Composer_Fan 2 Posted November 29, 2006 Share Posted November 29, 2006 That's a very valid reason.~Tyler, who'd be nervous as well, mainly because the music is highly difficult at times. Link to comment Share on other sites More sharing options...
Miguel Andrade 1,263 Posted November 29, 2006 Share Posted November 29, 2006 I'd never play for Williams because I can't play any musical instruments.Same problem here... Link to comment Share on other sites More sharing options...
Mr. Breathmask 555 Posted November 29, 2006 Share Posted November 29, 2006 What about playing this then? Link to comment Share on other sites More sharing options...
Miguel Andrade 1,263 Posted November 29, 2006 Share Posted November 29, 2006 wow, that quiet an hard instrument to play LOL Link to comment Share on other sites More sharing options...
Composer_Fan 2 Posted November 30, 2006 Share Posted November 30, 2006 Actually, one still has to be able to count and subdivide, even when playing the triangle.I've had bad experiences with amateur percussionists who have no sense of rhythm.... :? Link to comment Share on other sites More sharing options...
ChrisAfonso 186 Posted November 30, 2006 Share Posted November 30, 2006 And the difficulties don't end here, there are many triangle parts out there that require more technical skill. Case in point: Our youth orchestra concert last weekend. As the number of percussionists was ok for most of the piece (Wagner's "Meistersinger" prelude), at the end of it there was one additional player needed for the triangle. So the conductor said to the harpist "take this, play that few bars", as the harp had nothing to do at that point in the piece. And what can I say, she struggled immensely to get a simple rhythmic figure evenly out of that "simple" instrument, making it swing here and there uncontrolled when hitting it... Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,265 Posted November 30, 2006 Share Posted November 30, 2006 I've had bad experiences with amateur percussionists who have no sense of rhythm.... :?White boys, right? Link to comment Share on other sites More sharing options...
Marian Schedenig 8,198 Posted November 30, 2006 Share Posted November 30, 2006 I've had bad experiences with amateur percussionists who have no sense of rhythm.... :?Rambo III Link to comment Share on other sites More sharing options...
SturgisPodmore 0 Posted November 30, 2006 Share Posted November 30, 2006 Triangle can be hard to play at times because it twirls around on its string and it's often hard to get a perfect "jangle" out of it. Unless you're an immensely talented percussionist like me, of course. ~Sturgis, white-boy drummer and proud of it Link to comment Share on other sites More sharing options...
Ray Barnsbury 8 Posted December 1, 2006 Share Posted December 1, 2006 Sturgis rocks the house as a percussionist!Ray Barnsbury - who knows Link to comment Share on other sites More sharing options...
crocodile 8,017 Posted December 1, 2006 Share Posted December 1, 2006 I think that he can be tough conductor. He has to be. He achieved great success and showed great quality many more times than practically any other film composer. He's obviously a perfectionist. I wouldn't believe that you can arrive to such spot in your life being at the same time "soft-spoken and endlessly kind and gentle".Karol Link to comment Share on other sites More sharing options...
Ollie 1,059 Posted December 1, 2006 Share Posted December 1, 2006 Although I have a feeling it would be alot smoother playing for Williams than it would be playing for Herrmann and Goldsmith. Link to comment Share on other sites More sharing options...
Foxfan 128 Posted December 3, 2006 Share Posted December 3, 2006 I've heard mostly very positive things about Williams' conductor-personality from musicians who have worked with him. After his last concerts with the N.Y. Phil., several players pointed out that it was so refreshing to work with a man who was simply a musician, not a "maestro". Are you referring to the NY April 2006 concert? But at that concert a section came in to early in A Prayer for Peace from Munich. It was after the big dramatic pause, well half of them came in a half a second to early while the other half came in on time (or so it sounded like) well end result, not pretty noise effect and one of John Williams stares that make me want to go into a nice corner. I was sitting far from the stage and I still saw it. Not pretty.I'm trying to think how they would have messed this up. Is this piece written in duple meter? Maybe that would have caused problems. If it was written in 4, the deep low chord would have been on the third beat, so there was no way the violins could have mistaken it for the first beat. Link to comment Share on other sites More sharing options...
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