La-La Land Records' HOOK (2CD Expanded) Discussion thread
#1
Posted 28 March 2012 - 07:56 PM
This thread will be for actual discussion of the release only.
I'll start:
Banning Back Home film version is sooooooo cool!
#2
Posted 28 March 2012 - 08:01 PM
For now.
#3
Posted 28 March 2012 - 08:18 PM
@Wojo: stop being facetious.
#4
Posted 28 March 2012 - 09:54 PM
#5
Posted 28 March 2012 - 10:07 PM
Izena duen guztia omen da.
#7
Posted 28 March 2012 - 10:39 PM
- George Lucas
#8
Posted 28 March 2012 - 10:44 PM
Is the OST version of Banning Back Home a previous alternate or was it done for the OST?
It was made as background music for The Weather Channel! Lol
#9
Posted 28 March 2012 - 10:54 PM
#10
Posted 28 March 2012 - 11:02 PM
Ha! Exactly!
As silly as that sounds, years ago before shows like "Storm Chasers" came along, you'd turn to The Weather Channel and there would just be a blue screen showing the Weather forecast. It would also have some new age jazz or something similar playing, and that "Banning Back Home" album track would have fit right into all that.
"Your local forecast. Only on The Weather Channel!"
#11
Posted 28 March 2012 - 11:08 PM
@Wojo: stop being facetious.
#12
Posted 28 March 2012 - 11:38 PM
Izena duen guztia omen da.
#14
Posted 29 March 2012 - 12:03 AM
That looks awesome! thanks for sharing.
Music Muse Reviews: "Escape From Tomorrow by Abel Korzeniowski
#15
Posted 29 March 2012 - 12:41 AM
My thoughts will be totally random.
Looks like a percussionist got a little excited 2 seconds in Prologue Alternate. There's a sound that shouldn't be there. I enjoy this version very much. More magical than the in your face actiony original.
Wendy Tells Peter the Truth reveals quite a few background noises that, musicians moving around, banging against stuff. Love the choral.
#16
Posted 29 March 2012 - 01:17 AM
#17
Posted 29 March 2012 - 01:41 AM
To anybody who's heard the tracks in question - how would you rate the second two Ultimate War pieces? Sound quality, obvious edits, volume fluctuations, etc.?
The second Ultimate War suffers the most. You have to be really nit picking to be bothered by it.
The first and third has some iffy edits that are noticable.
#18
Posted 29 March 2012 - 01:49 AM
#19
Posted 29 March 2012 - 01:51 AM
To anybody who's heard the tracks in question - how would you rate the second two Ultimate War pieces? Sound quality, obvious edits, volume fluctuations, etc.?
The second Ultimate War suffers the most. You have to be really nit picking to be bothered by it.
The first and third has some iffy edits that are noticable.
Awesome, thank you. If it's listenable, and nothing else could be done, I can't complain.
#20
Posted 29 March 2012 - 01:54 AM
http://www.peeje.com...sample.mp3.html
Here is part of an edit, I believe from Ultimate War 1. It happens at the strings 0:12-0:13. Just doesn't sound right.
#21
Posted 29 March 2012 - 02:00 AM
Watch, when I get the CD and I'm listening to it, I'll hear what you're pointing out... and then it'll be a moment-ruining distraction from then on.
#22
Posted 29 March 2012 - 02:01 AM
#23
Posted 29 March 2012 - 02:04 AM
I hope Jason doesn't take this down. Its under 30seconds and he hosts samples on the site anyway.
http://www.peeje.com...sample.mp3.html
Here is part of an edit, I believe from Ultimate War 1. It happens at the strings 0:12-0:13. Just doesn't sound right.
Samples 30 seconds or less are fine
Yea I hear something weird in the strings there
#24
Posted 29 March 2012 - 02:12 AM
Hmm. I think I'm drunk right now.
Izena duen guztia omen da.
#26
Posted 29 March 2012 - 02:18 AM
Izena duen guztia omen da.
#27
Posted 29 March 2012 - 02:18 AM
#29
Posted 29 March 2012 - 03:05 AM
#31
Posted 29 March 2012 - 07:00 AM
Well, no big deal, I guess, but a bit strange...
#32
Posted 29 March 2012 - 07:02 AM
I guess it is the result of Williams' input. He retained many album edits in the score proper but LLL managed to slip some film versions in there like the Arrival of Tink and Flight to Neverland.Anybody find it weird that the film version of BBH is a bonus track, and an alternate version/OS version is the third track on the album proper?
Well, no big deal, I guess, but a bit strange...
Ars superior est vita hominum.
"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-
I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-
#33
Posted 29 March 2012 - 07:42 AM
I guess it is the result of Williams' input. He retained many album edits in the score proper but LLL managed to slip some film versions in there like the Arrival of Tink and Flight to Neverland.
Anybody find it weird that the film version of BBH is a bonus track, and an alternate version/OS version is the third track on the album proper?
Well, no big deal, I guess, but a bit strange...
Yeah, I'm sure the folks at LLL were like: "Hey, Johnny, look behind you, a three-headed monkey!", and when Williams turned his head to look, they quickly inserted the film versions on the disc.
#34
Posted 29 March 2012 - 07:46 AM
That's how I imagine the scenario. Exactly like that. Williams is notoriously afraid of three-headed monkeys. Some fan you are for not knowing that.
I guess it is the result of Williams' input. He retained many album edits in the score proper but LLL managed to slip some film versions in there like the Arrival of Tink and Flight to Neverland.
Anybody find it weird that the film version of BBH is a bonus track, and an alternate version/OS version is the third track on the album proper?
Well, no big deal, I guess, but a bit strange...
Yeah, I'm sure the folks at LLL were like: "Hey, Johnny, look behind you, a three-headed monkey!", and when Williams turned his head to look, they quickly inserted the film versions on the disc.
Ars superior est vita hominum.
"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-
I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-
#35
Posted 29 March 2012 - 07:49 AM
I guess it is the result of Williams' input. He retained many album edits in the score proper but LLL managed to slip some film versions in there like the Arrival of Tink and Flight to Neverland.
Anybody find it weird that the film version of BBH is a bonus track, and an alternate version/OS version is the third track on the album proper?
Well, no big deal, I guess, but a bit strange...
Hmmmm, possible, yes. But somehow I doubt that.
Remember, JW had final approval. So if there was something JW didn't like, he sure would have said something! I don't think he wouldn't care whether a piece he didn't want to be included is listed in the album proper or as a bonus track...
#36
Posted 29 March 2012 - 10:55 AM
Does the LLL set present the "Prologue" at correct speed? The tracklist seems to indicate it still plays at the wrong speed/pitch.
"Let me say, however, there is no "next" John Williams. Sadly, he is unique--- a figure who simultaneously embodies and transcends the music of all the masters of film music who preceded him (much like Brahms and Wagner of the Romantic era). He comes from a time when the craft of music in film was still one of the ear, heart and mind. Today, sadly, the craft is largely technical. Most composers do not conceive their music "inwardly" but rather at the computer--- and with rather limited skills, musically, at that. The inner spirit knows no boundaries--- our plastic abilities, sadly, do. John is a man of spirit, heart, intellect and soaring music." -- Conrad Pope about John Williams
#37
Posted 29 March 2012 - 11:09 AM
#38
Posted 29 March 2012 - 11:16 AM
But I am sure they did the best they could with what they had... and this release is tons better than the Epic release, anyway.
#39
Posted 29 March 2012 - 11:37 AM
Sorry if the question has been already anwsered on the other thread (I didn't keep up like I wanted in the last 2 days because of job obligations!):
Does the LLL set present the "Prologue" at correct speed? The tracklist seems to indicate it still plays at the wrong speed/pitch.
Prologue is still the wrong speed like the OST. Prologue (Alternate) is the correct speed as recorded.
The sample sounds iffy. It's OK for what it is (a film stem) but i'm not overly happy.
Hey only the second half of the Ultimate War (well, and maybe the End Credits, and maybe the revised ending of Flight To Neverland) are from the film stems.... the rest are from the real recording sessions and sound utterly glorious!
#40
Posted 29 March 2012 - 11:40 AM
Also tagged with one or more of these keywords: La-La Land, Hook
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