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Soderbergh recuts 2001: A Space Odessey!


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And after that he went to Washington DC and rubbed his genetalia all over the Lincoln memorial. But not before reshaping the head to more closely resemble Screech from Saved By The Bell!

http://www.avclub.com/article/steven-soderbergh-posts-his-110-minute-recut-2001--213842?utm_source=Facebook&utm_medium=SocialMarketing&utm_campaign=LinkPreview:1:Default

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Interestingly, he uses every single shot in the film. He just reduces them to a fraction of their time. As he says, "why do we have to sit through all that long stuff? i maked it work gooder by cutting everything faster. faster, faster, faster. also, i had dave take his miniskirt off for hal."

I find it curious that he sees himself giving "master classes" in editing for young filmmakers, and yet can't use capital letters.

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The opening of this thing looks like the offal of a film student trying really hard to be avant garde. It doesn't work. At all.

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He cut the entire sequence aboard the space station out—except the shot of him logging in when he first arrives (the only dialogue in the movie so far). So the ship lands, he does the voice imprint ID . . . and suddenly he's on his way to the moon. WHAT?!? Were we planning on hitting any of the story along the way here? What's the point of showing him aboard the station for 60 seconds?

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Maybe he was just drunk when he was cutting it?

I beg you, Soderbergh.

Please don't be drunk when you recut The Wizard of Oz.

Or listen to Pink Flyod while you're drunk.

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He's replaced the continuation of the celebratory Strauss waltz with more strange Ligeti music for the trip to the moon. Having removed all indications of why they're going to the moon (and why the hell they stopped off at the space station to begin with, other than to "log in"), this turns the mood ominous and foreboding without letting us know what might have changed between stops.

Then he shows us the photographer taking pictures at the moon base, just before the press conference . . . but then doesn't show the press conference. It cuts straight to the shuttle heading across the moonscape. So that's what all that weird music was foreboding? A guy taking pictures in a room on the moon?

Also, Soderbergh cuts in a CU shot of Hal's eye constantly (including during the Dawn of Man sequence, which makes zero sense). Why? Your guess is as good as mine.

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So is this guy becoming the Shia LaBeouf of directors? Doing weird and stupid shit for no apparent reason?

Not quite. He still hasn't put a paper bag over his head.

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Pilgrim obviously don't get it. You don't put a paper bag over your head for no reason.

That's correct. You first have to be not famous anymore, which implies that you were once famous before.

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Hey, now. I'm not the one arguing the merits of the organ as a scoring instrument in Interstellar before diving into personal jabs.

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Did you attend the Monty Python of writing what you're doing?

"Look, if he was dying, he wouldn't have bothered to carve 'Aaaauuuggghhhh'. He'd just say it."

Sorry if I came off as haughty to you.

White flag.

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So there's that.

Ultimately, he only did two things: he cut out nearly all human interaction from the early scenes in orbit and on the moon (aside from some useless banter about space sandwiches), and he cut in HAL's eye constantly from beginning to end—including interrupting the final shot of the film, where the Starchild looks down on Earth, with one last peek at that red eye. I can only assume the first change was meant to remove all information about what was going on with the Earth monolith until it's revealed to Dave after HAL's disconnection, making it (I suppose) something of a surprise. But that reveal is only a few, broad lines about their discovery. Nothing of significance or importance. So you never really find out what the hell the whole thing's about. (And if you want to make it a reveal in that manner, why show any of the flight between the Earth and the moon? Just go straight from the ape throwing the bone in the air to the first shot of Discovery.)

The result of the latter change was to make it look like a computer built during the early 21st century had something to do with man's evolution on earth, the coming of the monoliths to the solar system, and Dave's experiences on the other side of the galaxy/universe. This is perhaps the single dumbest idea in the history of cinema, but there's no other conclusion that could be drawn from this, what with giving it equal time with the Starchild at the end.

Someone who had never seen 2001 wouldn't have a clue what was going on, and would undoubtedly find this version unbearably bizarre and boring. As someone who has seen it many times, the changes made no sense whatsoever, and I found it unbearably bizarre and pretentious. Not boring, necessarily, since it does reduce the length of the film (though for no good reason whatsoever).

Why the hell would Soderbergh stop making good films to start ruining better films. . . ?

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Why the hell would Soderbergh stop making good films to start ruining better films. . . ?

And there's the question of the day!

I'm sure he'll return to directing eventually

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I think I'll recut one of his films . . . see how he likes it. . . .


When is the next Star Wars 7 trailer?

After Soderbergh finishes having his way with the first one.

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