Jump to content


  • Content Count

  • Joined

  • Last visited

  • Days Won


BryonDavis last won the day on October 4 2020

BryonDavis had the most liked content!

About BryonDavis

  • Rank
    Occasional Poster

Contact Methods

  • Website URL

Profile Information

  • Gender
  • Location

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

  1. He's been chasing this one score i won't disclose. Rights headache.
  2. One of my faves. I pushed Cary for over a year to do this one. When we met with JP he was interested in doing it so glad it all worked out.
  3. I have done both for years. I was a contractor since 2014. I moved on a little bit ago to build NFN up as I wasn't giving it the attention it deserved.
  4. Omega Pictures is the licensor, we paid an advance and we are obligated to pay royalties. Confused by all this but all I'm going to say. Yep. Every release we put out is properly licensed and royalties are paid.
  5. Just because something isn't up digitally does not mean the license is up. Just saying.
  6. It's one I pushed to do for two years BEFORE a certain producer left the company. I like it that much.
  7. This batch won't disappoint. One last thing....Cary deserves a lot of props for doing the things some wouldn't. When I helped him plan out the releases we wanted to get expanded, we looked at what you all kept asking for. Sometimes, we overestimate interest, others it's a situation where we felt fans of a composer would love to see an expanded version of a score (say like John Carpenter's Village of the Damned). Cary taught me everything I know about licensing, publishing and everything else that I was responsible in managing, as an executive at Varese, taught me how a label runs day t
  8. One never knows but I doubt they are interested in high res presentations. I'll be honest. I've been pushing for those types of releases for years. They just do not sell like they should for all the extra money that we need to retransfer and remaster (or possibly remix). Nobody is supporting these types of releases in the numbers they need. I've pushed for SACD hybrid discs so the high res crowd can have that and then the CD crowd can still buy and enjoy but I am always worried they won't get the love they need for the cost it takes to prep one of those discs.
  9. 100% correct. We fought to include that because of the chorus. Correction for the record. Townson didn't own Varese... ever (even though he tells the world he did). Chris Kuchler did until he sold the company to Cutting Edge and yes, the fees for choral pieces are super expensive. Townson also didn't write the checks. Chris did. One little tidbit....ever go to his website or read a presser about him? He writes a lot of that stuff about himself. Up until Cutting Edge bought the company, Varese did not have a publicist. So anytime you see something written about hi
  10. Keep in mind we are working with minimal resources. Studios don't always allow us to change key art covers. The former producer at VS never saved anything, ANYTHING. If Bill decided to go with that as the cover it means we didn't have any alternatives to work from. In the end, Bill always does great work. I am happy we get to credit him on these releases (something the former producer refused to do for whatever bogus reasons he had).
  11. Proof positive why Mike does what he does. He's the best.
  12. We've asked in the past. It's up to the person setting it up.
  • Create New...

Important Information

By using this site, you agree to our Guidelines.