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CompleteRecordingSessions

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  1. Here are some of my favorites from 'Indiana Jones and the Dial of Destiny.' 3:22-3:41 has some of the best action-string writing I've heard in a while. It's so good! I'm not sure how to correctly describe it, but I love the classic Williams heart-pounding 'prelude to third act' music that appears from 2:38-3:07. I'm not sure if that makes any sense, but I still think it's a great short moment! Also, the musical transition that occurs between 2:09 to 2:21 is so satisfying! I often repeat it way too many times! The rendition of Helena's Theme that occurs from 1:49-2:10 starts whimsical, but then transitions into such a graceful and elegant performance. I love it!
  2. I know it's a bit late, and there have been countless other posts like this, but I just thought I'd share my thoughts on some of my favorite unreleased cues: - Right from the beginning, I absolutely love the score's usage of snare drums. Hearing the snare when the title card appeared was amazing. I also love the subtle woodwind rendition of the 'Raiders March' that scores Indy's first appearance. - Yes, there are a lot of musical quotes from previous films during the prologue. It was actually hard for me to focus on all the action during the prologue because I was paying so much attention to all the re-recorded/temped music! Still, it was nice hearing the re-used music in amazing theater sound quality. - The rendition of the 'Raiders March' that scores Indy running on top of the train is so good! However, I think it was an insert. - When Basil discovers the Antikythera on the train, there is an amazing ascending string motif that I do not think re-appears in the score. - The New York chase sequence features a lot of interesting unreleased music. The piano writing reminded me of the Williams performed 'Peter Gunn' theme. - While the film version/insert of Helena's Theme that scores the 'To Morocco' scene is much shorter than the album version, it is still a very satisfying arrangement. - The 'Lost World-esque' timpani writing that scores the diving scene sounded amazing in the theater. So yeah, those are my favorite unreleased cues from the film. I really hope for an FYC/Isolated Score, but I also really enjoy the OST. If only it were 13 minutes longer!
  3. Hello everyone, I'm a newbie here at JWFAN. I was just wondering, how do you all go about extracting music from film audio channels, and how do you remove the remaining SFX? I'm just asking because I want to start making score edits. Thanks!
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