antovolk

https://www.businesswire.com/news/home/20190318005491/en/Cameras-Roll-Warner-Bros.-Pictures-Legendary-Entertainment’s

https://www.businesswire.com/news/home/20190318005491/en/Cameras-Roll-Warner-Bros.-Pictures-Legendary-Entertainment’s

https://www.businesswire.com/news/home/20190318005491/en/Cameras-Roll-Warner-Bros.-Pictures-Legendary-Entertainment’s

https://www.businesswire.com/news/home/20190318005491/en/Cameras-Roll-Warner-Bros.-Pictures-Legendary-Entertainment’s

Had to be done:
 

Two tracks from the score have been released exclusively:
 
 
 
https://ew.com/movies/2018/10/04/first-man-score-first-listen-exclusive/

Yeah, Universal ended up blocking it... You can hear it (and the last minute or so of the Apollo 11 Launch cut) at the start here:
 
Official cover art:

Sorry, third time bumping this - some of the score in first 20 seconds of this - 
 
As well as throughout these:
 

Sorry, *another* bump. Firstly - 
 
Secondly, thanks to the powers of Shazaming this preview (it was from the Paris premiere livestream , also has a short snippet of the Apollo 11 launch cue) got the full tracklist for the album (although it does look more like the 'complete score' cue sheet) out of order. Looks like we'll be getting an almost-complete 2CD release...
 
 

TINY bit of the main theme from Hurwitz at the start of this 
 

https://variety.com/2018/film/awards/how-neil-armstrong-biopic-first-man-achieved-lift-off-1202925131/amp/?__twitter_impression=true

https://variety.com/2018/film/awards/how-neil-armstrong-biopic-first-man-achieved-lift-off-1202925131/amp/?__twitter_impression=true

https://variety.com/2018/film/awards/how-neil-armstrong-biopic-first-man-achieved-lift-off-1202925131/amp/?__twitter_impression=true

A lot of it functional but a good number of memorable cues for sure, once we get to the moon mission itself especially. Hurwitz definitely isn't phoning it in with the electronics like some have been fearing, it's just that Chazelle evidently didn't want the music to be the driving force of the entire film like his previous ones, just in a few select sequences. 

Just out of screening. Let's talk score - it's gonna piss quite a few of you (or at least the FSMers) off because fully orchestral this is not. In fact this film is a lot less music driven than all of his previous ones. The feel overall is very Gravity in that mix between electronics and orchestra, and there's a little bit of that theremin in there too! (You think it's a choir boy but....very nicely done). There are a few fully orchestral cues though which are highlights and there are moments in the film that the score takes center stage 
 
Potential musical spoiler:
The film is quite brilliant too. Perfect balance between focusing on Armstrong the man and the space programs
 

Someone on another forum said that apparently Hurwitz's name on the end credits got the second loudest applause at the press screening this morning.

No

Here's the new trailer that arrived today btw.
 
 
If you guys go back to Trailer 1 - that first bit before the Universal logos, that's from the score.

Just out of screening. Let's talk score - it's gonna piss quite a few of you (or at least the FSMers) off because fully orchestral this is not. In fact this film is a lot less music driven than all of his previous ones. The feel overall is very Gravity in that mix between electronics and orchestra, and there's a little bit of that theremin in there too! (You think it's a choir boy but....very nicely done). There are a few fully orchestral cues though which are highlights and there are moments in the film that the score takes center stage 
 
Potential musical spoiler:
The film is quite brilliant too. Perfect balance between focusing on Armstrong the man and the space programs
 

A lot of it functional but a good number of memorable cues for sure, once we get to the moon mission itself especially. Hurwitz definitely isn't phoning it in with the electronics like some have been fearing, it's just that Chazelle evidently didn't want the music to be the driving force of the entire film like his previous ones, just in a few select sequences. 

Just out of screening. Let's talk score - it's gonna piss quite a few of you (or at least the FSMers) off because fully orchestral this is not. In fact this film is a lot less music driven than all of his previous ones. The feel overall is very Gravity in that mix between electronics and orchestra, and there's a little bit of that theremin in there too! (You think it's a choir boy but....very nicely done). There are a few fully orchestral cues though which are highlights and there are moments in the film that the score takes center stage 
 
Potential musical spoiler:
The film is quite brilliant too. Perfect balance between focusing on Armstrong the man and the space programs
 

Someone on another forum said that apparently Hurwitz's name on the end credits got the second loudest applause at the press screening this morning.