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The original soundtrack for Howard Shore's score to The Hobbit: An Unexpected Journey will be released on Monday December 10th by Decca (Internationally) / Tuesday December 11th by WaterTower Records (USA). The STANDARD VERSION of The Hobbit OST (http://www.amctheatr...xpected-journey Nov 7: A sample of Old Friends (Extended Version) (5:01) began streaming on The Hobbit's Official website Nov 7: Samples of every track from the regular and Special Edition OST appeared on qobuz.com Standard OST: http://thefilmfatale...y-the-hobbit-an Nov 11: Amazon has begun streaming 30 second samples of every track http://www.rollingst...emiere-20121112 Nov 13: Empire Online is streaming the entire OST (Standard Version) http://www.empireonline.com/news/story.asp?NID=35757
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Well I wanted to find the Wyatt Earp thread to include some art I found online only to find there wasn't a thread, so here it is! http://www.lalalandrecords.com/WyattEarp.html http://www.screenarchives.com/title_detail.cfm/ID/25752/ http://www.moviemusic.com/soundtrack/M09023/wyatt-earp/ http://store.intrada.com/s.nl/it.A/id.8280/.f Anyways, what I wanted to point out was that you can get a high res version of the cover WITHOUT the WB banner - as well as glimpse some sample pages from the booklet - at Warm Butter's site http://warmbutter.com/cds/wyattearp.php
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Admin note: Original thread title was Giacchino's Star Trek - Live to Projection (April 12, 13 and 14, 2013, Lucerne, Switzerland) Michael Giacchino's full score to J.J. Abrams' Star Trek (2009) will be performed live to projection next April in Lucerne (Switzerland). The performance will take place in Lucerne's KKL Concert Hall, with Ludwig Wicki conducting the 21st Century Orchestra & Chorus. More info: http://filmmusicreporter.com/2012/12/28/live-to-projection-concerts-of-michael-giacchinos-star-trek-score-announced/ Tickets: http://www.kkl-luzern.ch/navigation/top_nav_items/culture/Programmuebersicht/detail.htm?client_request_contentOID=3813&client_request_dateOID=20102&client_locale=en_GB -
Who else is excited for this score? Here's a clip of the movie with Powell's new score in it https://movies.yahoo.com/blogs/movie-news/how-to-train-your-dragon-2-exclusive-clip-161523920.html?vp=1 EDIT: The music is not from the new score, it's tracked in from the first.
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INTERVIEW: JOHN WILLIAMS ON SCORING STAR WARS: EPISODE VIILegendary composer John Williams discusses returning to a galaxy far, far away with Star Wars: Episode VII. http://starwars.com/watch/ce2-johnwilliams.html
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http://store.gnpcrescendo.com/new/product_info.php?products_id=228'>http://store.gnpcres...products_id=228 Jason if you want to edit the post so it is more professional that's fine with me.
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There wasn't a thread for this release yet, so here we go. Anyways, I was looking for a thread for this, because I read these interesting comments on FSM: It definitely sounds fake in the LLL version, but it could also be that the album mix (rightly) buried the male choir in a way that conceals its fakery better than the LLL mix. If that makes any sense. But it's definitely way too pronounced on the LLL version. http://filmscoremonthly.com/board/posts.cfm?threadID=102269&forumID=1&archive=0 What do people here think about this? -
Hearing great things about this score! Here's the OST track list: 1 A Million Ways to Die [Explicit] (Alan Jackson) 2:272 Main Title 2:333 Missing Louise 2:084 Old Stump 0:455 Saloon Brawl 1:506 Rattlesnake Ridge 1:287 People Die at the Fair 2:118 The Shooting Lesson 2:169 The Barn Dance 2:2910 If You've Only Got a Moustache (Amick Byram) 1:3111 Anna and Albert 4:1912 Clinch Hunts Albert 3:4113 Racing the Train 2:2114 Captured by Cochise 2:0715 Albert Takes a Trip 2:2416 The Showdown 2:2017 Sheep to the Horizon 2:0018 End Title Suite 2:30 And here's samples! http://www.amazon.com/gp/product/B00KB5NYT8/ And here's a music video for the opening title song!
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https://www.facebook.com/lalalandrecords/photos/a.181243738754.155532.56031953754/10153584443678755/?type=1&theater
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Roger has announced that Intrada will have a new release of Young Sherlock Holmes on Tuesday, April 1st (they will begin taking orders on Monday, March 31st sometime between 7-8pm EST) right here. But even better, our very own Olivier Soudé (EhTar), through the website underscores.fr, has revealed it is a 2CD set, and has the track list as well as sound samples! Here is the article, which also contains several paragraphs about the film and score. Check it out! http://www.underscores.fr/index.php/2014/03/news-young-sherlock-holmes-chez-intrada/ (Note: Scroll past the French to get to the English) Grand total time is 1:43:43 UPDATE: Intrada has now released a new 3CD version in 2019. See here! http://www.jwfan.com/forums/index.php?/topic/24269-bruce-broughtons-young-sherlock-holmes-new-2019-3cd-intrada-edition/&do=findComment&comment=1630521
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The Specialized Soundtrack Market has it changed or stayed the same? For me it times have change. In 1997 when the RCA Victor Star Wars Trilogy Special Edition 2 CD Releases , The 2000 Superman The Movie Rhino Records 2 CD Release and the 8 Disc Superman The Music 1978-1988 Box Set came out those where the peak of the specialized soundtrack market. Buying CD Soundtracks and expanded soundtracks is not the same now as it was in 1997 most people are streaming or buying their music off of iTunes , Amazon Music , Google Play Music , listening to it via Spotify etc. Sure you have company's and labels like Varèse Sarabande , Intrada Records and La La Land Records who put out these Limited Edition CD Soundtrack Sets but the market for buying CDs has changed. What are your thoughts on this and what is your opinion on this? -
The OST CD is coming from Hollywood Records on Tuesday, April 28th, and you can pre-order it on Amazon now http://www.amazon.com/dp/B00UHJ7DWW http://www.amazon.ca/dp/B00UHJ7DWW http://www.amazon.co.uk/dp/B00UHJ7DWW http://www.amazon.fr/dp/B00UHJ7DWW http://www.amazon.it/dp/B00UHJ7DWW http://www.amazon.de/dp/B00UHJ7DWW http://www.amazon.es/dp/B00UHJ7DWW http://www.amazon.in/dp/B00UHJ7DWW
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Which Vangelis electronic score do you prefer; Chariots of Fire or Blade Runner? Both the scores and the films are undoubtedly iconic and great, but I personally prefer Chariots of Fire over Blade Runner, in both categories.
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Which film and score do you prefer; Superman: The Movie or Batman? When it comes to the films, I feel Superman: The Movie is the superior movie. For all its atmosphere and distinctive production design, Batman ultimately feels somewhat hollow. As with nearly all of Tim Burton's movies, it is a film of style over substance. I feel Keaton fails to own the role of the Caped Crusader, while Reeves completely owns the characters of both Clark Kent and Superman. The Bruce-Vicki relationship is empty and emotionally vacuous, and while Jack Nicholson's turn as the Joker is entertaining to watch, it ultimately is little more than an iconic celebrity doing his well-worn shtick in a villain costume. All this is not to say Superman is a perfect film, but it has a lot of heart, and I feel it does a lot right, arguably hitting higher highs than Batman. Both scores are excellent and undoubtedly iconic. While I concede that Williams' Superman may be the superior score, I've always preferred Elfman's Batman, which I firmly believe to be his magnum opus, and in my top ten favorite film scores.
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I am personally still undecided... although I may actually be leaning to the Tadlow Re-Recording. But it's great to have both! How do you guys feel?
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I was thinking about the famous "I'm flying" scene from Titanic and, in particular, the precise moment where the music reaches its emotional climax. On paper, you might expect the score to swell at the moment Jack and Rose kiss, but it actually reaches its emotional peak a few seconds later when Rose reaches up her hand to hold Jack's head closer. The moment becomes a lot more sensual and somehow more romantic as a result. I realise this is just intelligent, intuitive film scoring, but the timing of these things always fascinates me. (2:09) Another example off the top of my head is the final scene in Home Alone when Kevin and Old Man Marley share their moment through the window. One could score it so the music swells when Marley raises his hand in greeting, but Williams holds it for that little moment longer until Kevin returns the gesture, when both characters have completed their arcs with regards to each other. This video below actually has the alternate “O Holy Night” version of the cue too, and you can see the emotional journey is exactly the same in both pieces of music. (00:47) I’m curious to know if you can think of any other examples like this. Moments where the music could reach an emotional peak at one moment, but actually climaxes at another for a stronger emotional impact.- 1 reply
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Samples: http://www.musicbox-records.com/en/41-clean-slate-the-perez-family.html
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Giacchino revealed through his Twitter feed that he is scoring Dawn of the Planet of the Apes. https://twitter.com/m_giacchino/status/334428501996359681 -
iTunes: https://itunes.apple.com/us/album/cosmos-spacetime-odyssey-music/id833553177 Spotify: http://open.spotify.com/album/4jA6hNpRKL3XGBdfi6aO90 qobuz: http://www.qobuz.com/album/cosmos-a-spacetime-odyssey-music-from-the-original-tv-series-vol-1-alan-silvestri/5054227015595 Hopefully a physical CD is coming too!!! https://www.facebook.com/alansilvestrimusic/posts/524251617690173
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YES!!! http://filmmusicreporter.com/2013/03/05/michael-giacchino-to-score-jupiter-ascending/
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Amazon has the cover art now Amazon UK (Release date October 7th): http://www.amazon.co.uk/dp/B00CZ1TMWE/ Amazon US (release date October 18th): http://www.amazon.com/dp/B00CZ1TMWE/
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Michael Giacchino's new MARVEL STUDIOS Logo Music
TheUlyssesian posted a topic in General Discussion
By Gia. I think Silverstri's was better. -
Anything about this yet? Besides the video of him conducting
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Don't think we have a thread for this yet, but this will be out next week. Amazon has cover art and tracklist up. 1. Kelpcake (Thomas Newman) 2. Finding Dory (Main Title) (Thomas Newman) 3. Lost at Sea (Thomas Newman) 4. One Year Later (Thomas Newman) 5. Migration Song (Thomas Newman) 6. "O, We're Going Home" (Thomas Newman) 7. Jewel of Morro Bay (Thomas Newman) 8. Gnarly Chop (Thomas Newman) 9. Squid Chase (Thomas Newman) 10. Sigourney Weaver (Thomas Newman) 11. Hank (Thomas Newman) 12. Nobody's Fine (Thomas Newman) 13. Rebecca Darling (Thomas Newman) 14. Meet Destiny (Thomas Newman) 15. Joker at Work (Thomas Newman) 16. Becky Flies (Thomas Newman) 17. Hands! (Thomas Newman) 18. Almost Home (Thomas Newman) 19. Open Ocean (Thomas Newman) 20. Two Lefts and a Right (Thomas Newman) 21. Everything About You (Thomas Newman) 22. Quarantine (Thomas Newman) 23. Warp (Thomas Newman) 24. All Alone (Thomas Newman) 25. ...Shells (Thomas Newman) 26. No Walls (Thomas Newman) 27. Okay with Crazy (Thomas Newman) 28. Hide and Seek (Thomas Newman) 29. Quite a View (Thomas Newman) 30. Unforgettable (Sia) 31. Three Hearts (End Title) (Thomas Newman) 32. Loon Tune (Thomas Newman) 33. Fish Who Wander (Thomas Newman) 34. Release (Thomas Newman) Love the first score as well as Wall*E, so looking forward to this! ETA: Went browsing around Andrew Stanton's Twitter... From a question about reuse of old themes: Presumably from a question about temp tracks....wonder if we'll be able to spot that
