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Cerebral Cortex

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Cerebral Cortex last won the day on February 22 2020

Cerebral Cortex had the most liked content!

About Cerebral Cortex

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  • Birthday December 16

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  1. I would imagine they resorted to such a technique on Mando to save time, save money, and use less resources to ultimately help keep it a secret. This last part is supported further in how those scenes were tweaked and improved after the episode was released. I would be very surprised if they use that same technique on Indy. I think it's more likely that they'll be resorting to what ILM has continued to perfect with their work on stuff like The Irishman and the Marvel films (and more aptly perhaps what ImageEngine did with Mangold's Logan) in that there will be an active CG model im
  2. "Since we barely got to hear it" would have been better wording on my part. At least in the mixing of the version I watched, I had difficulty actually being able to hear it except for in a handful of moments. It was a bad joke on my part regardless.
  3. Indy is wearing a wedding ring from some of the pics we've seen of Ford in costume so, at the very least, they're not gonna ignore the fact that he's married I don't think.
  4. I'm with you, Crumbs. Some theme that plays into a more grandiose reflection on a farewell to adventure, one's place in history, or perhaps the passage of time in general would be most welcome. A couple days ago I came across this very soft piano rendition of the Raiders March: At first I kinda cracked up just because of how overtly subdued it was, but, honestly, I really kinda like it. If we had to close the movie on a soft piano rendition of the theme, in contrast to how all the other films have ended, perhaps on a shot of Indy in a museum of things he has
  5. The fact that Williams somehow ended up scoring for legendary Japansese actor Toshiro Mifune of Kurosawa fame not once, but twice (1941 and Midway) tickles me so.
  6. And with a great sound mix that allowed that score to shine within the film! I almost wonder if such a sound mix was almost born out of the score being the new exciting element to his film soundscape, and, as such, wasn't really given the opportunity to be treated as agnostically as just another usual track that blended in with the others that he had to deal with in mixing. I'll be very intrigued to see how Mangold handles the score, as I feel that in the larger score moments in his films you are usually able to make it out quite well. Throughout all of this scene from
  7. In all seriousness, I'd love for Williams to have an excuse to have more piano creep into this film, whether that's in the action stuff or otherwise. Would be a fun flavor to bring to the proceedings, I feel.
  8. It would have allowed Williams to get away with reusing Anthem of Evil since he barely got to use it in TROS.
  9. Mangold has experience with de-age tech and with digital doubles from his work on Logan, which I think were pulled off incredibly well. I have faith he'll be able to pull off the de-aging required for Ford with similar success.
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