Kasey Kockroach

I must admit I began finding the poll threads tiresome weeks ago.  However, they are easy to ignore.  I'll not deny others their fun.

I keep getting confused and wondering when the heck La La Land Records ever released a score called Justin Hurwitz. 

Been feeling Horny today, and eventually put in this one on a whim (it's actually been quite awhile). 
I have yet to hear a score from him that comes anywhere close to this in terms of pure emotional resonance. Yeah, sure, link me your counter-arguments all you wish. I shall not fight, but neither shall I step down from this prehistoric pedestal. 

I keep getting confused and wondering when the heck La La Land Records ever released a score called Justin Hurwitz. 

I found it horrifying (in a good way) at first, but now I think it's hilarious (in a good way). 

I love how people lost their minds when Katie McGrath's character died. 
Because heaven freaking forbid a female character die in a Jurassic Park movie. 

I'd rather Junkie XL take the project. Reading people bash him is more fun than reading Giacchino bashing.

I can tell we've got an awful lot in common, even our tastes in music are as different can be!
We don't even have to try to see things eye to eye, it just comes to us naturally!

I want a scene at the beginning where Rey explains to Luke how she came to find him and then Luke has a line like "This all sounds suspiciously familiar........"

Can't Ian live a happy life and move on from those TWO near-death experiences? 

"Charlie, take my word for it! Don't look back! Swim, Charlie, swim! C'mon, Charlie! SWIM!"

They want Star Wars, but what they NEED is Deadly Friend!

I don't know what to tell ya there. I love the film more than most health specialists would recommend, but I would not neccesarily recommend it.
I kind of have a minor soft spot for Blue Sky Studios in general. 
At the very, very least, it remains the only remotely watchable Dr Suess movie. 

I always got the impression Giacchino gets all the big blockbusters nowadays because he's a really nice chap to work with, not necessarily because his actual work is particularly impressive. 
Powell doesn't get much attention because he mainly sticks with kiddie flicks, which probably offer a lot more creative freedom and opportunity (since the actual films don't get much attention, so there's less pressure) than, say, the average billion dollar-budget superhero nonsense. 
On another note, every time I try to listen to Beck's Ant-Man theme, the Mission: Impossible theme starts playing in my subconscious. 

Funny you should that, as I've been looking into Giacchino's family film scores lately. I've always liked Inside Out (both score and film), but they overall feel like music Powell could do in his sleep, yet Giacchino weirdly gets more praise and accolades (or at least more attention). Speed Racer especially made me think of Powell and want to put on his works instead. Ratatouille sounded nice, but it just didn't feel especially energetic or passionate. 
I like Giacchino okay, for the record. But I freaking love Powell, easily as much as I do Carl Stalling, Scott Bradley or Darrel Calker. 

Do what I do! Buy the forgotten scores no one seems to care about, so they go cheap! One of my top ten favorite scores ever was one I got for a buck!