverein right now...

not really...I prefer KLM

KL1845 👍🏼😊

Yes I’m in front of you😄 still on the ground

The middle part of T-Rex Rescue & Finale which got edited to have the JP fanfare in (in the final film edit underscoring the T-Rex breaking into the visitors center)...would have preferred the cue as written.

Which flight are you on?

Sitting on the tarmac right now...one more hour delay as apparently there’s a cue for landing in Vienna. Anyway as long I get to Vienna by tomorrow I’m not complaining! I hope everyone flying tomorrow has less problems...