Pawel P.

I think his last gem so far is the entire sequel trilogy, which is excellent from start to finish.

I missed Danger Zone and it sold out, but I was able to pick up a sealed copy from the Discogs.com store for a very reasonable price (€35 including shipping).

Unfortunately not. But it's not impossible that it will be in the future.

Speeded up version to 1.25 normal speed for anyone who finds the pace too slow. I'm not sure if there will be such a version under this link, but you can also do it yourself on YouTube in the video settings. Of course, this is just for fun. I hope it'll be released in the right quality and at the right pace on the Maestro-prepared album with various fanfares, similar to American Journey / Call of The Champions CD.

It's me. In fact, I love it. Score and the movie.

Great reading! And the second concert in Japan, in Tokyo. Higher chance that one of them will be filmed.

I don't know if I understand correctly: This is the last thing they (ASM & JW) ever recorded, so there won't be any more new arrangements? Or it's just the last thing they recorded because it was last Friday?

I'm pretty sure it was Saturday only, with the exception of "Princess Leia Theme", which was performed only on Thursday.

He didn't perform the Concerto in Vienna in 2020. The question was about concerts in Vienna in 2020 and 2022. Or at least that's how I understood it.

In fact, only Marion’s Theme, The Duel and The Imperial March were the same.

Source: https://www.yorck.de/en/specials/preview-anne-sophie-mutter-vivace She wrote on her Facebook that director, Sigrid Faltin, recorded interviews with Williams, among others. I don't think it'll be widely distributed in cinemas around the world, but let's hope it hits some streaming platforms in the near future.

Exactly. And let's not forget that Jóhannsson was disqualified for "Arrival" because the film opens and closes with Max Richter's "On the Nature of Daylight", used as a score in the film. Neither Bach nor the Golden Age compositions or source songs in "The Fabelmans" are used as score. Richter's work was so evocative and made such an impression on the audience that the Academy decided that viewers wouldn't be able to distinguish it from Jóhannsson's music.

I think that aside from the possibility that Williams recorded it last March, there's a good chance the Vienna Philharmonic will play this Fanfare at their annual Summer Night Concert at Schönbrunn Palace. The next one will be on June 8. It's broadcast around the world, as is New Year's Concert at Musikverein, and released very quickly in CD, DVD and Blu-ray formats. https://www.sommernachtskonzert.at/index_en.html Vienna Philharmonic played Williams at Summer Night Concert a few times in previous years. Three years ago they performed the suite from Dr. Zhivago by Maurice Jarre.

A simple Williams will work. Or Johnny. I really don't think Spielberg will go into something more over-the-top like Williams. Raider of the Lost Art or Williams. Led by the Force.

If we look at the Best Score winners, there hasn't been a movie that could be called an 'A box office bomb' in 40 years. I don't know what it was like earlier. There were movies that lost some money like Soul (but it was Covid-19 time), The Right Stuff, The Milagro Beanfield War…